Frances Larson – författare

This book explores the early history of the Pitt Rivers Museum and its collections. Many thousands of people collected objects for the Museum between its foundation in 1884 and 1945, and together they and the objects they collected provide a series of insights into the early history of archaeology and anthropology. The volume also includes individual biographies and group histories of the people originally making and using the objects, as well as a snapshot of the British Empire. The main focus for the book derives from the computerized catalogues of the Museum and attendant archival information. Together these provide a unique insight into the growth of a well-known institution and its place within broader intellectual frameworks of the Victorian period and early twentieth century. It also explores current ideas on the nature of relationships, particularly those between people and things.

An Infinity of Things tells the story of one of the largest private collections ever created, and the life of the man behind it. Wellcome planned a great museum filled with treasures from all corners of the globe, charting the history of human health from prehistory to the present day. The breadth of his vision was matched only by the depth of his pockets. During the opening decades of the twentieth century he acquired a collection so large that later generations of staff took to describing its contents by the ton. But Wellcome's museum was never finished, and his collection was still stored in vast warehouses when he died, unseen and incomplete. Today, after decades of work by his successors, artefacts from the collection can be seen in museums and libraries throughout the world. Demonstrating what can happen when a collector's aspirations are left unconstrained by wealth, Frances Larson explores Wellcome's life through his possessions, revealing the many tensions in his character: between his talents as a businessman and his desire for scholarly recognition; his curiosity and his perfectionism; and his philanthropic aspirations and his drive for personal glory.

Our history is littered with heads. Over the centuries, they have decorated our churches, festooned our city walls and filled our museums; they have been props for artists and specimens for laboratory scientists, trophies for soldiers and items of barter. Today, as videos of decapitations circulate online and cryonicists promise that our heads may one day live on without our bodies, the severed head is as contentious and compelling as ever.From shrunken heads to trophies of war; from memento mori to Damien Hirst's With Dead Head; from grave-robbing phrenologists to enterprising scientists, Larson explores the bizarre, often gruesome and confounding history of the severed head. Its story is our story.