Fernando Sdrigotti – författare

The Open Pen Anthology Volume Two is a collection of short stories from the last five years of Open Pen Magazine, as well as new fiction from each of the contributing authors. In keeping with the format of Volume One, Open Pen favourites have been invied to contribute microfiction pieces that serve as page breaks. Open Pen's short fiction has been called edgy, brave, and hilarious. Paul Ewen said we are more like a shot of absinthe than a boring pint of lager, and our output has kept its tongue firmly in its cheek for over a decade, debuting many literary talents that have gone on to publish celebrated and popular titles.

"A return - this seems to be one of the things I'm expected to write about. And now that I return, now that I find myself here, I haven't even left the airport and I'm already toying with the idea of writing a return, perhaps just to surrender."Nine stories. Nine ways of not being at home. Nine confrontations to the limits of fiction and memoir. Jolts is a playful and honest exploration of the joys and sorrows of lives lived in-between places. A collection that travels across time, space, and language, in order to deliver the gospel of the Latin American short story.Sdrigotti rises to peak form with JOLTS, following a series of cult publications - Shitstorm, Dysfunctional Males and Triptico. With this book he joins the likes of Eley Williams and Clare Fisher as another special Influx Press short story writer.

We Are But Nothing takes place during a funeral in Argentina, when the unnamed narrator meets some of his old school friends after a long time away. What is a sad albeit boring occasion serves here as an excuse to explore the drudgery of our hyperconnected present and the thin line that divides life and death. We Are But Nothing is at times a hyper-realist fly-on-the-wall survey of human behaviour and at times a fantastical satire about the meaninglessness of life. Originally written in English and translated into Spanish by its author. Please DO NOT use the words ''magical'' and ''realism'' around We Are But Nothing.

At a secluded weekend home, a girl becomes entranced by the sound of the cicadas, as she grapples with the stifling summer heat, and her mother’s recent death.Overwhelmed by a sense of foreboding, a young man seeks solace in a privatised cathedral, comically navigating religious bureaucracy, economic crisis, and existential angst.A journey to scatter his grandparents’ ashes turns into a tragicomedy, as an unnamed man explores the changes in the city he left behind.A Foreign Country is the Past is the sensorial new collection from the acclaimed author of Jolts. Centering on identity and memory, viewed through a distinctive Argentine lens, these fifteen tales are a profound exploration of the spaces between places and the echoes of time.