Ferdinand Mount – författare

A WATERSTONES BOOK OF THE YEARWho said that dictatorship was dead? The world today is full of Strong Men and their imitators. Caesarism is alive and well. Yet in modern times it’s become a strangely neglected subject. Ferdinand Mount opens up a fascinating exploration of how and why Caesars seize power and why they fall."Fast paced and impassioned" -- Sunday Telegraph"Wonderfully wry" -- The Guardian"...a delight" -- Sunday Times"Delicious work, beautifully and acerbically written" -- Wall Street JournalThere is a comforting illusion shared by historians and political commentators from Fukuyama back to Macaulay, Mill and Marx, that history progresses in a nice straight line towards liberal democracy or socialism, despite the odd hiccup. In reality, every democracy, however sophisticated or stable it may look, has been attacked or actually destroyed by a would-be Caesar, from Ancient Greece to the present day. Marx was wrong. This Caesarism is not an absurd throwback, it is an ever-present danger.There are Big Caesars who set out to achieve total social control and Little Caesars who merely want to run an agreeable kleptocracy without opposition: from Julius Caesar and Oliver Cromwell through Napoleon and Bolivar, to Mussolini, Salazar, De Gaulle and Trump. The saga of Boris Johnson and Brexit frequently crops up in this author's narrative as a vivid, if Lilliputian instance of the same phenomenon.The final part of this book describes how and why would-be Caesars come to grief, from the Gunpowder Plot to Trump’s march on the Capitol and the ejection of Boris Johnson by his own MPs, and ends with a defence of the grubby glories of parliamentary politics and a thought-provoking roadmap of the way back to constitutional government.

Pheasant-shooting on the Wiltshire downs; East-West conflict in a Berlin night club; infighting in city boardrooms; and sexual skirmishing in the Kensington outback, on the fringes of Winkhill golf club and in a smart Basque resort are some of the elements of this novel. The story concerns the Whale family: Hervey, a less than brilliant Tory Minister; his father, an amiable retired Brigadier; his vague wife Cynthia, and their son George, a young man working in a merchant bank. The Whales are solid, passive and prone to daydreams but their respectable façade threatens to crumble when external forces infiltrate their family unit. Very Like a Whale, Ferdinand Mount's first novel, displays quiet wit and elegance as he explores the underlying theme of power in personal relations.

'We're a group, like in Mary McCarthy', says one of the girls in the Clique. On the other hand, their style may remind you more of Evelyn Waugh's Bright Young Things. And their know-all panache has a touch of J. D. Salinger's quiz-kid Glass family. But The Clique is unmistakably a satire for its own time.Gunby Goater, an up-and-coming reporter, 'hot or at any rate warmish' from the provinces, arrives in Fleet Street, keen for a taste of the fabulous Sixties. His assignment at the deathbed of the Last Great Englishman leads him into a series of adventures with the Clique, who alternately humiliate and delight him.From the author of The Man Who Rode Ampersand, The Clique is a novel of exuberant wit trained sharply, though not without affection, upon a variety of phonies, conmen, topers and hacks.

Aldous Cotton, commonly known as Gus, a civil servant of dry and melancholy humour, stands observing the November dawn from his North London doorstep. His calm existence is about to be disrupted by two events: the invasion of that unloved piece of imperial territory on the other side of the world, known as the Selkirk Strip; and the arrival of his wife's mysterious cousin, Alan Breck Stewart, a survivor of mysterious pasts, unwitting provoker of destruction. While the entire country embarks on a patriotic binge, Alan Breck Stewart pursues his own peculiar path, leaving behind him a wake of sexual disaster and personal disintegration. Splenetic journalists, strong-willed women, tortuously bland civil servants and West Country Catholic gentry - all come under Ferdinand Mount's finely ground microscope in this tragi-comedy or manners and morals. And in Alan Breck Stewart he has created one of those extraordinary characters who burst from the page in embarrassing abandon.

