In this book Fiona Hutton provides a fascinating insight into women's experiences of clubbing. Based on a rich ethnographic account of the Manchester club scene, Risky Pleasures? is set within the context of the theoretical literature on youth subcultures, female friendship, consumption, risk and the city. The work highlights both the producers of club scenes - promoters, DJs, dealers - and the consumers - women negotiating pleasure and risk in club spaces and in the city at night. It explores the range of club spaces, developing a typology of 'mainstream' and 'underground' clubs, and considers how different types of participants are attracted to different 'scenes'. It examines women's recreational drug-use within a club context and discusses issues of sexuality, tolerance and the importance of 'attitude' in terms of women's feelings of safety. Revealing the important role of different spaces and different atmospheres in how women participate in club scenes, Fiona Hutton argues that drug taking and sexual pleasure are always contextualized within the environments created in different spaces, and that the risk and danger negotiated by women clubbers are counterbalanced by fun and pleasure - and ultimately empowerment.

In this book Fiona Hutton provides a fascinating insight into women's experiences of clubbing. Based on a rich ethnographic account of the Manchester club scene, Risky Pleasures? is set within the context of the theoretical literature on youth subcultures, female friendship, consumption, risk and the city. The work highlights both the producers of club scenes - promoters, DJs, dealers - and the consumers - women negotiating pleasure and risk in club spaces and in the city at night. It explores the range of club spaces, developing a typology of 'mainstream' and 'underground' clubs, and considers how different types of participants are attracted to different 'scenes'. It examines women's recreational drug-use within a club context and discusses issues of sexuality, tolerance and the importance of 'attitude' in terms of women's feelings of safety. Revealing the important role of different spaces and different atmospheres in how women participate in club scenes, Fiona Hutton argues that drug taking and sexual pleasure are always contextualized within the environments created in different spaces, and that the risk and danger negotiated by women clubbers are counterbalanced by fun and pleasure - and ultimately empowerment.

Hutton looks at Manchester and Oxford to provide a comparative history of anatomical study. Using the Anatomy Act as a focal point, she examines how these two cities dealt with the need for bodies over two centuries.

In this book Fiona Hutton provides a fascinating insight into women''s experiences of clubbing. Based on a rich ethnographic account of the Manchester club scene, Risky Pleasures? is set within the context of the theoretical literature on youth subcultures, female friendship, consumption, risk and the city. The work highlights both the producers of club scenes - promoters, DJs, dealers - and the consumers - women negotiating pleasure and risk in club spaces and in the city at night. It explores the range of club spaces, developing a typology of ''mainstream'' and ''underground'' clubs, and considers how different types of participants are attracted to different ''scenes''. It examines women''s recreational drug-use within a club context and discusses issues of sexuality, tolerance and the importance of ''attitude'' in terms of women''s feelings of safety. Revealing the important role of different spaces and different atmospheres in how women participate in club scenes, Fiona Hutton argues that drug taking and sexual pleasure are always contextualized within the environments created in different spaces, and that the risk and danger negotiated by women clubbers are counterbalanced by fun and pleasure - and ultimately empowerment.

In this book Fiona Hutton provides a fascinating insight into women''s experiences of clubbing. Based on a rich ethnographic account of the Manchester club scene, Risky Pleasures? is set within the context of the theoretical literature on youth subcultures, female friendship, consumption, risk and the city. The work highlights both the producers of club scenes - promoters, DJs, dealers - and the consumers - women negotiating pleasure and risk in club spaces and in the city at night. It explores the range of club spaces, developing a typology of ''mainstream'' and ''underground'' clubs, and considers how different types of participants are attracted to different ''scenes''. It examines women''s recreational drug-use within a club context and discusses issues of sexuality, tolerance and the importance of ''attitude'' in terms of women''s feelings of safety. Revealing the important role of different spaces and different atmospheres in how women participate in club scenes, Fiona Hutton argues that drug taking and sexual pleasure are always contextualized within the environments created in different spaces, and that the risk and danger negotiated by women clubbers are counterbalanced by fun and pleasure - and ultimately empowerment.

