Felice McDowell – författare

From artist to curator, couturier to fashion blogger, ‘creative’ professional identities can be viewed as social practices, enacted, performed and negotiated through the media, the public, and industry. Fashioning Professionals addresses what it means to be a creative professional, historically and in the digital age, as new ways of working and doing business have given rise to new professional identities.Bringing together critical reflections from international researchers, the book spans fashion, design, art, architecture, and advertising. It examines both traditional and emergent roles in creative industries, from advertising executives and surrealist artists to mannequin designers, pop stylists, bloggers, makers and design curators. The book reveals how professional identities are continually in a state of fashioning, through style, taste, gender and cultural representation, highlighting moments of friction and flux in the creative labour of the global economy. Interweaving critical perspectives from fashion and design history with sociology and cultural theory, Fashioning Professionals addresses a burgeoning area of research as we enter new terrain in fashion and the creative industries.

From artist to curator, couturier to fashion blogger, ''creative'' professional identities can be viewed as social practices, enacted, performed and negotiated through the media, the public, and industry. Fashioning Professionals addresses what it means to be a creative professional, historically and in the digital age, as new ways of working and doing business have given rise to new professional identities. Bringing together critical reflections from international researchers, the book spans fashion, design, art, architecture, and advertising. It examines both traditional and emergent roles in creative industries, from advertising executives and surrealist artists to mannequin designers, pop stylists, bloggers, makers and design curators. The book reveals how professional identities are continually in a state of fashioning, through style, taste, gender and cultural representation, highlighting moments of friction and flux in the creative labour of the global economy. Interweaving critical perspectives from fashion and design history with sociology and cultural theory, Fashioning Professionals addresses a burgeoning area of research as we enter new terrain in fashion and the creative industries.

From artist to curator, couturier to fashion blogger, ''creative'' professional identities can be viewed as social practices, enacted, performed and negotiated through the media, the public, and industry. Fashioning Professionals addresses what it means to be a creative professional, historically and in the digital age, as new ways of working and doing business have given rise to new professional identities. Bringing together critical reflections from international researchers, the book spans fashion, design, art, architecture, and advertising. It examines both traditional and emergent roles in creative industries, from advertising executives and surrealist artists to mannequin designers, pop stylists, bloggers, makers and design curators. The book reveals how professional identities are continually in a state of fashioning, through style, taste, gender and cultural representation, highlighting moments of friction and flux in the creative labour of the global economy. Interweaving critical perspectives from fashion and design history with sociology and cultural theory, Fashioning Professionals addresses a burgeoning area of research as we enter new terrain in fashion and the creative industries.

Examining histories of post-war Britain, fashion, modelling, photography and popular culture, 1960s Model Girl: Narrative Identities in Fashion, Time and History explores model girl narratives found throughout media, fashion magazines, advice literature, auto/biographies and fashion exhibits.Introducing theories of history, life-writing and narrative identity, 1960s Model Girl demonstrates how these can be applied to the study of fashion and shows how fashion studies opens new pathways to understanding identity and emergent British femininities. Drawing on a wealth of archival research, case studies include teen fashion magazines Petticoat and Model Girl; advice writing of model agent Lucie Clayton and fashion journalist Suzy Menkes; autobiographies of fashion models Jean Shrimpton and Twiggy; and the Mary Quant exhibition, Victoria and Albert Museum, London (2019-2020).This book provides an intricate study of a varied and manifold figure whose impact and influence spreads further afield than a particular time, place and professional context. Closely attending to a range of model girl narratives, 1960s Model Girl illuminates the cultural past and, in turn, sheds light on our own historical present.

Examining histories of post-war Britain, fashion, modelling, photography and popular culture, 1960s Model Girl: Narrative Identities in Fashion, Time and History explores model girl narratives found throughout media, fashion magazines, advice literature, auto/biographies and fashion exhibits. Introducing theories of history, life-writing and narrative identity, 1960s Model Girl demonstrates how these can be applied to the study of fashion and shows how fashion studies opens new pathways to understanding identity and emergent British femininities. Drawing on a wealth of archival research, case studies include teen fashion magazines Petticoat and Model Girl; advice writing of model agent Lucie Clayton and fashion journalist Suzy Menkes; autobiographies of fashion models Jean Shrimpton and Twiggy; and the Mary Quant exhibition, Victoria and Albert Museum, London (2019-2020). This book provides an intricate study of a varied and manifold figure whose impact and influence spreads further afield than a particular time, place and professional context. Closely attending to a range of model girl narratives, 1960s Model Girl illuminates the cultural past and, in turn, sheds light on our own historical present.

Examining histories of post-war Britain, fashion, modelling, photography and popular culture, 1960s Model Girl: Narrative Identities in Fashion, Time and History explores model girl narratives found throughout media, fashion magazines, advice literature, auto/biographies and fashion exhibits. Introducing theories of history, life-writing and narrative identity, 1960s Model Girl demonstrates how these can be applied to the study of fashion and shows how fashion studies opens new pathways to understanding identity and emergent British femininities. Drawing on a wealth of archival research, case studies include teen fashion magazines Petticoat and Model Girl; advice writing of model agent Lucie Clayton and fashion journalist Suzy Menkes; autobiographies of fashion models Jean Shrimpton and Twiggy; and the Mary Quant exhibition, Victoria and Albert Museum, London (2019-2020). This book provides an intricate study of a varied and manifold figure whose impact and influence spreads further afield than a particular time, place and professional context. Closely attending to a range of model girl narratives, 1960s Model Girl illuminates the cultural past and, in turn, sheds light on our own historical present.