British politician and writer, Ferdinand Mount, challenges contemporary beliefs about society and family—including the history of divorce, childcare, and the concept of the nuclear family.In Subversive Family, politician and writer Ferdinand Mount argues that society is shaped by a series of powerful revolutionary movements, the leaders of which, whether they be political ideologues, theologians, feudal lords, or feminist writers, have done their utmost to render the family a subordinate instrument of their purpose but that, in spite of it all, the family endures. Mount maintains that many widely held contemporary beliefs about the family are based on a willful misreading of the evidence: among the myths are that arranged marriages were the norm until this century; that child care is a modern innovation; that in earlier societies children were treated as expendable objects; that the nuclear family is not a 20th-century invention; and that romantic love never existed before the troubador poets glorified adultery. Divorce, he contends, is no great novelty either, he shows that in many times and places it has been almost as easy to obtain as it is today. Far from diminishing the general desire and respect for family life, Mount contends that the provision for divorce has been popularly regarded as an integral part of any sensible system of family law. This study should jolt the reader into a re-assessment of one of the most familiar and ancient institutions, and encourage greater consideration for policies today that support the family.

Cold Cream is a sparkling autobiography in the great tradition: wonderfully perceptive, exquisitely rendered and bursting with characters and anecdotes of every shade and hue. A tender, moving and witty portrait of Ferdinand Mount's family and his early life, it follows his bumbling path from his decadent upbringing in the world of 'Hobohemia' to his schooldays at Eton, and from the boozy depths of Fleet Street in the 60s to his years at the vortex of Downing Street in the 80s as speech writer (much to his own bemusement) for Margaret Thatcher. Every sentence radiates with fondness, intelligence and humour in this utterly charming anthology of an eccentric and colourful cast of people who defined their generation.

A WATERSTONES BOOK OF THE YEARWho said that dictatorship was dead? The world today is full of Strong Men and their imitators. Caesarism is alive and well. Yet in modern times it''s become a strangely neglected subject. Ferdinand Mount opens up a fascinating exploration of how and why Caesars seize power and why they fall."Fast paced and impassioned" -- Sunday Telegraph"Wonderfully wry" -- The Guardian"...a delight" -- Sunday Times"Delicious work, beautifully and acerbically written" -- Wall Street JournalThere is a comforting illusion shared by historians and political commentators from Fukuyama back to Macaulay, Mill and Marx, that history progresses in a nice straight line towards liberal democracy or socialism, despite the odd hiccup. In reality, every democracy, however sophisticated or stable it may look, has been attacked or actually destroyed by a would-be Caesar, from Ancient Greece to the present day. Marx was wrong. This Caesarism is not an absurd throwback, it is an ever-present danger. There are Big Caesars who set out to achieve total social control and Little Caesars who merely want to run an agreeable kleptocracy without opposition: from Julius Caesar and Oliver Cromwell through Napoleon and Bolivar, to Mussolini, Salazar, De Gaulle and Trump. The saga of Boris Johnson and Brexit frequently crops up in this author''s narrative as a vivid, if Lilliputian instance of the same phenomenon. The final part of this book describes how and why would-be Caesars come to grief, from the Gunpowder Plot to Trump''s march on the Capitol and the ejection of Boris Johnson by his own MPs, and ends with a defence of the grubby glories of parliamentary politics and a thought-provoking roadmap of the way back to constitutional government.

A WATERSTONES BOOK OF THE YEARWho said that dictatorship was dead? The world today is full of Strong Men and their imitators. Caesarism is alive and well. Yet in modern times it''s become a strangely neglected subject. Ferdinand Mount opens up a fascinating exploration of how and why Caesars seize power and why they fall."Fast paced and impassioned" -- Sunday Telegraph"Wonderfully wry" -- The Guardian"...a delight" -- Sunday Times"Delicious work, beautifully and acerbically written" -- Wall Street JournalThere is a comforting illusion shared by historians and political commentators from Fukuyama back to Macaulay, Mill and Marx, that history progresses in a nice straight line towards liberal democracy or socialism, despite the odd hiccup. In reality, every democracy, however sophisticated or stable it may look, has been attacked or actually destroyed by a would-be Caesar, from Ancient Greece to the present day. Marx was wrong. This Caesarism is not an absurd throwback, it is an ever-present danger. There are Big Caesars who set out to achieve total social control and Little Caesars who merely want to run an agreeable kleptocracy without opposition: from Julius Caesar and Oliver Cromwell through Napoleon and Bolivar, to Mussolini, Salazar, De Gaulle and Trump. The saga of Boris Johnson and Brexit frequently crops up in this author''s narrative as a vivid, if Lilliputian instance of the same phenomenon. The final part of this book describes how and why would-be Caesars come to grief, from the Gunpowder Plot to Trump''s march on the Capitol and the ejection of Boris Johnson by his own MPs, and ends with a defence of the grubby glories of parliamentary politics and a thought-provoking roadmap of the way back to constitutional government.

