Filipa Lowndes Vicente – författare

Focusing on the period between the beginning of the eighteenth century and the late twentieth century, this edited volume examines the histories of objects, museums, exhibitions, and collections in Portugal or outside Portugal but representing Portugal, or related to it through colonial relationships.

The book highlights the specificities of the Portuguese case, set against a globalised, transnational, and transcolonial context, and provides a precedent for future studies and a dialogue with equivalent studies related to other geographies. The diversity of the cultural, intellectual, and political contexts (imperial, colonial, monarchical, republican, authoritarian) offered by the Portuguese example allows for the exploration of a number of complex case-studies. Chapters study the artistic, collecting, and museological practices in Portugal and in the various geographical contexts of its colonial empire, with particular emphasis on the circulation and connectedness of objects, products, people, and ideas.

The book will be of interest to scholars working in art history, museum studies, intellectual and cultural history, and imperial and colonial history.

Focusing on the period between the beginning of the eighteenth century and the late twentieth century, this edited volume examines the histories of objects, museums, exhibitions, and collections in Portugal or outside Portugal but representing Portugal, or related to it through colonial relationships.

The book highlights the specificities of the Portuguese case, set against a globalised, transnational, and transcolonial context, and provides a precedent for future studies and a dialogue with equivalent studies related to other geographies. The diversity of the cultural, intellectual, and political contexts (imperial, colonial, monarchical, republican, authoritarian) offered by the Portuguese example allows for the exploration of a number of complex case-studies. Chapters study the artistic, collecting, and museological practices in Portugal and in the various geographical contexts of its colonial empire, with particular emphasis on the circulation and connectedness of objects, products, people, and ideas.

The book will be of interest to scholars working in art history, museum studies, intellectual and cultural history, and imperial and colonial history.

This edited collection presents the first critical and historical overview of photography in Portuguese colonial Africa to an English-speaking audience. Photography in Portuguese Colonial Africa, 1860–1975 brings together sixteen scholars from interdisciplinary fields as varied as history, anthropology, art history, visual culture and museum studies, to consider some of the key aspects in the visual representation of the longest-lasting European colonial empire in the African continent. The chapters span over two centuries and cover five formerly colonial territories – Angola, Cabo Verde, Guinea-Bissau, Mozambique, and São Tomé and Príncipe – deploying a range of methodologies to explore the multiple meanings and the contested uses of the photographic image across the realms of politics, science, culture and war. This book responds to a marked surge of international interest in the relationship between photography and colonialism, which has hitherto largely overlooked the Portuguese imperial context, by delivering the most recent scholarly findings to a broad readership.