Franco Marucci – författare

The negative historical judgment given to George Eliot’s ‘The Lifted Veil’ amounts nowadays to a gross critical blunder, and in the last three decades the story has been firmly reinstated in Eliot’s major canon. The premise of the present book is that George Eliot’s oeuvre is a compact macrotext where themes, motifs, patterns and cultural and personal archetypes recur with variations, and that ‘The Lifted Veil’ functions as the linchpin of this oeuvre. A sequential approach to the story is authorized by the use of a mimetic enunciation that simulates a gradual ‘definition’ of events, places, and characters as they have appeared to the narrating ‘I’ in the course of time until the moment of the enunciation. Contextualizing ‘The Lifted Veil’ means placing it within Eliot’s oeuvre and against the background of Victorian mid-century fiction; in a further meaning, seeing it as intersecting various contemporary genres and subgenres, such as that of the European and American ‘literature of the veil’, that of the archetypal icon of the femme fatale, that of Wilkie Collins’s ‘dead secret’ novels. The most significant facet that critical literature on ‘The Lifted Veil’ has tended to overlook is however the encrypting of the experience of a failed religious conversion and the foreshadowing of the search for a spiritual and racial identity of Daniel Deronda, the hero of Eliot’s final novel.

The negative historical judgment given to George Eliot’s ‘The Lifted Veil’ amounts nowadays to a gross critical blunder, and in the last three decades the story has been firmly reinstated in Eliot’s major canon. The premise of the present book is that George Eliot’s oeuvre is a compact macrotext where themes, motifs, patterns and cultural and personal archetypes recur with variations, and that ‘The Lifted Veil’ functions as the linchpin of this oeuvre. A sequential approach to the story is authorized by the use of a mimetic enunciation that simulates a gradual ‘definition’ of events, places, and characters as they have appeared to the narrating ‘I’ in the course of time until the moment of the enunciation. Contextualizing ‘The Lifted Veil’ means placing it within Eliot’s oeuvre and against the background of Victorian mid-century fiction; in a further meaning, seeing it as intersecting various contemporary genres and subgenres, such as that of the European and American ‘literature of the veil’, that of the archetypal icon of the femme fatale, that of Wilkie Collins’s ‘dead secret’ novels. The most significant facet that critical literature on ‘The Lifted Veil’ has tended to overlook is however the encrypting of the experience of a failed religious conversion and the foreshadowing of the search for a spiritual and racial identity of Daniel Deronda, the hero of Eliot’s final novel.

To order the hardback version please contact order@peterlang.com. (Retail Price: £90)History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 3 begins with Jacobean poetry and prose, explores Milton’s great biblical epic and moves on to the licentious court poetry of the Restoration period. The early and mid-eighteenth century came then to be dominated by the Neo-Classical and the Augustan style. A few decades later, the novel debuted with Defoe and underwent a rapid development with a range of proposals of astonishing difference and divergence, such as those of Swift, Fielding and Sterne. At the end of the century the Romantic poets gave rise to the densest period of great figures and great works in English literature since the Elizabethan age.