'[An] erudite, immensely entertaining book...Mount makes for a delightful guide' -- Literary ReviewFrom troubadours to Twitter: a thousand years of feelings, fads and furious sentiment, from renowned essayist Ferdinand Mount.Whatever we think we feel, you can be sure that the past has had a part to play in it. In Soft, Ferdinand Mount tells the millennium-long history of emotion through delightful snapshots, often mischievous storytelling and a masterly command of history.Mount explores the shifting importance societies have placed on empathy for the misfortunes of others. Each seismic moment, Mount argues, from the French Revolution to Civil Rights, has had a corresponding sentimental revolution that has fuelled great political turning points and come to define human civilization.But no one wants to be accused of being sentimental; its detractors call it soppy, effeminate and populist the stuff of soap operas and pop songs. The Reformation tried to stamp out excessive emotion, the Victorians resolutely maintained their stiff upper lips and no one loathed sentimentality more than the modernists and yet, today, Mount argues it is not the stoics who are ruling the roost: we are living in an age of emotion.From the Occitan poets of the 12th century to Paul McCartney' songs, and modern debates around woke, this is a witty insight into the story of emotions and the way they have swayed human history.

'[An] erudite, immensely entertaining book...Mount makes for a delightful guide' -- Literary ReviewFrom troubadours to Twitter: a thousand years of feelings, fads and furious sentiment, from renowned essayist Ferdinand Mount.Whatever we think we feel, you can be sure that the past has had a part to play in it. In Soft, Ferdinand Mount tells the millennium-long history of emotion through delightful snapshots, often mischievous storytelling and a masterly command of history.Mount explores the shifting importance societies have placed on empathy for the misfortunes of others. Each seismic moment, Mount argues, from the French Revolution to Civil Rights, has had a corresponding sentimental revolution that has fuelled great political turning points and come to define human civilization.But no one wants to be accused of being sentimental; its detractors call it soppy, effeminate and populist the stuff of soap operas and pop songs. The Reformation tried to stamp out excessive emotion, the Victorians resolutely maintained their stiff upper lips and no one loathed sentimentality more than the modernists and yet, today, Mount argues it is not the stoics who are ruling the roost: we are living in an age of emotion.From the Occitan poets of the 12th century to Paul McCartney' songs, and modern debates around woke, this is a witty insight into the story of emotions and the way they have swayed human history.

'[An] erudite, immensely entertaining book...Mount makes for a delightful guide' -- Literary ReviewFrom troubadours to Twitter: a thousand years of feelings, fads and furious sentiment, from renowned essayist Ferdinand Mount.Whatever we think we feel, you can be sure that the past has had a part to play in it. In Soft, Ferdinand Mount tells the millennium-long history of emotion through delightful snapshots, often mischievous storytelling and a masterly command of history.Mount explores the shifting importance societies have placed on empathy for the misfortunes of others. Each seismic moment, Mount argues, from the French Revolution to Civil Rights, has had a corresponding sentimental revolution that has fuelled great political turning points and come to define human civilization.But no one wants to be accused of being sentimental; its detractors call it soppy, effeminate and populist – the stuff of soap operas and pop songs. The Reformation tried to stamp out excessive emotion, the Victorians resolutely maintained their stiff upper lips and no one loathed sentimentality more than the modernists – and yet, today, Mount argues it is not the stoics who are ruling the roost: we are living in an age of emotion.From the Occitan poets of the 12th century to Paul McCartney' songs, and modern debates around woke, this is a witty insight into the story of emotions and the way they have swayed human history.

