Francesca Benatti – författare

The success of popular webcomics (comics produced and read entirely digitally) is the greatest revolution in the comics medium of the last two decades. Webcomics exploit a socio-technical convergence between digital platforms and participatory cultures, enabling global authors to work together with global audiences to transcend established print comics structures. After defining digital comics, webcomics and webtoons, this Element presents a case study of Korean platform WEBTOON, which achieved 100 billion global page views in 2019. The study analyses data from their website, including views, subscriptions and likes, to quantify and assess whether WEBTOON''s commercial and critical success is connected to its inclusion of a wider range of genres and of a more diverse author base than mainstream English-language print comics. In so doing, it performs the first Book Historical study of webcomics and webtoons. This title is also available as Open Access on Cambridge Core.

The success of popular webcomics (comics produced and read entirely digitally) is the greatest revolution in the comics medium of the last two decades. Webcomics exploit a socio-technical convergence between digital platforms and participatory cultures, enabling global authors to work together with global audiences to transcend established print comics structures. After defining digital comics, webcomics and webtoons, this Element presents a case study of Korean platform WEBTOON, which achieved 100 billion global page views in 2019. The study analyses data from their website, including views, subscriptions and likes, to quantify and assess whether WEBTOON's commercial and critical success is connected to its inclusion of a wider range of genres and of a more diverse author base than mainstream English-language print comics. In so doing, it performs the first Book Historical study of webcomics and webtoons. This title is also available as Open Access on Cambridge Core.

This collection traces new directions in the study of Thomas Moore (1779–1852) and examines the multiple facets of his complex identity, not only as the foremost Irish poet of his time, but also as a lyricist, satirist, polemicist, patriot and journalist. The range of contributors is interdisciplinary and international, and includes leading scholars of literature, music, history and digital humanities.The essays collected here present a new assessment of Moore’s career and reflect on the future directions for Moore scholars enabled by digital resources and methodologies. They highlight Moore’s far-reaching influence on nineteenth-century European Romanticism, his formative participation in Whig political discourse and his central role in the construction of Irish identity from the nineteenth to the twenty-first centuries.