Fiona Robertson – författare

Legitimate Histories is an innovative reading of Walter Scott's Waverley Novels in the context of eighteenth- and nineteenth-century Gothic.Most critics have treated these two forms of historical narrative as though they were completely unrelated, but Fiona Robertson's detailed study places Scott's work in the context of Gothic fictions from Walpole to Maturin. In so doing, she highlights their shared techniques of narrative deferral, fantasies of origin and originality, and strategies of authenticity and authority. The book takes in the whole range of Waverley Novels, and includes analyses of such neglected works as The Fortunes of Nigel, Peveril of the Peak, and Woodstock, as well as the more frequently studied Rob Roy, The Heart of Midlothian, and Redgauntlet.Offering fresh insight into the variety and complexity of Scott's novels, and into the traditions of criticism which have so often obscured them, Legitimate Histories makes an important contribution to the study of Romanticism, the novel, and to current theoretical debates concerning historical fiction and historiographic authority.

The plans of Edgar, Master of Ravenswood to regain his ancient family estate from the corrupt Lord Keeper of the Great Seal of Scotland are frustrated by the complexities of the legal and political situations following the 1707 Act of Union, and by his passion for his enemy's beautiful daughter Lucy. First published in 1819, this intricate and searching romantic tragedy offers challenging insights into emotional and sexual politics, and demonstrates the shrewd way in which Scott presented his work as historical document, entertainment, and work of art. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Red Badge of Courage (1895) is a vivid psychological account of a young man's experience of fighting in the American Civil War, based on Crane's reading of popular descriptions of battle. The intensity of its narrative and its naturalistic power earned Crane instant success, and led to his spending most of his brief remaining life war reporting. The other stories collected in this volume draw on this experience; `The Open Boat' (1898) was inspired by his fifty hour struggle with waves after his ship was sunk during an expedition to Cuba; `The Monster' (1899) is a bitterly ironic commentary on the ostracization of a doctor for harbouring the servant who was disfigured and lost his sanity rescuing his son. As a rare example of Crane working in a vein of American Gothic, it is particularly striking for its treatment of race and social injustice. `The Blue Hotel' traces the events that lead to a murder at a bar in a small Nebraska town. This edition is the most generously annotated edition of Crane's work, exploring it from a fresh critical perspective and focusing on his place as an experimental writer, his modernist legacy and his social as well as literary revisionism. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The most concentrated and wide-ranging study of Walter Scott's work available. This Companion is the first collection of its kind devoted to Scott's work. It draws on the innovative research which has revitalised the study of Scott's exceptionally diverse writing in recent years. In these 12 chapters, experts on Scott reflect on his place in literary and popular culture, his experimentation and originality, his relationship to Romanticism, and the revaluation of lesser-known works. There are chapters on Scott's poetry, on Scott as collector and editor of traditional ballads, his novels, his critical writing on history, economics, folklore and literature, his place in the history of ideas, and his importance to Scottish culture. Taken together, the chapters reveal a figure of central importance to Scottish, European and American Romanticism. Key Features: The first reader's guide to Sir Walter Scott; Chapters by leading Scott scholars including Ian Duncan (Berkeley), Ina Ferris (Ottawa), Kenneth McNeil (Eastern Connecticut), Tara Ghoshal Wallace (George Washington), Nicola J Watson (Open U); Makes the most innovative and authoritative criticism of Scott available to all including students and general readers with broad appeal across Scottish Studies; Covers the full range of Scott's writing

In this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.

In this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.

In this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.

'Superb' Telegraph'There's a real sense of peace and magic in this beautiful book' Daisy Buchanan'Utterly endearing' Dr James Canton'A fantastic book for weird walkers and megalith-obsessives alike' Weird Walk'I was alternately gripped and moved to tears by this brilliant, exquisite memoir. . . I can't recommend it enough' Harriet EvansJourneying across Britain, from West Penwith and Avebury to the Lake District and Orkney, Stone Lands uncovers the magic and rich history of our incredible prehistoric standing stones. It conveys the delight that lies in tracking them down, as well as the solace these ancient places offer in times of darkness.A few months after discovering that her beloved husband, Stephen, had incurable cancer, Fiona Robertson began to write this book. A long-time megalith enthusiast, she found the ancient stones resonated with her more profoundly than ever as she faced the prospect of losing him. Set upright thousands of years ago, the megaliths are symbols of endurance and survival, standing in contrast to our ephemeral human lives. Infused with folklore, legend and mystery, they enchant the landscape and bring magic to our modern world. This enthralling memoir is woven delicately around great grief but is ultimately about embracing life, joy and ancient wonder - a luminous reminder of what it means to exist on this earth.Stone Lands is beautifully illustrated inside with stunning black and white line drawings by the illustrator and printmaker Philip Harris. Find out more about his work: www.philipharrisillustration.com'A reminder that the ancient stones can be sources of reassurance and solidity, even in our times of greatest upheaval and loss' Angeline Morrison'A very, very good read ... this is one to treasure' Blackwell'sStone Lands is 'assiduously researched, full of anecdotes and makes you look anew at these enduring landmarks' Country Life

One of the Telegraph's 'Greatest Books of 2025''Superb' Telegraph'There's a real sense of peace and magic in this beautiful book' Daisy Buchanan'Utterly endearing' Dr James Canton'A fantastic book for weird walkers and megalith-obsessives alike' Weird Walk'I was alternately gripped and moved to tears by this brilliant, exquisite memoir. . . I can't recommend it enough' Harriet EvansJourneying across Britain, from West Penwith and Avebury to the Lake District and Orkney, Stone Lands uncovers the magic and rich history of our incredible prehistoric standing stones. It conveys the delight that lies in tracking them down, as well as the solace these ancient places offer in times of darkness.A few months after discovering that her beloved husband, Stephen, had incurable cancer, Fiona Robertson began to write this book. A long-time megalith enthusiast, she found the ancient stones resonated with her more profoundly than ever as she faced the prospect of losing him. Set upright thousands of years ago, the megaliths are symbols of endurance and survival, standing in contrast to our ephemeral human lives. Infused with folklore, legend and mystery, they enchant the landscape and bring magic to our modern world. This enthralling memoir is woven delicately around great grief but is ultimately about embracing life, joy and ancient wonder - a luminous reminder of what it means to exist on this earth.Stone Lands is beautifully illustrated inside with stunning black and white line drawings by the illustrator and printmaker Philip Harris. Find out more about his work: www.philipharrisillustration.com'A reminder that the ancient stones can be sources of reassurance and solidity, even in our times of greatest upheaval and loss' Angeline Morrison'A very, very good read ... this is one to treasure' Blackwell'sStone Lands is 'assiduously researched, full of anecdotes and makes you look anew at these enduring landmarks' Country Life

In this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.