To order the hardback version please contact order@peterlang.com. (Retail Price: £90)History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 3 begins with Jacobean poetry and prose, explores Milton’s great biblical epic and moves on to the licentious court poetry of the Restoration period. The early and mid-eighteenth century came then to be dominated by the Neo-Classical and the Augustan style. A few decades later, the novel debuted with Defoe and underwent a rapid development with a range of proposals of astonishing difference and divergence, such as those of Swift, Fielding and Sterne. At the end of the century the Romantic poets gave rise to the densest period of great figures and great works in English literature since the Elizabethan age.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 4 begins with a focus on the pivotal function of religion in the mid-nineteenth century and explores the resulting oscillation between Romantic escape, sceptical solipsism and social responsibility in the poetry of Elizabeth Barrett Browning, Tennyson, Browning, Clough and Matthew Arnold. The aegis of religion was only broken by the advent of Pre-Raphaelitism. This trajectory is reflected in a series of well-known enigmatic masterworks by the Rossettis.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 4 begins with a focus on the pivotal function of religion in the mid-nineteenth century and explores the resulting oscillation between Romantic escape, sceptical solipsism and social responsibility in the poetry of Elizabeth Barrett Browning, Tennyson, Browning, Clough and Matthew Arnold. The aegis of religion was only broken by the advent of Pre-Raphaelitism. This trajectory is reflected in a series of well-known enigmatic masterworks by the Rossettis.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. Volume 5 focuses on the fiction of the early and mid-Victorian period, including works by Dickens, Thackeray, Trollope, the Brontë sisters, Elizabeth Gaskell, George Eliot and Meredith.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. Volume 5 focuses on the fiction of the early and mid-Victorian period, including works by Dickens, Thackeray, Trollope, the Brontë sisters, Elizabeth Gaskell, George Eliot and Meredith.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. Volume 5 focuses on the fiction of the early and mid-Victorian period, including works by Dickens, Thackeray, Trollope, the Brontë sisters, Elizabeth Gaskell, George Eliot and Meredith.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 1 begins by discussing Anglo-Saxon literature before focusing on the three major Middle English poets of the late fourteenth century: Gower, Langland and Chaucer. It then engages with the sixteenth-century prose romances of Sidney, the epic and lyrical poetry of Spenser, and Donne’s love and religious poems. Full coverage is devoted to the legendary fifty-year blossoming of the Elizabethan theatre (excluding Shakespeare, the object of Volume 2), from Kyd and Marlowe up to Jonson, Webster, Middleton, Ford and Shirley. The final part addresses the sixteenth-century prose works of Lyly, Greene and Nashe, homiletics by Hooker and others, and Elizabethan travel literature and historiography.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 1 begins by discussing Anglo-Saxon literature before focusing on the three major Middle English poets of the late fourteenth century: Gower, Langland and Chaucer. It then engages with the sixteenth-century prose romances of Sidney, the epic and lyrical poetry of Spenser, and Donne’s love and religious poems. Full coverage is devoted to the legendary fifty-year blossoming of the Elizabethan theatre (excluding Shakespeare, the object of Volume 2), from Kyd and Marlowe up to Jonson, Webster, Middleton, Ford and Shirley. The final part addresses the sixteenth-century prose works of Lyly, Greene and Nashe, homiletics by Hooker and others, and Elizabethan travel literature and historiography.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. Volume 6 addresses the literature of the ‘Victorian twilight’ (1870–1921), including the novels of Hardy, poetry of Swinburne, drama by Yeats and Shaw, and views from abroad by Kipling and Conrad.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. Volume 6 addresses the literature of the ‘Victorian twilight’ (1870–1921), including the novels of Hardy, poetry of Swinburne, drama by Yeats and Shaw, and views from abroad by Kipling and Conrad.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. Volume 7 is dedicated to the four main figures of English Modernism: T. S. Eliot, D. H. Lawrence, James Joyce and Virginia Woolf.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. Volume 7 is dedicated to the four main figures of English Modernism: T. S. Eliot, D. H. Lawrence, James Joyce and Virginia Woolf.

For ordering the hardcover version of this book, please contact orders@peterlang.com (Retail Price: £100.00, $151.90). ‘Franco Marucci’s History of English Literature is unique in its field. There is no other book that combines such erudition and authority in such a compact format. An indispensable work of reference.’— J. B. Bullen, Visiting Fellow, Kellogg College, OxfordHistory of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 8 continues with the 1920s and the 1930s, when the Depression, the Spanish Civil War, Fascist dictatorships, and the threat of a second war challenged apolitical Modernism. Poets led by Auden, novelists like Orwell and figures such as Lawrence of Arabia defined the period. By the end of the Second World War, a realist, satirical or comic tradition resurfaces in the novel, while in poetry the affirmation of a pre-war neo-Romantic vein, especially with Dylan Thomas, is reacted against by various movements that lead poetry back to the common man. Two important years are 1953, when Waiting for Godot by Beckett is staged, and 1956, when Look Back in Anger by Osborne gives life to the ‘angry’ novel and theatre. Extensive discussions not only of writers now become classics (Doris Lessing, Iris Murdoch, Heaney, Hill and Ted Hughes) but also of other leading ones (such as Salman Rushdie, Martin Amis and Ian McEwan) are included.

For ordering the hardcover version of this book, please contact orders@peterlang.com (Retail Price: £100.00, $151.90). ‘Franco Marucci’s History of English Literature is unique in its field. There is no other book that combines such erudition and authority in such a compact format. An indispensable work of reference.’— J. B. Bullen, Visiting Fellow, Kellogg College, OxfordHistory of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 8 continues with the 1920s and the 1930s, when the Depression, the Spanish Civil War, Fascist dictatorships, and the threat of a second war challenged apolitical Modernism. Poets led by Auden, novelists like Orwell and figures such as Lawrence of Arabia defined the period. By the end of the Second World War, a realist, satirical or comic tradition resurfaces in the novel, while in poetry the affirmation of a pre-war neo-Romantic vein, especially with Dylan Thomas, is reacted against by various movements that lead poetry back to the common man. Two important years are 1953, when Waiting for Godot by Beckett is staged, and 1956, when Look Back in Anger by Osborne gives life to the ‘angry’ novel and theatre. Extensive discussions not only of writers now become classics (Doris Lessing, Iris Murdoch, Heaney, Hill and Ted Hughes) but also of other leading ones (such as Salman Rushdie, Martin Amis and Ian McEwan) are included.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. Volume 6 addresses the literature of the ‘Victorian twilight’ (1870–1921), including the novels of Hardy, poetry of Swinburne, drama by Yeats and Shaw, and views from abroad by Kipling and Conrad.

