Floris Bernard – författare

In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement, chiefly exemplified in the poetry of Christophoros Mitylenaios, Ioannes Mauropous, and Michael Psellos. This is the first volume to consider this poetic activity as a whole, critically reconsidering modern assumptions about Byzantine poetry, and focusing on Byzantine conceptions of the role of poetry in society.By providing a detailed account of the various media through which poetry was presented to its readers, and by tracing the initial circulation of poems, this volume takes an interest in the Byzantine reader and his/her reading habits and strategies, allowing aspects of performance and visual representation, rarely addressed, to come to the fore. It also examines the social interests that motivated the composition of poetry, establishing a connection with the extraordinary social mobility of thetime. Self-representative strategies are analyzed against the background of an unstable elite struggling to find moral justification, which allows the study to raise the question of patronage, examine the discourse used by poets to secure material rewards, and explain the social dynamics ofdedicatory epigrams. Finally, gift exchange is explored as a medium that underlines the value of poetry and confirms the exclusive nature of intellectual friendship.

In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement, chiefly exemplified in the poetry of Christophoros Mitylenaios, Ioannes Mauropous, and Michael Psellos. This is the first volume to consider this poetic activity as a whole, critically reconsidering modern assumptions about Byzantine poetry, and focusing on Byzantine conceptions of the role of poetry in society.By providing a detailed account of the various media through which poetry was presented to its readers, and by tracing the initial circulation of poems, this volume takes an interest in the Byzantine reader and his/her reading habits and strategies, allowing aspects of performance and visual representation, rarely addressed, to come to the fore. It also examines the social interests that motivated the composition of poetry, establishing a connection with the extraordinary social mobility of the time. Self-representative strategies are analyzed against the background of an unstable elite struggling to find moral justification, which allows the study to raise the question of patronage, examine the discourse used by poets to secure material rewards, and explain the social dynamics of dedicatory epigrams. Finally, gift exchange is explored as a medium that underlines the value of poetry and confirms the exclusive nature of intellectual friendship.

The witty and self-assertive poetry of Christopher of Mytilene and John Mauropous provides unique snapshots of eleventh-century Constantinople at the height of its splendor and elegance. Their collections, aptly called “various verses,” greatly range in length and style—including epigrams, polemics, encomia, and more—and their poems were written for a broad range of social occasions such as court ceremonies, horse races, contests between schools, and funerals. Some were inscribed on icons and buildings. Many honored patrons and friends, debunked rivals, or offered satirical portraits of moral types in contemporary society. In some remarkable introspective poems, Mauropous carefully shaped a narrative of his life and career, while Christopher’s body of work is peppered with riddles and jocular wordplay. This volume is the first English translation of these Byzantine Greek collections.

Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period who delve into this poetry with different but complementary objectives in mind, covering the links between art and text, linguistic evolutions, social functionality, contemporary reading attitudes, and the like. The authors aim to give the production of 11th-century verse a place in the Byzantine genre system and in the historic evolution of Byzantine poetry and metrics. As a result, this book will, to use the expression of two important poets of the period, "offer a small taste" of what can be gained from the serious study of this period.

Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period who delve into this poetry with different but complementary objectives in mind, covering the links between art and text, linguistic evolutions, social functionality, contemporary reading attitudes, and the like. The authors aim to give the production of 11th-century verse a place in the Byzantine genre system and in the historic evolution of Byzantine poetry and metrics. As a result, this book will, to use the expression of two important poets of the period, "offer a small taste" of what can be gained from the serious study of this period.

Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period who delve into this poetry with different but complementary objectives in mind, covering the links between art and text, linguistic evolutions, social functionality, contemporary reading attitudes, and the like. The authors aim to give the production of 11th-century verse a place in the Byzantine genre system and in the historic evolution of Byzantine poetry and metrics. As a result, this book will, to use the expression of two important poets of the period, "offer a small taste" of what can be gained from the serious study of this period.