Francesca Bratton – författare
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''Poignant and fiercely intelligent, this is the best work of creative non-fiction I have read in years'' FIONA MOZLEY''Profound, moving and courageous'' IRISH TIMES''Stimulating and often engaging . . . Bratton has developed a real technique of her own here'' TLSIn April 1931, modernist poet Hart Crane arrived in Mexico City. Between mood swings, dire financial difficulties, and a rotating series of personal estrangements, Hart was struggling to make the parts of a fragmentary world cohere. This move to Mexico was one in a long list of attempts to find security. In just over a year he would be dead.In July 1932, Grace Crane picks up the morning paper. Scanning the headlines, she is halted on page five. Her son''s eyes stare back at her, tinted pink by the thin paper: ''POET LOST AT SEA FROM SHIP''.Hart Crane''s death has accrued a morbid mythology, often overshadowing discussions of his work. In Stronger than Death Francesca Bratton focuses instead on Hart''s vivid life and his turbulent final year among the vibrant artistic and political communities of Mexico City. Interwoven with Hart''s story is that of his mother, exploring Grace''s lifelong frustrated creativity and, after his death, her attempts to reach him through seance. Finally, the book explores Hart''s legacy as a queer man and as a poet, informed by Francesca''s responses to his work during her own periods of mental illness. Part-memoir, part-biography, Stronger than Death is a profound and lyrical meditation on grief, mental health, enduring love and the power of poetry.
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This collection of essays explores the life and works of the British poet and author of short stories Charlotte Mew (1869-1928). It represents the first volume dedicated solely to critical engagement with the full range of Mew’s poetry, fiction and essays. Mew moved within a remarkable range of literary and intellectual circles, from The Yellow Book in the 1890s to Bloomsbury’s Poetry Bookshop in the 1910s. As such, her work challenges traditional distinctions between literary periods and sits within the more expansive framework of the long nineteenth century and its legacies. Each chapter contextualises Mew’s oeuvre by examining her experiments with poetic and narrative genres in relation to her wider late Victorian and early modernist intellectual milieu. The volume draws together literary scholars working across the fields of poetry and poetics, decadence, modernism, ecocriticism and queer theory, while illustrating the particular stylistic and thematic complexities of Mew’s writing.