«Franco Marucci seems to have read everything written in the century between Byron and James Joyce. The breadth and depth of this reading provides steady illumination of topics familiar and unfamiliar, and brings many new things to light. Professional erudition and persistence turn up many trouvailles and not a few truffles. A notable addition to scholarship.» (Michael Alexander, Emeritus Professor of English, University of St Andrews)«A remarkable collection of essays, displaying a far from common theoretical acuteness acting on dauntless erudition. Marucci’s explorations of the ‹dialogic element› in major and minor texts of Victorian and early Modern authors are always interesting and often surprising. When does Marucci, the most ‹Victorian› of Italian critics, find time to read and write so much?» (Francesco Rognoni, Professor of English and American Literature, Università Cattolica del Sacro Cuore – Milan and Brescia)«Franco Marucci traces a fascinating trajectory that invites us to rethink the works of iconic English authors at the intersection of two centuries. The compelling questions in this collection insightfully reinterpret a literary and cultural transition which, with its multifaceted tensions between tradition and innovation, continues to speak to us.» (Nicoletta Pireddu, Professor of Italian and Comparative Literature, Georgetown University)«Authors in Dialogue is, therefore, a much-welcomed compendium that gathers many eminent contributions to comparative studies which, now that they are presented together, communicate with each other in intriguing ways and reveal even more thoroughly the author’s critical acumen and coherent system of reasoning.» (Fabio Bazzano, Univ. di Pavia, Review in Il confronto letterario, no. 75)This book gathers together essays and papers written over a time span of around fifteen years. Partly retitled and revised, they were selected for the book because they all focus on the dialogic element in a series of literary works produced in the period extending from late Romanticism to early Modernism. By «dialogic» the author means the sharing of common preoccupations, the recursiveness of motifs, themes and patterns, the emergence of constants, a network of explicit or hidden confrontations. Dialogues may then arise between an author and other contemporaries in the form of an explicit theoretical discussion in letters or critical essays; or implicitly, and allusively, in inventive negotiations that respond to previous works through parody or adaptation. After a concise introduction stating the author’s theoretical debt to the insightful theories of the Russian semiotician and typologist Yuri Lotman, single essays discuss Byron, Ruskin, George Eliot, Matthew Arnold, Hopkins, Ouida, Joyce and T. S. Eliot.

This book explores Gerard Manley Hopkins's passion for Italian culture. Living at a time when Italomania was at its peak in British culture, Hopkins cannot be considered an Italomaniac in the same sense as the Brownings, Ruskin, Symonds or Clough. He travelled to Italy only once in his life and his personal relationships with Italians were mostly with fellow Jesuits. However, Hopkins's work reveals his bookish interests in Italy, derived from his reading of its writers and from the study of its history, art and music. The Italian pictorial, sculptural and architectural art of the Renaissance and after, and Gregorian chant, Palestrina and nineteenth-century Italian opera are among topics frequently discussed in Hopkins's letters and diaries. Catholic spirituality and theology and the reform movements preceding the Reformation (Savonarola, Frà Dolcino and others operating on the threshold between orthodoxy and heresy) could not but be of utmost importance for a former Anglican and later Catholic convert. By examining Hopkins and Italy, this study reveals new insights into this major Victorian poet and thinker.

For ordering the hardcover version of this book, please contact orders@peterlang.com (Retail Price: £90.00, $135.90).History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 1 begins by discussing Anglo-Saxon literature before focusing on the three major Middle English poets of the late fourteenth century: Gower, Langland and Chaucer. It then engages with the sixteenth-century prose romances of Sidney, the epic and lyrical poetry of Spenser, and Donne’s love and religious poems. Full coverage is devoted to the legendary fifty-year blossoming of the Elizabethan theatre (excluding Shakespeare, the object of Volume 2), from Kyd and Marlowe up to Jonson, Webster, Middleton, Ford and Shirley. The final part addresses the sixteenth-century prose works of Lyly, Greene and Nashe, homiletics by Hooker and others, and Elizabethan travel literature and historiography.

History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.Volume 2 offers a general assessment of all of Shakespeare’s works, summarizes the critical reception since its onset, traces a tentative biography of the playwright, discusses the youthful poems and the sonnets, and analyses the plays one by one. The plays are divided into the traditional thematic and chronological subsets – such as historical dramas, comedies, tragedies and romances – but they are further assessed in terms of their «experimental» or «mature» characteristics.