Felicia Hughes-Freeland – författare

In Practising Feminism, contributors drawn from a range of backgrounds in anthropology, sociology and social psychology, explore different ways of practising feminism and their effect on gendered identities.The contributors examine feminism and gender identities in different cultures, feminism as a politics of transformation, the call for recognition of heterosexuality as a politicised identity, the practical role of feminism in nationalist struggles, power relations and gender differences, and the methodological implications of feminist practices. They all discuss identity, difference and power and their importance to feminist political practice. Practising Feminism is an important contribution to the neglected middle ground between post-modern deconstructions of difference and identity, and continued feminist concern with grounded power relations and the validity of experience.

In Practising Feminism, contributors drawn from a range of backgrounds in anthropology, sociology and social psychology, explore different ways of practising feminism and their effect on gendered identities.The contributors examine feminism and gender identities in different cultures, feminism as a politics of transformation, the call for recognition of heterosexuality as a politicised identity, the practical role of feminism in nationalist struggles, power relations and gender differences, and the methodological implications of feminist practices. They all discuss identity, difference and power and their importance to feminist political practice. Practising Feminism is an important contribution to the neglected middle ground between post-modern deconstructions of difference and identity, and continued feminist concern with grounded power relations and the validity of experience.

Ritual, Performance and Media are significant areas of study which are essential to anthropology and are often surprisingly overlooked. This book brings a more anthropological perspective to debates about media consumption, performativity and the characteristics of spectacle which have transformed cultural studies over the past decade.

Ritual, Performance and Media are significant areas of study which are essential to anthropology and are often surprisingly overlooked. This book brings a more anthropological perspective to debates about media consumption, performativity and the characteristics of spectacle which have transformed cultural studies over the past decade.

Recasting Ritual explores how ritualized action diversifies in response to varying cultural, political and physical contexts. The contributors look at how issues such as globalisation and technology affect ritual performance and how minorities often utilise performances to affirm their own identites while also speaking to outsiders.The contributors examine the relationship between ritual meaning and social identity through case-studies drawn from the Pacific, Scandinavia, the Mediterranean, Latin America, Indonesia, and East and West Africa. Study of the theoretical underpinnings of social action affirms the independence of anthropology as a discipline from cultural, media and performance studies, according it a distinctive role in elucidating contemporary and emergent human conditions.

Recasting Ritual explores how ritualized action diversifies in response to varying cultural, political and physical contexts. The contributors look at how issues such as globalisation and technology affect ritual performance and how minorities often utilise performances to affirm their own identites while also speaking to outsiders.The contributors examine the relationship between ritual meaning and social identity through case-studies drawn from the Pacific, Scandinavia, the Mediterranean, Latin America, Indonesia, and East and West Africa. Study of the theoretical underpinnings of social action affirms the independence of anthropology as a discipline from cultural, media and performance studies, according it a distinctive role in elucidating contemporary and emergent human conditions.

Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance’s role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance’s significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change.