'[An] erudite, immensely entertaining book...Mount makes for a delightful guide' -- Literary ReviewFrom troubadours to Twitter: a thousand years of feelings, fads and furious sentiment, from renowned essayist Ferdinand Mount.Whatever we think we feel, you can be sure that the past has had a part to play in it. In Soft, Ferdinand Mount tells the millennium-long history of emotion through delightful snapshots, often mischievous storytelling and a masterly command of history.Mount explores the shifting importance societies have placed on empathy for the misfortunes of others. Each seismic moment, Mount argues, from the French Revolution to Civil Rights, has had a corresponding sentimental revolution that has fuelled great political turning points and come to define human civilization.But no one wants to be accused of being sentimental; its detractors call it soppy, effeminate and populist – the stuff of soap operas and pop songs. The Reformation tried to stamp out excessive emotion, the Victorians resolutely maintained their stiff upper lips and no one loathed sentimentality more than the modernists – and yet, today, Mount argues it is not the stoics who are ruling the roost: we are living in an age of emotion.From the Occitan poets of the 12th century to Paul McCartney' songs, and modern debates around woke, this is a witty insight into the story of emotions and the way they have swayed human history.

How does Jeremiah Mount, the dealer in pornography, come to be the lover of the Duchess of Albemarle and the colleague of the great Samuel Pepys? In Pepys' Diary, Jem Mount plays a shadowy role, but in Jem's own memories Sam looms large. Friends and drinking partners at first, they become vicious rivals for fame and women. In his struggle to survive and triumph over his adversary in a rackety world, Jemm stumbles into many trades: chemist, butler, soldier, secretary and, now and then, lover.This 'newly discovered autobiography' - with its disconcerting echoes of our own time - takes its dubious hero from the shaky days of Cromwellian England, through the unbuttoned license of the Restoration, to the panic of Monmouth's Rebellion and the Jamaica sugar boom.

The man who rode Ampersand was in fact, an amateur jockey named Harry Cotton. Harry is a compulsive gambler. The resulting decline in his fortunes takes him through three decades of adventures, melancholy, heroic, and comic by turn, which cut a broad swathe of disorder through provincial race meetings, 'one -night cheap hotels' and three luxurious redoubts of the fabulously rich. The inhabitants and frequenters of these places are every bit as bizarre as their surroundings.

A fair-haired young man from Virginia sees a dark girl rowing on the lake at Versailles and he falls in love. She turns out to be the Duchess de La Rochefoucauld, known as Rosalie, married to a man twice her age who also happens to be her uncle. It is the spring of 1875 and the young American, William Short, nicknamed Wm, has crossed the Atlantic to serve as secretary to his adoptive father Thomas Jefferson at the Paris embassy. Lodging on the Champs Elysees with Jefferson's two young daughters and their teenage slave Sally Hemings, Wm becomes the darling of the free spirits of the ancien regime, who want to copy everything American, including revolution and the pursuit of happiness.But this is a time when nothing runs straight, certainly not the pursuit of happiness. Together and apart, Wm and Rosalie endure the bloodiest days of the Terror when everyone loses their heads or their illusions except for one man, but that man is about to become President of the United States.Stylish, intelligent and witty, The Condor's Head is by turns tense and erotic, incredibly funny and unbearably sad. It includes the real-life letters of Wm and Rosalie and Jefferson, some never published before. It also incidentally reveals the truth about the Third President and Sally Hemings.

Heads You Win is a tragicomedy of second chances. After taking early retirement, Gus Cotton is surprised to find himself persuaded by two old friends - a disgraced wheeler-dealer and a convicted drug smuggler - into taking on the City by launching the greatest headhunting company of all time. Added to this mix, the fourth partner in their venture is a beautiful young woman with an alcoholic past. In this, the final volume of his Chronicle of Modern Twilight series, Ferdinand Mount has created a poignant and hilariously funny exploration of the concept that none of us is beyond redemption.

Fairness is about Helen, the tiny, blonde, serious girl whom the narrator meets when they are both looking after children during a summer vacation in Normandy. Her adventures in search of a morally satisfying life lead her into situations that are neither satisfying nor moral, from the mining boom in Central Africa to the child abuse scandals of the late 1980s. Fairness is the latest novel in Ferdinand's Mount's Chronicle of Modern Twilight which includes The Man Who Rode Ampersand and Of Love and Asthma.