Hutton looks at Manchester and Oxford to provide a comparative history of anatomical study. Using the Anatomy Act as a focal point, she examines how these two cities dealt with the need for bodies over two centuries.

Hutton looks at Manchester and Oxford to provide a comparative history of anatomical study. Using the Anatomy Act as a focal point, she examines how these two cities dealt with the need for bodies over two centuries.

Hutton looks at Manchester and Oxford to provide a comparative history of anatomical study. Using the Anatomy Act as a focal point, she examines how these two cities dealt with the need for bodies over two centuries.

This book considers the global discourses and debates about ‘intoxication’, engaging in critical academic discussion around this concept. The problems in defining intoxication are considered, alongside the meanings of intoxication and how these meanings often differ across diverse drug using populations. The way that intoxication has been engaged with over the centuries has affected how particular groups are perceived and responded to, resulting in punitive responses such as drug prohibition, alongside harsh treatment of those who are seen to transgress societal norms and values. Therefore, this collection seeks to unsettle dominant discourses about intoxication and to consider this concept in new, critical ways. Ways of being intoxicated are also defined in this book in their broadest sense; from ‘energy drinks’ and other legal drugs, to recreational use of illicit drugs such as ecstasy, to ‘problematic’ drug use.

This book considers the global discourses and debates about ‘intoxication’, engaging in critical academic discussion around this concept. The problems in defining intoxication are considered, alongside the meanings of intoxication and how these meanings often differ across diverse drug using populations. The way that intoxication has been engaged with over the centuries has affected how particular groups are perceived and responded to, resulting in punitive responses such as drug prohibition, alongside harsh treatment of those who are seen to transgress societal norms and values. Therefore, this collection seeks to unsettle dominant discourses about intoxication and to consider this concept in new, critical ways. Ways of being intoxicated are also defined in this book in their broadest sense; from ‘energy drinks’ and other legal drugs, to recreational use of illicit drugs such as ecstasy, to ‘problematic’ drug use.

In this book Fiona Hutton provides a fascinating insight into women's experiences of clubbing. Based on a rich ethnographic account of the Manchester club scene, Risky Pleasures? is set within the context of the theoretical literature on youth subcultures, female friendship, consumption, risk and the city. The work highlights both the producers of club scenes - promoters, DJs, dealers - and the consumers - women negotiating pleasure and risk in club spaces and in the city at night. It explores the range of club spaces, developing a typology of 'mainstream' and 'underground' clubs, and considers how different types of participants are attracted to different 'scenes'. It examines women's recreational drug-use within a club context and discusses issues of sexuality, tolerance and the importance of 'attitude' in terms of women's feelings of safety. Revealing the important role of different spaces and different atmospheres in how women participate in club scenes, Fiona Hutton argues that drug taking and sexual pleasure are always contextualized within the environments created in different spaces, and that the risk and danger negotiated by women clubbers are counterbalanced by fun and pleasure - and ultimately empowerment.

In this book Fiona Hutton provides a fascinating insight into women's experiences of clubbing. Based on a rich ethnographic account of the Manchester club scene, Risky Pleasures? is set within the context of the theoretical literature on youth subcultures, female friendship, consumption, risk and the city. The work highlights both the producers of club scenes - promoters, DJs, dealers - and the consumers - women negotiating pleasure and risk in club spaces and in the city at night. It explores the range of club spaces, developing a typology of 'mainstream' and 'underground' clubs, and considers how different types of participants are attracted to different 'scenes'. It examines women's recreational drug-use within a club context and discusses issues of sexuality, tolerance and the importance of 'attitude' in terms of women's feelings of safety. Revealing the important role of different spaces and different atmospheres in how women participate in club scenes, Fiona Hutton argues that drug taking and sexual pleasure are always contextualized within the environments created in different spaces, and that the risk and danger negotiated by women clubbers are counterbalanced by fun and pleasure - and ultimately empowerment.

