Filippo Tommaso Marinetti – författare

Part manifesto, part artistic joke, Fillippo Marinetti's Futurist Cookbook is a provocative work about art disguised as an easy-to-read cookbook. Here are recipes for ice cream on the moon; candied atmospheric electricities; nocturnal love feasts; sculpted meats. Marinetti also sets out his argument for abolishing pasta as ill-suited to modernity, and advocates a style of cuisine that will increase creativity. Although at times betraying its author's nationalistic sympathies, The Futurist Cookbook is funny, provocative, whimsical, disdainful of sluggish traditions and delighted by the velocity and promise of modernity.Filippo Tommaso Marinetti was born in 1876 to Italian parents and grew up in Alexandria, Egypt. He studied in Paris and obtained a law degree in Italy before turning to literature. In 1909 he wrote the infamous Futurist Manifesto, which championed violence, speed and war, and proclaimed the unity of art and life. Marinetti's life was fraught with controversy: he fought a duel with a hostile critic, was subject to an obscenity trial, and was a staunch supporter of Italian Fascism. Alongside his literary activities, he was a war correspondent during the Italo-Turkish War and served on the Eastern Front in World War II, despite being in his sixties. He died in 1944.Lesley Chamberlain is a novelist and historian of ideas. Her thirteen books include Nietzsche in Turin, The Secret Artist: A Close Reading of Sigmund Freud and The Food and Cooking of Russia. Suzanne Brill is an art historian and writer. She has translated several books for Italian art historians including Caro Pedretti's Leonardo: Architect, which was nominated for the John Florio prize.'A paean to sensual freedom, optimism and childlike, amoral innocence ... it has only once been answered, by Aldous Huxley's Brave New World' Lesley Chamberlain

Both madcap cookbook and manifesto on Futurism, Marinetti's exuberant and entertaining book has been described as one of 'the best artistic jokes of the century'No other cultural force except the early twentieth-century avant-garde movement Futurism has produced a provocative work about art disguised as an easy-to-read cookbook. Part manifesto, part artistic joke, Fillippo Marinetti's The Futurist Cookbook is a collection of recipes, experiments, declamations and allegorical tales. Here are recipes for ice cream on the moon; candied atmospheric electricities; nocturnal love feasts; sculpted meats. Marinetti also sets out his argument for abolishing pasta as ill-suited to modernity, and advocates a style of cuisine that will increase creativity. Although at times betraying its author's nationalistic sympathies, The Futurist Cookbook is funny, provocative, whimsical, disdainful of sluggish traditions and delighted by the velocity and promise of modernity.Filippo Tommaso Marinetti was born in 1876 to Italian parents and grew up in Alexandria, Egypt, where he was nearly expelled from his Jesuit school for championing scandalous literature. He then studied in Paris and obtained a law degree in Italy before turning to literature. In 1909 he wrote the infamous Futurist Manifesto, which championed violence, speed and war, and proclaimed the unity of art and life. Marinetti's life was fraught with controversy: he fought a duel with a hostile critic, was subject to an obscenity trial, and was a staunch supporter of Italian Fascism. Alongside his literary activities, he was a war correspondent during the Italo-Turkish War and served on the Eastern Front in World War II, despite being in his sixties. He died in 1944.'A paean to sensual freedom, optimism and childlike, amoral innocence ... it has only once been answered, by Aldous Huxley's Brave New World' Lesley Chamberlain

F. T. Marinetti (1876-1944) is widely known as the founder of Futurism, an early twentieth-century cultural revolution that began as a literary movement and expanded to influence painters, musicians, dramatists, architects, and graphic artists throughout the world. This volume, a translation of more than forty poems and prose works by Marinetti, presents premier examples of his rich poetic creations, many for the first time in English. The collection has been selected by Luce Marinetti to represent the entire span of the poet's career, and it includes works originally written in either French or Italian, Marinetti's two primary languages.The volume begins with Marinetti's early lyrical works, poems that exemplify styles and themes that he later reacted against in his own manifestos. It continues with his poems of battle, in which Marinetti used the language of machines and explosions to express his view of poetry as reportage from the front; "Words in Freedom," in which he declared war on poetry by destroying syntax and spelling and by experimenting with typography; and finally love poems to his wife, Benedetta, in which he returned in part to subjects and forms that he had previously rejected. The volume includes a prefatory biography of Marinetti written by Luce Marinetti, as well as a critical review by Paolo Valesio of Marinetti's accomplishment as a poet.

»Welcher Qualitäten bedarf es also, um möglichst viele Frauen zu verführen? Alle, über die ein italienischer Futurist natürlicherweise verfügt. Einen agilen, starken, aggressiven Körper. Militärisch gestählte Muskeln. Die Eleganz und den wunderbaren Haarschopf Bruno Corras beziehungsweise die elektrische Kahlheit Marinettis.« Komplett unironisch, völlig absurd und unglaublich komisch: Filippo Tommaso Marinetti, der Begründer des Futurismus, erklärt in seinem Verführerhandbuch von 1916 wie Mann Frau zur willenlosen Dienerin seines Begehrens macht, wie man sich »der Frau« nähert, wann der Wein entkorkt werden soll und wann es an der Zeit ist, die Hand auf ihr Knie wandern zu lassen. Mit diesem Manifest gegen die Verbürgerlichung der Liebe schrieb Marinetti die Blaupause für alle späteren Liebesratgeber und lieferte gleichzeitig ein skurril-unterhaltsames Beispiel für die Stilisierung von Geschlechterrollen in den kulturellen Avantgardebewegungen der Moderne.