Francisco Klauser – författare

Risk Research: Practices, Politics and Ethics offers a collection of essays, written by a wide variety of international researchers in risk research, about what it means to do risk research, and about how – and with what effects – risk research is practiced, articulated and exploited.

This approach is based upon the core assumption that: to make a difference in the study of risk, we must move beyond what we usually do, challenging the core assumptions, scientific, economic and social, about how we study, frame, exploit and govern risk. Hence, through a series of essays, the book aims to challenge the current ways in which risk-problems are approached and presented, both conceptually by academics and through the framings that are encoded in the technologies and socio-political and institutional practices used to manage risk.

In addressing these questions, the book does not attempt to offer a model of how risk research ''should'' be done. Rather, the book provides, through illustration, a challenge to the ways in which risk research is framed as ''problem-solving.'' The book''s ultimate objective aims to increase critical debate between different disciplines, approaches, concepts and problems.

Risk Research: Practices, Politics and Ethics offers a collection of essays, written by a wide variety of international researchers in risk research, about what it means to do risk research, and about how – and with what effects – risk research is practiced, articulated and exploited.

This approach is based upon the core assumption that: to make a difference in the study of risk, we must move beyond what we usually do, challenging the core assumptions, scientific, economic and social, about how we study, frame, exploit and govern risk. Hence, through a series of essays, the book aims to challenge the current ways in which risk-problems are approached and presented, both conceptually by academics and through the framings that are encoded in the technologies and socio-political and institutional practices used to manage risk.

In addressing these questions, the book does not attempt to offer a model of how risk research ''should'' be done. Rather, the book provides, through illustration, a challenge to the ways in which risk research is framed as ''problem-solving.'' The book''s ultimate objective aims to increase critical debate between different disciplines, approaches, concepts and problems.

The digital age is also a surveillance age. Today, computerized systems protect and manage our everyday life; the increasing number of surveillance cameras in public places, the computerized loyalty systems of the retail sector, geo-localized smart-phone applications, or smart traffic and navigation systems. Surveillance is nothing fundamentally new, and yet more and more questions are being asked:

Who monitors whom, and how and why? How do surveillance techniques affect socio-spatial practices and relationships?  How do they shape the fabrics of our cities, our mobilities, the spaces of the everyday?  And what are the implications in terms of border control and the exercise of political power?

Surveillance and Space responds to these modern questions by exploring the complex and varied interactions between surveillance and space.  In doing so, the book also advances a programmatic reflection on the very possibility of a ‘political geography of surveillance’.

 

The digital age is also a surveillance age. Today, computerized systems protect and manage our everyday life; the increasing number of surveillance cameras in public places, the computerized loyalty systems of the retail sector, geo-localized smart-phone applications, or smart traffic and navigation systems. Surveillance is nothing fundamentally new, and yet more and more questions are being asked:

Who monitors whom, and how and why? How do surveillance techniques affect socio-spatial practices and relationships?  How do they shape the fabrics of our cities, our mobilities, the spaces of the everyday?  And what are the implications in terms of border control and the exercise of political power?

Surveillance and Space responds to these modern questions by exploring the complex and varied interactions between surveillance and space.  In doing so, the book also advances a programmatic reflection on the very possibility of a ‘political geography of surveillance’.

 

The digital age is also a surveillance age. Today, computerized systems protect and manage our everyday life; the increasing number of surveillance cameras in public places, the computerized loyalty systems of the retail sector, geo-localized smart-phone applications, or smart traffic and navigation systems. Surveillance is nothing fundamentally new, and yet more and more questions are being asked:

Who monitors whom, and how and why? How do surveillance techniques affect socio-spatial practices and relationships?  How do they shape the fabrics of our cities, our mobilities, the spaces of the everyday?  And what are the implications in terms of border control and the exercise of political power?

Surveillance and Space responds to these modern questions by exploring the complex and varied interactions between surveillance and space.  In doing so, the book also advances a programmatic reflection on the very possibility of a ‘political geography of surveillance’.

 

Drohnen sind unbemannte Flugobjekte, deren Größen so unterschiedlich sind wie ihr Aussehen und ihre Nutzung. Eingesetzt werden sie für unterschiedlichste zivile Zwecke: u.a. um schwer zugängliche Gebiete zu erreichen, zur Kontrolle von Grenzen, Überwachung, Datensammlung sowie in der Landwirtschaft und im Dienstleistungssektor. Sie liefern Künstler*innen, Fotograf*innen und Filmemacher*innen eindrucksvolle Aufnahmen und haben die Bildästhetik der Gegenwart revolutioniert.Drohnen gelten aber auch als die wichtigste Kriegstechnologie seit der Erfindung der Atombombe. Gegenwärtig sind Drohnen noch keine autonom operierenden Systeme, in Kombination mit Künstlicher Intelligenz können sie aber zu unheimlichen Waffen werden. Dieser Ausbau zu lernenden und autonom agierenden Maschinen wirft auch ethische Fragen auf.Die Publikation führt die Inhalte der Ausstellung Game of Drones. Von unbemannten Flugobjekten und einer Fachtagung im Zeppelin Museum Friedrichshafen zusammen, die verschiedene Aspekte historischer, aktueller und zukünftiger Drohnentechnologien in vertiefter Form analysieren. Verhandelt wurden gesellschaftlich relevante Fragestellungen anhand technikhistorischer Exponate und ausgewählter Werke internationaler Künstler*innen, die Drohnentechnologien auf unterschiedlichste Weise kritisch reflektieren.Heutige Drohnen sind Weiterentwicklungen von unbemannten Ballonen, Fernlenkwaffen und Modellflugzeugen. Ausgehend von dieser historischen Verortung beschäftigt sich die Publikation mit dem Einsatz von Drohnen und ihrer hybriden Funktion als Spielzeug, Kriegstechnologie und Wirtschaftsfaktor. Als eine Technologie, die absolute Gegensätze vereint, wird deren Widersprüchlichkeit in all ihren Facetten aufgezeigt: vom Überwachungsapparat zum Instrument des Widerstands und Protests, vom animistisch beseelten Objekt bis hin zum Einsatz in der strategischen Kriegsführung. Reflektiert werden dabei auch zukünftige Entwicklungen, wie Fragen zu transhumanem Bewusstsein und Künstlicher Intelligenz.