Fiona Mozley – författare

'An incredible achievement, a story of friendship, memory, loss, and moral duty unlike any I've read before' Dina Nayeri, author of The Ungrateful Refugee'A unique, visionary novel about the toll of memory and the power and fragility of the human heart and mind. Fiona Mozley gives a masterclass in the novel form' Kim Sherwood, author of TestamentMary is struggling with her memory. She does not have too few recollections but too many, including some that are downright absurd. She has many memories of her childhood: going to parties and on school trips, walks with her father and family dinners. She remembers world events too: the falling of the Twin Towers and the Iraq War. But the most concerning memories she has are about her Jewish grandfather and his role in the death of Adolf Hitler. She feels sure - almost completely sure - that what she has been told can't be true, that she must have imagined the whole thing. But there is a doubt.To decipher fact from fiction, Mary goes back over her life, sorting through her childhood and adolescence with her three friends in York, through an adulthood accustomed to tragedy. Guided by her family and friends, Mary attempts to figure out what is real, both in history and her own life, all the while wondering if her mind has conjured everything.

'An incredible achievement, a story of friendship, memory, loss, and moral duty unlike any I've read before' Dina Nayeri, author of The Ungrateful Refugee'A unique, visionary novel about the toll of memory and the power and fragility of the human heart and mind. Fiona Mozley gives a masterclass in the novel form' Kim Sherwood, author of TestamentMary is struggling with her memory. She does not have too few recollections but too many, including some that are downright absurd. She has many memories of her childhood: going to parties and on school trips, walks with her father and family dinners. She remembers world events too: the falling of the Twin Towers and the Iraq War. But the most concerning memories she has are about her Jewish grandfather and his role in the death of Adolf Hitler. She feels sure - almost completely sure - that what she has been told can't be true, that she must have imagined the whole thing. But there is a doubt.To decipher fact from fiction, Mary goes back over her life, sorting through her childhood and adolescence with her three friends in York, through an adulthood accustomed to tragedy. Guided by her family and friends, Mary attempts to figure out what is real, both in history and her own life, all the while wondering if her mind has conjured everything.

WITH A NEW FOREWORD BY DONAL RYAN'A quiet explosion of a book, exquisite and unforgettable' The Economist'A cleverly constructed rural Gothic fable . . . Elmet is a marvellous achievement' TLS'Hansel and Gretel meets The Godfather' Sunday TimesDaniel is heading north. He is looking for someone. The simplicity of his early life with Daddy and Cathy has turned menacing and fearful. They lived apart in the house that Daddy built for them in the woods with his bare hands. They foraged and hunted.Cathy was more like their father: fierce and full of simmering anger. Daniel was more like their mother: gentle and kind. Sometimes, their father disappeared, and would return with a rage in his eyes. But when he was at home, he was at peace. He told them that the little copse in Elmet was theirs alone. But that wasn't true. Local men, greedy and watchful, began to circle like vultures. All the while, the terrible violence in Daddy grew.Brutal and beautiful in equal measure, Elmet is a compelling portrayal of a family living on the fringes of contemporary society, as well as a gripping exploration of the disturbing actions people are capable of when pushed to their limits.SHORTLISTED FOR THE MAN BOOKER PRIZE 2017SHORTLISTED FOR THE PFD/SUNDAY TIMES YOUNG WRITER OF THE YEAR AWARDWINNER OF A SOMERSET MAUGHAM AWARDWINNER OF THE POLARI FIRST BOOK PRIZE 2018

Longlisted for the Dylan Thomas Prize'Ambitious, clever, brilliant and very funny . . . If Elmet announced the arrival of a bright new voice in British literature, Hot Stew confirms Mozley as a writer of extraordinary empathic gifts' Observer 'A dazzling Dickensian tale . . . In an age when so many novelists of Mozley's generation take refuge in the dystopian, she has reinvigorated large-scale social realism for our times' Guardian, Book of the Day'Where the mystical, elemental qualities of Elmet earned it comparisons with Lawrence and Hardy, her second novel is a sprawling urban comedy more likely to recall Ben Jonson or Dickens' Daily Telegraph'Did you know in Tudor times all the brothels were south of the river in Southwark and it was only much later that they moved up this way to Soho. Stews, they were called then.' Pungent, steamy, insatiable Soho; the only part of London that truly never sleeps. Tourists dawdling, chancers skulking, addicts shuffling, sex workers strutting, punters prowling, businessmen striding, the homeless and the lost. Down Wardour Street, ducking onto Dean Street, sweeping into L'Escargot, darting down quiet back alleyways, skirting dumpsters and drunks, emerging on to raucous main roads, fizzing with energy and riotous with life.On a corner, sits a large townhouse, the same as all its neighbours. But this building hosts a teeming throng of rich and poor, full from the basement right up to the roof terrace. Precious and Tabitha call the top floors their home but it's under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. Those like Cheryl, who sleep in the basement, will have to find somewhere else to hide after dark. But the women won't go quietly. Soho is their turf and they are ready for a fight.'A complex mosaic of urban life . . . The Soho Mozley captures with such intensity is not a mere locality. It is a microcosm of swarming humanity' The Times'At its best, it recalls the kind of capacious, rollicking satires Britain produced in and around the Thatcher era - ambitious, scathing and damn good fun' TLS

