Franco Moretti – författare

Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place.Volume 1: History, Geography, and Culture, looks at the novel mostly from the outside, treating the transition from oral to written storytelling and the rise of narrative and fictionality, and covering the ancient Greek novel, the novel in premodern China, the early Spanish novel, and much else, including readings of novels from around the world. These books will be essential reading for all students and scholars of literature.

Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place.Volume 2: Forms and Themes, views the novel primarily from the inside, examining its many formal arrangements and recurrent thematic manifestations, and looking at the plurality of the genre and its lineages. These books will be essential reading for all students and scholars of literature.

Shakespearean tragedy and Dracula, Sherlock Holmes and Ulysses, Frankenstei and The Waste Land-all are celebrated "wonders" of modern literature, whether in its mandarin or popular form. However, it is the fact that these texts are so central to our contemporary notion of literature that sometimes hinders our ability to understand them. Franco Moretti applies himself to this problem by drawing skillfully on structuralist, sociological and psycho-analytic modes of enquity in order to read these texts as literary systems which are tokens of wider cultural and political realities. In the process, Moretti offers us compelling accounts of various literary genres, explores the relationships between high and mass culture in this century, and considers the relevance of tragic, Romantic and Darwinian views of the world.

How does a literary historian end up thinking in terms of z-scores, principal component analysis, and clustering coefficients? The essays in Distant Reading led to a new and often contested paradigm of literary analysis. In presenting them here Franco Moretti reconstructs his intellectual trajectory, the theoretical influences over his work, and explores the polemics that have often developed around his positions.From the evolutionary model of "Modern European Literature," through the geo-cultural insights of "Conjectures of World Literature" and "Planet Hollywood," to the quantitative findings of "Style, inc." and the abstract patterns of "Network Theory, Plot Analysis," the book follows two decades of conceptual development, organizing them around the metaphor of "distant reading," that has come to define-well beyond the wildest expectations of its author-a growing field of unorthodox literary studies.

"The bourgeois ... Not so long ago, this notion seemed indispensable to social analysis; these days, one might go years without hearing it mentioned. Capitalism is more powerful than ever, but its human embodiment seems to have vanished. 'I am a member of the bourgeois class, feel myself to be such, and have been brought up on its opinions and ideals,' wrote Max Weber, in 1895. Who could repeat these words today? Bourgeois 'opinions and ideals'-what are they?"Thus begins Franco Moretti's study of the bourgeois in modern European literature-a major new analysis of the once-dominant culture and its literary decline and fall. Moretti's gallery of individual portraits is entwined with the analysis of specific keywords-"useful" and "earnest," "efficiency," "influence," "comfort," "roba"-and of the formal mutations of the medium of prose. From the "working master" of the opening chapter, through the seriousness of nineteenth-century novels, the conservative hegemony of Victorian Britain, the "national malformations" of the Southern and Eastern periphery, and the radical self-critique of Ibsen's twelve-play cycle, the book charts the vicissitudes of bourgeois culture, exploring the causes for its historical weakness, and for its current irrelevance.

A dazzling account of the development of American cultural hegemony from one of the world's leading literary theorists. Franco Moretti, acclaimed author of Graphs, Maps, Trees and Distant Reading, distils a lifetime of teaching and research to present "the university, in the form of an essay". Ranging from poetry and the novel to theatre and the visual arts, Far Country juxtaposes canonical figures in American art and letters with European counterparts-Whitman and Baudelaire, Hemingway and Joyce, Miller and Brecht, Hopper and Vermeer-charting ruptures in the medium of form that have transformed the cultural landscape on either side of the Atlantic over the past century.

Experimental Criticism offers a series of close critical engagements with one of the world's most innovative literary thinkers. Franco Moretti, author of such major works as Signs Taken for Wonders, The Way of the World, Modern Epic, Atlas of the European Novel and The Bourgeois, may be best known for his 'distant reading' of vast numbers of literary texts at the Stanford Literary Lab. Francesco de Cristofaro and Stefano Ercolino lead a lively exploration of his work as a springboard for rethinking the fundamentals of literary studies.Topics include literary theory and method, problems of scale and canonisation, the evolution of literary forms, abstract modelling and the digital humanities, comparative versus world literature, Marxism and literary history, and tragedy and the novel. There are essays from Moretti himself on Lukács and the tensions between close and distant reading, plus a 'provisional epilogue' in which he reflects on his intellectual itinerary and the challenges posed by contributors to this volume. 'Why study literature?' he asks. For the pleasure of reducing complex things to their simple elements; to bring them back to earth.This key retrospective amounts to a critical manifesto for an experimental literary materialism, one unafraid to test radical new hypotheses.

"Take Faust, what is it? A 'tragedy', as its author states? A great philosophical tale? A collection of lyrical insights? Who can say. How about Moby-Dick? Encyclopedia, novel or romance? Or even a 'singular medley,' as one anonymous 1851 review put it? ... 'It is no longer a novel,' T.S. Eliot said of Ulysses. But if not novels, then what are they?"Literary history has long been puzzled by how to classify and treat these aesthetic monuments. In this highly original and interdisciplinary work, Franco Moretti builds a theory of the modern epic: a sort of super-genre that has provided many of the "sacred texts" of Western literary culture. He provides a taxonomy capable of accommodating Faust, Moby-Dick, The Nibelung's Ring, Ulysses, The Cantos, The Waste Land, The Man Without Qualities and One Hundred Years of Solitude.For Moretti the significance of the modern epic reaches well beyond the aesthetic sphere: it is the form that represents the European domination of the planet, and establishes a solid consent around it. Political ambition and formal inventiveness are here continuously entwined, as the representation of the world system stimulates the technical breakthroughs of polyphony, reverie and leitmotif; of the stream of consciousness, collage and complexity.Opening with an analysis of Goethe's Faust and the different historical roles of epic and the novel, Moretti moves through a discussion of Wagner's Ring and on to a sociology of modernist technique. He ends with a fascinating interpretation of "magic realism" as a compromise formation between a number of modernist devices and the return of narrative interest, and suggests that the west's enthusiastic reception of these texts (and One Hundred Years of Solitude in particular) constitutes a ritual self-absolution for centuries of colonialism.

In this pioneering study Franco Moretti presents a fresh and exciting perspective by mapping the often unexpected relations between literature and geography.