Francesco Zanot – författare

Taking My Time is the first career retrospective on the work of renowned and influential American photographer Joel Meyerowitz (b.1938), including over 550 famous and previously unpublished photographs spanning his extensive 50-year career. Edited and sequenced with the photographer, this large-format publication comprises two volumes in a slipcase with special inserts. It includes photographs from Meyerowitz’s complete oeuvre, including his colour and black and white street photographs from the 60s and 70s, the Cape Cod seascapes, his landmark images documenting Ground Zero after 9/11 and, more recently, his work in Tuscany and on the parks of New York City.Arguably one of America’s greatest photographers working today, Meyerowitz is best known for his spontaneous photographs of the streets of New York from the 1960s and his pioneering photographs of colour, light and space. Instrumental in changing the attitude towards the use of colour photography from one of resistance to nearly universal acceptance, he is an innovator and teacher, inspiring a younger generation of photographers.

'Paparazzi' is a photographic and cultural phenomenon born during the years in which Rome was considered 'Hollywood on the Tiber River'. The 120 images portray the features of the protagonists of that season - especially the divas and stars of the silver screen, in addition to the photographs illustrating the wild nights in Via Veneto between the 1950s and 1960s. Photos by Tazio Secchiaroli, Marcello Geppetti, Elio Sorci, Ron Galella and many other prominent figures of the time make up (together with pages out of the magazines in which they were published) a fresco of popular communication from back then. Once the heroic season of paparazzi came to an end, that language became a sort of code used in different artistic and commercial contexts, as demonstrated in the final part of the volume by the images of the leading names in today's photography scene such as Alison Jackson, Armin Linke and Ellen von Unwerth. Text in English and Italian.

Be Like Water brings together for the first time a large selection of artworks made by Anouk Kruithof over twenty years (2002–23). Exploring and re-imaging photography and sculpture, Kruithof has placed the interaction, collaboration and relationship between people and their (natural and/or technological) surroundings at the core of her practice to create liberating and disturbing artworks. Be Like Water is both textual and visual, enriched with the purpose of focusing in on her work and the fluidity of her practice. This volume is a retro-perspective; by combining and mixing works in an anti-chronological and anti-thematic way, Kruithof presents a newly evolved narrative that interweaves complexity and multiplicity with fun and play, and at the same time leaves room for a critical reinterpretation.