Frances Colpitt – författare
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3 produkter
3 produkter
Häftad, Engelska, 1993
458 kr
Skickas inom 5-8 vardagar
In this important work, Frances Colpitt chronicles the Minimal art movement of the 1960s. Maintaining the original spirit of the period--enthusiasm for innovation and a passionate commitment to intellectual inquiry--Colpitt provides an excellent documentary history that is both thorough and nonpartisan.Using a metacritical approach that embraces critical writings of the artists themselves, interviews by herself and the others, and a generous sampling of illustrations, Colpitt sets foth the issues and arguments and identifies key concepts that are crucial to an understanding of Minimal art. These include the frequent use of industrial materials and techniques; nonrelational principles of composition; and theoretical issues of scale, presence and thatricality. Also discussed are issues of abstraction, illusion, and reductionism as revealed in the writing and artistic productions of such leading innovators as Frank Stella, Donald Judd, and Robert Morris, among others. An appendix lists major exhibitions and reviews.
Häftad, Engelska, 2002
327 kr
Skickas inom 7-10 vardagar
By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the 'death of painting' in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art.
Häftad, Engelska, 2010
252 kr
Skickas inom 3-6 vardagar
Documenting the work of twelve contemporary sculptors from Texas, Material Culture was published to accompany the exhibition of the same name at TCU in 2008. Both representational and abstract, the works in the exhibition were made from readymade and commonplace materials with an emphasis on craft, process, and the use of the hand. Providing a survey of the ongoing embrace of object making in Texas, the essays in this book examine formal, conceptual, cultural, and social issues from American and international perspectives. The authors do not argue for a regional sensibility, given the irrelevance of regionalism in our global society, but for the strength of an art that celebrates material culture in an increasingly dematerialized world. Artists represented include Helen Altman, Richie Budd, Margarita Cabrera, Bill Davenport, Jonathan Durham, Lily Hanson, Joseph Havel, Jessica Halonen, Katrina Moorhead, Chris Sauter, Polly Lanning Sparrow, and Brad Tucker. Multiple color photographs document the works as they appeared in the exhibition. Each artist is also represented by an extensive biography and bibliography.