Franck Boulègue - Böcker

David Lynch and Mark Frost’s television series Twin Peaks debuted in April 1990 and by June of 1991 had been cancelled. Yet the impact of this surreal, unsettling show – ostensibly about the search for homecoming queen Laura Palmer’s killer – is far larger than its short run might indicate. A forerunner of the moody, disjointed, cinematic television shows that are commonplace today, Twin Peaks left a lasting impression, and nowhere is that more clear than in the devotion of its legions of loyal fans.Fan Phenomena: Twin Peaks is the first book of its kind to revisit Lynch and Frost's ground-breaking series and explore how the show's cult status continues to thrive in the digital era. In ten essays, the contributors take a deeper look at Twin Peaks' rich cast of characters, iconic locations and its profound impact on television programming, as well as the impact of new media and fan culture on the show’s continued relevance. Written by fans for fans, Fan Phenomena: Twin Peaks is an intelligent yet accessible guide to the various aspects of the show and its subsequent film. Featuring commentary from both first-generation and more recent followers, these essays capture the endlessly fascinating universe of Twin Peaks, from Audrey Horne's keen sense of style to Agent Cooper's dream psychology. The first non-academic collection that speaks to the show's fan base rather than a scholarly audience, this book is more approachable than previous Twin Peaks critical studies volumes and features colour images of the series, film and fan media. It will be welcomed by anyone seduced by the strangeness and camp of Lynch’s seminal series.

Few contemporary television shows have been subjected to the critical scrutiny that has been brought to bear on David Lynch and Mark Frost's Twin Peaks since its debut in 1990. Yet the series, and the subsequent film, Fire Walk With Me, are sufficiently rich that it's always possible for a close analysis to offer something new – and that's what Franck Boulègue has done with Twin Peaks: Unwrapping the Plastic. Through Boulègue's eyes, we see for the first time the world of Twin Peaks as a coherent whole, one that draws on a wide range of cultural source material, including surrealism, transcendental meditation, Jungian psychoanalysis, mythology, fairy tales, and much, much more. The work of a scholar who is also a fan, the book should appeal to any hardcore Twin Peaks viewer.

In 2017, twenty-five years after its initial release, a new season of Twin Peaks shook the world of television.This new book is a detailed analysis of the third season of the television series and aims to elucidate some of the meanings of Twin Peaks: The Return and explain these in terms of philosophical, mythological and spiritual approaches.  It focuses on the third season of Twin Peaks but also refers to the first two seasons, and to the film, Fire Walk with Me.Divided into three sections, the book first examines the third season as expanded storytelling through the lens of Gene Youngblood's theory of synesthetic cinema, intertextuality, integrationist, and segregationist approaches in the realm of fiction, and focuses on the role of audio and visual superimpositions in The Return. It goes on to question the nature of the reality depicted in the seasons via scientific approaches, such as electromagnetism, time theory, and multiverses. The third and final section aims to transcend this vision by exploring the role of theosophy, the occult, and other spiritual sources.The author’s focus on the role of spirituality and science in Twin Peaks is what distinguishes this book from other works on the famous television series. The work of a scholar who is also a fan, the book should appeal to any hard-core Twin Peaks viewer.  Foreword by Matt Zoller Seitz, editor-at-large at RogerEbert.com, and the television critic for New York magazine.This will be essential reading for fans of Twin Peaks and academics writing about it.Also of interest for students with an interest in philosophy, religion, science or spiritualism in visual and popular culture.