'Ambitious, clever, brilliant and very funny . . . If Elmet announced the arrival of a bright new voice in British literature, Hot Stew confirms Mozley as a writer of extraordinary empathic gifts' Observer 'A dazzling Dickensian tale . . . In an age when so many novelists of Mozley's generation take refuge in the dystopian, she has reinvigorated large-scale social realism for our times ' Guardian, Book of the Day'Where the mystical, elemental qualities of Elmet earned it comparisons with Lawrence and Hardy, her second novel is a sprawling urban comedy more likely to recall Ben Jonson or Dickens' Daily Telegraph'Did you know in Tudor times all the brothels were south of the river in Southwark and it was only much later that they moved up this way to Soho. Stews, they were called then.' Pungent, steamy, insatiable Soho; the only part of London that truly never sleeps. Tourists dawdling, chancers skulking, addicts shuffling, sex workers strutting, punters prowling, businessmen striding, the homeless and the lost. Down Wardour Street, ducking onto Dean Street, sweeping into L'Escargot, darting down quiet back alleyways, skirting dumpsters and drunks, emerging on to raucous main roads, fizzing with energy and riotous with life.On a corner, sits a large townhouse, the same as all its neighbours. But this building hosts a teeming throng of rich and poor, full from the basement right up to the roof terrace. Precious and Tabitha call the top floors their home but it's under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. Those like Cheryl, who sleep in the basement, will have to find somewhere else to hide after dark. But the women won't go quietly. Soho is their turf and they are ready for a fight.'A complex mosaic of urban life . . . The Soho Mozley captures with such intensity is not a mere locality. It is a microcosm of swarming humanity' The Times'At its best, it recalls the kind of capacious, rollicking satires Britain produced in and around the Thatcher era - ambitious, scathing and damn good fun' TLS

'Ambitious, clever, brilliant and very funny' Observer 'A dazzling Dickensian tale' Guardian'Did you know in Tudor times all the brothels were south of the river in Southwark and it was only much later that they moved up this way to Soho. Stews, they were called then.' Pungent, steamy, insatiable Soho; the only part of London that truly never sleeps. Tourists dawdling, chancers skulking, addicts shuffling, sex workers strutting, punters prowling, businessmen striding, the homeless and the lost. Down Wardour Street, ducking onto Dean Street, sweeping into L'Escargot, darting down quiet back alleyways, skirting dumpsters and drunks, emerging on to raucous main roads, fizzing with energy and riotous with life.On a corner, sits a large townhouse, the same as all its neighbours. But this building hosts a teeming throng of rich and poor, full from the basement right up to the roof terrace. Precious and Tabitha call the top floors their home but it's under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. Those like Cheryl, who sleep in the basement, will have to find somewhere else to hide after dark. But the women won't go quietly. Soho is their turf and they are ready for a fight.'A microcosm of swarming humanity' The Times'Ambitious, scathing and damn good fun' TLSLonglisted for the Dylan Thomas Prize

From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites.Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our story-telling heritage.Author and atmospheric locations include:Edward Carey - Bury St Edmunds AbbeySarah Hall - Castlerigg and other stone circlesPaul Kingsnorth - StonehengeAlison MacLeod - Down HouseGraeme Macrae Burnet - Whitby AbbeySarah Moss - Berwick CastleFiona Mozley - Carlisle CastleAdam Thorpe - Tintagel CastleWith original black-and-white illustrations by Clive Hicks-Jenkins

From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites.Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our story-telling heritage.Author and atmospheric locations include:Edward Carey - Bury St Edmunds AbbeySarah Hall - Castlerigg and other stone circlesPaul Kingsnorth - StonehengeAlison MacLeod - Down HouseGraeme Macrae Burnet - Whitby AbbeySarah Moss - Berwick CastleFiona Mozley - Carlisle CastleAdam Thorpe - Tintagel CastleWith original black-and-white illustrations by Clive Hicks-Jenkins