We should have awakened to the sun streaming in from across the valley, but this is not a story about things as they should be, and it was a dark blustery morning, blasting the blossom off the may. Only in the shelter of the high hedgerows down in the lanes streaked with red mud was there ant escape from the wind and the rain.Just as we were putting on our boots, I pinned down the unidentified fear of the night before. I had slept without my asthma pillow. It was not the first time . But this was the first time I had slept without it and not properly noticed until the morning after. This must, I though, be love. Would it be punished to?

In this book the former head of Mrs Thatcher's policy unit looks at the state of the British Constitution at a crucial time in its history, arguing that recent years have seen an increased willingness to monitor itself on the part of the Establishment, but that more audacious reforms are needed to restore full confidence in Parliament, government and the legal system.

George Gordon, cousin to Byron, heir to a desolate Scottish estate, superficially enjoys a brilliant career: he dines at Malmaison with Napoleon and Josephine, excavates the Acropolis, shares a night in a hayloft with Metternich, inherits the Earldom of Aberdeen, marries two beautiful women, becomes Foreign Secretary twice and then ultimately Prime Minister.Yet Lord Aberdeen remains an awkward, tragic figure, increasingly at odds with his times, shattered by repeated bereavements, loathed, abused and eventually driven out of office by his fellow countrymen for his doomed efforts to prevent the Crimean War.

British politician and writer, Ferdinand Mount, challenges contemporary beliefs about society and family—including the history of divorce, childcare, and the concept of the nuclear family.In Subversive Family, politician and writer Ferdinand Mount argues that society is shaped by a series of powerful revolutionary movements, the leaders of which, whether they be political ideologues, theologians, feudal lords, or feminist writers, have done their utmost to render the family a subordinate instrument of their purpose but that, in spite of it all, the family endures. Mount maintains that many widely held contemporary beliefs about the family are based on a willful misreading of the evidence: among the myths are that arranged marriages were the norm until this century; that child care is a modern innovation; that in earlier societies children were treated as expendable objects; that the nuclear family is not a 20th-century invention; and that romantic love never existed before the troubador poets glorified adultery. Divorce, he contends, is no great novelty either, he shows that in many times and places it has been almost as easy to obtain as it is today. Far from diminishing the general desire and respect for family life, Mount contends that the provision for divorce has been popularly regarded as an integral part of any sensible system of family law. This study should jolt the reader into a re-assessment of one of the most familiar and ancient institutions, and encourage greater consideration for policies today that support the family.

The Tears of the Rajasis a sweeping history of the British in India, seen through the experiences of a single Scottish family. For a century the Lows of Clatto survived mutiny, siege, debt and disease, everywhere from the heat of Madras to the Afghan snows. They lived through the most appalling atrocities and retaliated with some of their own. Each of their lives, remarkable in itself, contributes to the story of the whole fragile and imperilled, often shockingly oppressive and devious but now and then heroic and poignant enterprise. On the surface, John and Augusta Low and their relations may seem imperturbable, but in their letters and diaries they often reveal their loneliness and desperation and their doubts about what they are doing in India. The Lows are the family of the author's grandmother, and a recurring theme of the book is his own discovery of them and of those parts of the history of the British in India which posterity has preferred to forget. The book brings to life not only the most dramatic incidents of their careers - the massacre at Vellore, the conquest of Java, the deposition of the boy-king of Oudh, the disasters in Afghanistan, the Reliefs of Lucknow and Chitral - but also their personal ordeals: the bankruptcies in Scotland and Calcutta, the plagues and fevers, the deaths of children and deaths in childbirth. And it brings to life too the unrepeatable strangeness of their lives: the camps and the palaces they lived in, the balls and the flirtations in the hill stations, and the hot slow rides through the dust. An epic saga of love, war, intrigue and treachery, The Tears of the Rajas is surely destined to become a classic of its kind.