Hutton looks at Manchester and Oxford to provide a comparative history of anatomical study. Using the Anatomy Act as a focal point, she examines how these two cities dealt with the need for bodies over two centuries.

In this book Fiona Hutton provides a fascinating insight into women''s experiences of clubbing. Based on a rich ethnographic account of the Manchester club scene, Risky Pleasures? is set within the context of the theoretical literature on youth subcultures, female friendship, consumption, risk and the city. The work highlights both the producers of club scenes - promoters, DJs, dealers - and the consumers - women negotiating pleasure and risk in club spaces and in the city at night. It explores the range of club spaces, developing a typology of ''mainstream'' and ''underground'' clubs, and considers how different types of participants are attracted to different ''scenes''. It examines women''s recreational drug-use within a club context and discusses issues of sexuality, tolerance and the importance of ''attitude'' in terms of women''s feelings of safety. Revealing the important role of different spaces and different atmospheres in how women participate in club scenes, Fiona Hutton argues that drug taking and sexual pleasure are always contextualized within the environments created in different spaces, and that the risk and danger negotiated by women clubbers are counterbalanced by fun and pleasure - and ultimately empowerment.

In this book Fiona Hutton provides a fascinating insight into women''s experiences of clubbing. Based on a rich ethnographic account of the Manchester club scene, Risky Pleasures? is set within the context of the theoretical literature on youth subcultures, female friendship, consumption, risk and the city. The work highlights both the producers of club scenes - promoters, DJs, dealers - and the consumers - women negotiating pleasure and risk in club spaces and in the city at night. It explores the range of club spaces, developing a typology of ''mainstream'' and ''underground'' clubs, and considers how different types of participants are attracted to different ''scenes''. It examines women''s recreational drug-use within a club context and discusses issues of sexuality, tolerance and the importance of ''attitude'' in terms of women''s feelings of safety. Revealing the important role of different spaces and different atmospheres in how women participate in club scenes, Fiona Hutton argues that drug taking and sexual pleasure are always contextualized within the environments created in different spaces, and that the risk and danger negotiated by women clubbers are counterbalanced by fun and pleasure - and ultimately empowerment.

Hutton looks at Manchester and Oxford to provide a comparative history of anatomical study. Using the Anatomy Act as a focal point, she examines how these two cities dealt with the need for bodies over two centuries.

Hutton looks at Manchester and Oxford to provide a comparative history of anatomical study. Using the Anatomy Act as a focal point, she examines how these two cities dealt with the need for bodies over two centuries.

Hutton looks at Manchester and Oxford to provide a comparative history of anatomical study. Using the Anatomy Act as a focal point, she examines how these two cities dealt with the need for bodies over two centuries.

This book considers the global discourses and debates about ‘intoxication’, engaging in critical academic discussion around this concept. The problems in defining intoxication are considered, alongside the meanings of intoxication and how these meanings often differ across diverse drug using populations. The way that intoxication has been engaged with over the centuries has affected how particular groups are perceived and responded to, resulting in punitive responses such as drug prohibition, alongside harsh treatment of those who are seen to transgress societal norms and values. Therefore, this collection seeks to unsettle dominant discourses about intoxication and to consider this concept in new, critical ways. Ways of being intoxicated are also defined in this book in their broadest sense; from ‘energy drinks’ and other legal drugs, to recreational use of illicit drugs such as ecstasy, to ‘problematic’ drug use.

This book considers the global discourses and debates about ‘intoxication’, engaging in critical academic discussion around this concept. The problems in defining intoxication are considered, alongside the meanings of intoxication and how these meanings often differ across diverse drug using populations. The way that intoxication has been engaged with over the centuries has affected how particular groups are perceived and responded to, resulting in punitive responses such as drug prohibition, alongside harsh treatment of those who are seen to transgress societal norms and values. Therefore, this collection seeks to unsettle dominant discourses about intoxication and to consider this concept in new, critical ways. Ways of being intoxicated are also defined in this book in their broadest sense; from ‘energy drinks’ and other legal drugs, to recreational use of illicit drugs such as ecstasy, to ‘problematic’ drug use.