Frances A Yates – författare

This unique and brilliant book is a history of human knowledge.Before the invention of printing, a trained memory was of vital importance. Based on a technique of impressing 'places' and 'images' on the mind, the ancient Greeks created an elaborate memory system which in turn was inherited by the Romans and passed into the European tradition, to be revived, in occult form, during the Renaissance.Frances Yates sheds light on Dante’s Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture; The Art of Memory is an invaluable contribution to aesthetics and psychology, and to the history of philosophy, of science and of literature.

Placing Bruno—both advanced philosopher and magician burned at the stake—in the Hermetic tradition, Yates's acclaimed study gives an overview not only of Renaissance humanism but of its interplay—and conflict—with magic and occult practices. "Among those who have explored the intellectual world of the sixteenth century no one in England can rival Miss Yates. Wherever she looks, she illuminates. Now she has looked on Bruno. This brilliant book takes time to digest, but it is an intellectual adventure to read it. Historians of ideas, of religion, and of science will study it. Some of them, after reading it, will have to think again. . . . For Miss Yates has put Bruno, for the first time, in his tradition, and has shown what that tradition was."—Hugh Trevor-Roper, New Statesman"A decisive contribution to the understanding of Giordano Bruno, this book will probably remove a great number of misrepresentations that still plague the tormented figure of the Nolan prophet."—Giorgio de Santillana, American Historical Review"Yates's book is an important addition to our knowledge of Giordano Bruno. But it is even more important, I think, as a step toward understanding the unity of the sixteenth century."—J. Bronowski, New York Review of Books

In this study of how people learned to retain vast stores of knowledge before the invention of the printed page, Frances A. Yates traces the art of memory from Greek orators, through the Middle Ages, to the occult forms it took in the Renaissance, and finally to its use in the 17th century.

First published in 1999. This is volume II which includes the English translation of Giordano Bruno's selected works of the Hermetic Tradition, from 1964.

This is Volume V of selected works of Frances A. Yates. Astraea looks at the Imperial theme in the sixteenth century and includes Charles V and the idea of Empire to the Tudor Imperial Reform and the French Monarchy.

First Published in 1999. A full list of the writings of Dame Frances Yates will appear in volume III of the Collected Essays. This is Volume IX of ten the selected works of Frances A. Yates.

This is Volume X of ten of the selected works of Frances Yates. Originally published in 1984, this collection of thirty-five essays.

First published in 1999. This is volume II which includes the English translation of Giordano Bruno's selected works of the Hermetic Tradition, from 1964.

This is Volume V of selected works of Frances A. Yates. Astraea looks at the Imperial theme in the sixteenth century and includes Charles V and the idea of Empire to the Tudor Imperial Reform and the French Monarchy.

First Published in 1999. A full list of the writings of Dame Frances Yates will appear in volume III of the Collected Essays. This is Volume IX of ten the selected works of Frances A. Yates.

This is Volume X of ten of the selected works of Frances Yates. Originally published in 1984, this collection of thirty-five essays.

First published in 1999. This is volume VII of ten of the collected works of Frances Yates. This book is a strictly historical study, not an enquiry into ‘the occult’ in general, which I am certainly not qualified to undertake. It includes what was known as ‘the occult philosophy’ in the Renaissance. This philosophy, or outlook, was compounded of Hermeticism as revived by Marsilio Ficino, to which Pico della Mirandola added a Christianised version of Jewish Cabala. These two trends, associated together, form what Yates calls ‘the occult philosophy’.

John Florio is best known to the present day for his great translation of Montaigne's Essays. To his contemporaries he was one of the most conspicuous figures of the literary and social cliques of the time. By her reconstruction of Florio's life and character, Frances Yates' 1934 text throws light upon the vexed question of his relations with Shakespeare.

This is Volume V of selected works of Frances A. Yates. Astraea looks at the Imperial theme in the sixteenth century and includes Charles V and the idea of Empire to the Tudor Imperial Reform and the French Monarchy.

This is Volume V of selected works of Frances A. Yates. Astraea looks at the Imperial theme in the sixteenth century and includes Charles V and the idea of Empire to the Tudor Imperial Reform and the French Monarchy.

This is Volume X of ten of the selected works of Frances Yates. Originally published in 1984, this collection of thirty-five essays.

This is Volume X of ten of the selected works of Frances Yates. Originally published in 1984, this collection of thirty-five essays.

First Published in 1999. A full list of the writings of Dame Frances Yates will appear in volume III of the Collected Essays. This is Volume IX of ten the selected works of Frances A. Yates.

First Published in 1999. A full list of the writings of Dame Frances Yates will appear in volume III of the Collected Essays. This is Volume IX of ten the selected works of Frances A. Yates.

First published in 1999. This is volume VII of ten of the collected works of Frances Yates. This book is a strictly historical study, not an enquiry into ‘the occult’ in general, which I am certainly not qualified to undertake. It includes what was known as ‘the occult philosophy’ in the Renaissance. This philosophy, or outlook, was compounded of Hermeticism as revived by Marsilio Ficino, to which Pico della Mirandola added a Christianised version of Jewish Cabala. These two trends, associated together, form what Yates calls ‘the occult philosophy’.

First published in 1999. This is volume VII of ten of the collected works of Frances Yates. This book is a strictly historical study, not an enquiry into ‘the occult’ in general, which I am certainly not qualified to undertake. It includes what was known as ‘the occult philosophy’ in the Renaissance. This philosophy, or outlook, was compounded of Hermeticism as revived by Marsilio Ficino, to which Pico della Mirandola added a Christianised version of Jewish Cabala. These two trends, associated together, form what Yates calls ‘the occult philosophy’.

First published in 1999. This is volume II which includes the English translation of Giordano Bruno''s selected works of the Hermetic Tradition, from 1964.

First published in 1999. This is volume II which includes the English translation of Giordano Bruno''s selected works of the Hermetic Tradition, from 1964.

This unique and brilliant book is a history of human knowledge.Before the invention of printing, a trained memory was of vital importance. Based on a technique of impressing 'places' and 'images' on the mind, the ancient Greeks created an elaborate memory system which in turn was inherited by the Romans and passed into the European tradition, to be revived, in occult form, during the Renaissance.Frances Yates sheds light on Dante’s Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture; The Art of Memory is an invaluable contribution to aesthetics and psychology, and to the history of philosophy, of science and of literature.