The Tears of the Rajas is a sweeping history of the British in India, seen through the experiences of a single Scottish family. For a century the Lows of Clatto survived mutiny, siege, debt and disease, everywhere from the heat of Madras to the Afghan snows. They lived through the most appalling atrocities and retaliated with some of their own. Each of their lives, remarkable in itself, contributes to the story of the whole fragile and imperilled, often shockingly oppressive and devious but now and then heroic and poignant enterprise. On the surface, John and Augusta Low and their relations may seem imperturbable, but in their letters and diaries they often reveal their loneliness and desperation and their doubts about what they are doing in India. The Lows are the family of the author's grandmother, and a recurring theme of the book is his own discovery of them and of those parts of the history of the British in India which posterity has preferred to forget. The book brings to life not only the most dramatic incidents of their careers - the massacre at Vellore, the conquest of Java, the deposition of the boy-king of Oudh, the disasters in Afghanistan, the Reliefs of Lucknow and Chitral - but also their personal ordeals: the bankruptcies in Scotland and Calcutta, the plagues and fevers, the deaths of children and deaths in childbirth. And it brings to life too the unrepeatable strangeness of their lives: the camps and the palaces they lived in, the balls and the flirtations in the hill stations, and the hot slow rides through the dust. An epic saga of love, war, intrigue and treachery, The Tears of the Rajas is surely destined to become a classic of its kind.

‘A sheer delight’ Times Literary Supplement Ferdinand Mount has spent many years writing articles, columns and reviews for prestigious magazines, newspapers and journals. Whether reviewing great published works by some of England's finest authors and poets (both alive and dead) including Kingsley Amis, John Osborne, John le Carré, Rudyard Kipling, E.M. Forster and Alan Bennett. He also analysed the works of a variety of our Masters covering the past four hundred years such as, of course, William Shakespeare, Charles Dickens, John Keats, Thomas Hardy, Samuel Taylor Coleridge and Samuel Pepys. Whether it be holding up to account the writings of Winston Churchill, or celebrating the much-loved poems of Siegfried Sassoon, each essay reproduced in full here has been carefully chosen by Mount to weave a unique tapestry of the wealth of writings that have helped shape his own respected career as an author and political commentator. For anyone interested and passionate about writing and poetry across the centuries in the British Isles, this book will be a very welcome guide to the best one can pick up and read.

Ferdinand Mount has been fascinated by the great thinkers and politicians who have shaped human history over the past two millennia In this fascinating, and provocative book, he examines the proposals for a political theory from a number of widely different historical figures. Twelve key people, from the great orator and statesman of Ancient Greece (Pericles) to the inspiration of the founding of the state of Pakistan (Muhammad Iqbal) we take a colourful and rip-roaring journey through the historical figures who have both inspired and provoked Mount in equal measure.The lives of men such as Jesus Christ, Rousseau, Adam Smith, Edmund Burke, and Thomas Jefferson are discussed and comparisons are drawn between the various approaches each figure promoted in their works – whether philosophical, or political theories.  For those wishing to be guided by Mount’s choices and be swept along by his brilliantly erudite prose, this will be a particular enjoyable read. Lots of colour, humour and passion governed all these people careers and Mount brings them to life like no one else can.Praise for the international-bestselling Tears of the Rajas:-'Mount is a skilled and fluent writer who does his subject justice' --Literary Review'Mount relates this remarkable story with a gentle wit, a lightness of touch, a boyish enthusiasm as well as a genius for the telling pen-portrait… It is a remarkable story, and cumulatively amounts to an epic panorama of British Indian history much more substantial than the 'collection of Indian tales, a human jungle book', which Mount modestly describes as his aim in the introduction.' --William Dalrymple, The Spectator'What [Mount] provides instead is of far greater value: a perceptive antidote to nationalistic prejudicial thinking, and an opportunity for a greater understanding of the aftereffects of British imperialism in some of the world's most troubled regions.' Sunday Times'Although Tears of the Rajas is replete with stirring tales of adventure, it is a deeply humane book. Mount's heart is at all times with the people of India, whose lives are turned upside down by blundering attempts at modernisation.' The Times

