Forrest Reid – författare

'I had arrived at the Greek view of nature. In wood and river and plant and animal and bird and insect it had seemed to me there was a spirit which was the same as my spirit...'Born in Belfast in 1875, Forrest Reid would earn a reputation as 'the first Ulster novelist of European stature.' He studied at Cambridge, but it was Belfast where Reid returned to make his home, and where his questing mind seemed to find all that it required of inspiration. As he writes in Apostate (1926), the first of two volumes of autobiography - 'The landscape was the landscape I loved best, a landscape proclaiming the vicinity of man, a landscape imbued with a human spirit that was yet somehow divine.'

'I had arrived at the Greek view of nature. In wood and river and plant and animal and bird and insect it had seemed to me there was a spirit which was the same as my spirit...'Born in Belfast in 1875, Forrest Reid would earn a reputation as 'the first Ulster novelist of European stature.' He studied at Cambridge, but it was Belfast where Reid returned to make his home, and where his questing mind seemed to find all that it required of inspiration. As he writes in Apostate (1926), the first of two volumes of autobiography - 'The landscape was the landscape I loved best, a landscape proclaiming the vicinity of man, a landscape imbued with a human spirit that was yet somehow divine.'

Peter Waring (1937) is a full-scale revision of Reid's earlier Following Darkness (1912) in which Peter, a sensitive boy with literary inclinations, grows up unhappily in the household of his father, a cold village schoolmaster in Newcastle, County Down, and among his Belfast relatives whom he finds intolerable.'An acute and subtle story of adolescence.... A delicacy and a grave beauty which make their own quiet appeal.' Times'Reid has written one of the finest studies of the mental, sexual, spiritual life of the adolescent without ever mentioning the words.' Glasgow Herald

Peter Waring (1937) is a full-scale revision of Reid's earlier Following Darkness (1912) in which Peter, a sensitive boy with literary inclinations, grows up unhappily in the household of his father, a cold village schoolmaster in Newcastle, County Down, and among his Belfast relatives whom he finds intolerable.'An acute and subtle story of adolescence.... A delicacy and a grave beauty which make their own quiet appeal.' Times'Reid has written one of the finest studies of the mental, sexual, spiritual life of the adolescent without ever mentioning the words.' Glasgow Herald

In this, the companion volume to his earlier autobiographical Apostate (1926), Forrest Reid continues his 'chronicle of a prolonged personal adventure'. Private Road (first published in 1940) offers Reid's descriptions of his early writing efforts; a youthful correspondence with Henry James that began with promise yet ended disappointingly ('the Master was not pleased...'); his Cambridge encounters with such luminaries as Ronald Firbank and W.B. Yeats; the production and reception of his first published works; and his valued friendships with E.M. Forster and Walter de la Mare. The closing stages of the book reflect Reid's unique sense of the spiritual: a compelling meditation on our 'second life' in a place Reid calls 'dreamland', wherein a 'shadowy agent' conjures an atmosphere that can hold powerful inspirational properties for the artist.Faber Finds is devoted to restoring to readers a wealth of lost/neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit faberfinds.co.uk. To join the dialogue with fellow book-lovers please see ourblog faberfindsblog.co.uk. Normal 0 false false false /* Style Definitions */

In this, the companion volume to his earlier autobiographical Apostate (1926), Forrest Reid continues his 'chronicle of a prolonged personal adventure'. Private Road (first published in 1940) offers Reid's descriptions of his early writing efforts; a youthful correspondence with Henry James that began with promise yet ended disappointingly ('the Master was not pleased...'); his Cambridge encounters with such luminaries as Ronald Firbank and W.B. Yeats; the production and reception of his first published works; and his valued friendships with E.M. Forster and Walter de la Mare. The closing stages of the book reflect Reid's unique sense of the spiritual: a compelling meditation on our 'second life' in a place Reid calls 'dreamland', wherein a 'shadowy agent' conjures an atmosphere that can hold powerful inspirational properties for the artist.Faber Finds is devoted to restoring to readers a wealth of lost/neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit faberfinds.co.uk. To join the dialogue with fellow book-lovers please see ourblog faberfindsblog.co.uk. Normal 0 false false false /* Style Definitions */