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2 produkter
2 produkter
Inbunden, Franska, 2011
841 kr
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Baccio Bandinelli (Florence, 1493-1560) was one of the sculptors that worked for the house of Medici during the first half of the XVI century. A pupil of Giovan Francesco Rustici, he was strongly influenced by Michelangelo. One of his main works, 'Hercules and Cacus', is visible in the Piazza della Signoria and seen by millions of tourists each year. He also worked in Rome where he had been called by pope Clement VII. But, while his talent for sculpture was put in doubt by critics and rivals (Benvenuto Cellini, for instance), Bandinelli's extraordinary drawing skills were universally appreciated - Vasari declared him "unrivalled" in this domain. Over two hundred drawings held in the Louvre are analysed in this scholarly publication: they include autograph drawings, those by his workshop and those rejected.
Häftad, Franska, 2014
369 kr
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Since Antiquity humanity has masked itself. The mask hides the face, but this very act reveals the presence of a double. The mask gives birth to mystery: it belongs, at the same time, to the sacred and the profane, to truth and vanity, to reality and fiction. This exhibition catalogue presents a vast array of works of art: from the mask of Dyonisus (5th century BC) to Man Ray's photos, but also Mantegna's and Callot's etchings, the watercolours for Louis XIV's court theatre, the death masks of the Italian and French Renaissance, the Mannerist Gorgon heads sculpted on the parade shields to imitate the petrifying head of the Gorgon on Athena's shield. The catalogue examines the religious role of the mask in Greek theatre, its expressive, playful and at times diabolical force in feasts, balls and the Italian Commedia, its role in funerary contexts (death mask) and its apotropaic function in burials. It also investigates its uses as ornamental element (large, grotesque masks).