Ferdinand Mount has been fascinated by the great thinkers and politicians who have shaped human history over the past two millennia In this fascinating, and provocative book, he examines the proposals for a political theory from a number of widely different historical figures. Twelve key people, from the great orator and statesman of Ancient Greece (Pericles) to the inspiration of the founding of the state of Pakistan (Muhammad Iqbal) we take a colourful and rip-roaring journey through the historical figures who have both inspired and provoked Mount in equal measure. The lives of men such as Jesus Christ, Rousseau, Adam Smith, Edmund Burke, and Thomas Jefferson are discussed and comparisons are drawn between the various approaches each figure promoted in their works – whether philosophical, or political theories.   For those wishing to be guided by Mount’s choices and be swept along by his brilliantly erudite prose, this will be a particular enjoyable read. Lots of colour, humour and passion governed all these people careers and Mount brings them to life like no one else can.Praise for the international-bestselling Tears of the Rajas:-'Mount is a skilled and fluent writer who does his subject justice' --Literary Review'Mount relates this remarkable story with a gentle wit, a lightness of touch, a boyish enthusiasm as well as a genius for the telling pen-portrait… It is a remarkable story, and cumulatively amounts to an epic panorama of British Indian history much more substantial than the 'collection of Indian tales, a human jungle book', which Mount modestly describes as his aim in the introduction.' --William Dalrymple, The Spectator'What [Mount] provides instead is of far greater value: a perceptive antidote to nationalistic prejudicial thinking, and an opportunity for a greater understanding of the aftereffects of British imperialism in some of the world's most troubled regions.' Sunday Times'Although Tears of the Rajas is replete with stirring tales of adventure, it is a deeply humane book. Mount's heart is at all times with the people of India, whose lives are turned upside down by blundering attempts at modernisation.' The Times

''Grimly funny and superbly written, with a twist on every page'' – Hilary Mantel''Delightfully compulsive and unforgettably original'' – Hadley Freeman''Wonderful, funny and wise'' – Kate SummerscaleSHORTLISTED FOR THE DUFF COOPER PRIZE 2021A SUNDAY TIMES, TLS, SPECTATOR AND NEW STATESMAN BOOK OF THE YEARAunt Munca never told the truth about anything. Calling herself after the mouse in a Beatrix Potter story, she was already a figure of mystery during the childhood of her nephew Ferdinand Mount. Half a century later, a series of startling revelations sets him off on a tortuous quest to find out who this extraordinary millionairess really was.What he discovers is shocking and irretrievably sad, involving multiple deceptions, false identities and abandonments. The story leads us from the back streets of Sheffield at the end of the Victorian age to the highest echelons of English society between the wars. An unconventional tale of British social history told backwards, now published with new material discovered by the author about his eccentric aunt, Kiss Myself Goodbye is both an enchanting personal memoir and a voyage into a vanished moral world

''Grimly funny and superbly written, with a twist on every page'' – Hilary Mantel''Delightfully compulsive and unforgettably original'' – Hadley Freeman''Wonderful, funny and wise'' – Kate SummerscaleSHORTLISTED FOR THE DUFF COOPER PRIZE 2021A SUNDAY TIMES, TLS, SPECTATOR AND NEW STATESMAN BOOK OF THE YEARAunt Munca never told the truth about anything. Calling herself after the mouse in a Beatrix Potter story, she was already a figure of mystery during the childhood of her nephew Ferdinand Mount. Half a century later, a series of startling revelations sets him off on a tortuous quest to find out who this extraordinary millionairess really was.What he discovers is shocking and irretrievably sad, involving multiple deceptions, false identities and abandonments. The story leads us from the back streets of Sheffield at the end of the Victorian age to the highest echelons of English society between the wars. An unconventional tale of British social history told backwards, now published with new material discovered by the author about his eccentric aunt, Kiss Myself Goodbye is both an enchanting personal memoir and a voyage into a vanished moral world

'Grimly funny and superbly written, with a twist on every page' – Hilary Mantel'Delightfully compulsive and unforgettably original' – Hadley Freeman‘Wonderful, funny and wise’ – Kate SummerscaleSHORTLISTED FOR THE DUFF COOPER PRIZE 2021A SUNDAY TIMES, TLS, SPECTATOR AND NEW STATESMAN BOOK OF THE YEARAunt Munca never told the truth about anything. Calling herself after the mouse in a Beatrix Potter story, she was already a figure of mystery during the childhood of her nephew Ferdinand Mount. Half a century later, a series of startling revelations sets him off on a tortuous quest to find out who this extraordinary millionairess really was.What he discovers is shocking and irretrievably sad, involving multiple deceptions, false identities and abandonments. The story leads us from the back streets of Sheffield at the end of the Victorian age to the highest echelons of English society between the wars. An unconventional tale of British social history told backwards, now published with new material discovered by the author about his eccentric aunt, Kiss Myself Goodbye is both an enchanting personal memoir and a voyage into a vanished moral world