Frank Aubrey – författare

The Devil-Tree of El Dorado (1897) is a novel by Frank Aubrey. Set in the colony of British Guiana, the novel falls into the lost world genre of science fiction made popular by such writers as H. Rider Haggard, Jules Verne, and Edgar Rice Burroughs. What he lacks in name-recognition alongside these titans of popular fiction, Aubrey makes up for with a keen storytelling ability and a talent for merging history and geography with unsettling visions of monsters and gods. A staunch imperialist, Aubrey’s novel exhibits troubling depictions of the author’s racist ideology, and remains a difficult yet essential example of the function of literature in upholding global white supremacy. “Beneath the verandah of a handsome, comfortable-looking residence near Georgetown, the principal town of British Guiana, a young man sat one morning early in the year 1890, attentively studying a volume that lay open on a small table before him.” As all adventurers know, fortune tends to favor the bold. While this maxim, of course, never ensures success, it does grant confidence to those bold enough—or crazy enough—to push themselves to extremes in search of adventure. With nothing to lose and everything to gain, a small expedition sets out through the jungle to find the lost city of El Dorado, confident their destination—the treacherous Mt. Roraima—could hide what remains of a once-vibrant civilization. Despite the odds, they make it to the top of the plateau, where they discover a terrible being. With a beautifully designed cover and professionally typeset manuscript, this edition of Frank Aubrey’s The Devil-Tree of El Dorado is a classic of British science fiction reimagined for modern readers.

The Devil-Tree of El Dorado (1897) is a novel by Frank Aubrey. Set in the colony of British Guiana, the novel falls into the lost world genre of science fiction made popular by such writers as H. Rider Haggard, Jules Verne, and Edgar Rice Burroughs. What he lacks in name-recognition alongside these titans of popular fiction, Aubrey makes up for with a keen storytelling ability and a talent for merging history and geography with unsettling visions of monsters and gods. A staunch imperialist, Aubrey’s novel exhibits troubling depictions of the author’s racist ideology, and remains a difficult yet essential example of the function of literature in upholding global white supremacy. “Beneath the verandah of a handsome, comfortable-looking residence near Georgetown, the principal town of British Guiana, a young man sat one morning early in the year 1890, attentively studying a volume that lay open on a small table before him.” As all adventurers know, fortune tends to favor the bold. While this maxim, of course, never ensures success, it does grant confidence to those bold enough—or crazy enough—to push themselves to extremes in search of adventure. With nothing to lose and everything to gain, a small expedition sets out through the jungle to find the lost city of El Dorado, confident their destination—the treacherous Mt. Roraima—could hide what remains of a once-vibrant civilization. Despite the odds, they make it to the top of the plateau, where they discover a terrible being. This edition of Frank Aubrey’s The Devil-Tree of El Dorado is a classic of British science fiction reimagined for modern readers.

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Lost race novel concerning the discovery of the legendary city of Manoa and a carnivorous tree on the summit of Mt. Roraima. Roraima is a real plateau in the Andes that for a long time was thought to be unclimbable (Excerpt from Goodreads)

A trip to Mars traces the transformation of a quiet coastal life into a cosmic journey driven by curiosity and scientific imagination. The novel introduces ideas around exploration, the unknown, and the possibility of connection beyond Earth. Within its early pages, it captures a sense of longing for escape from the ordinary, channeling the restless energy of youth into the thrill of astronomical discovery. The arrival of a mysterious object from the sky suggests the presence of intelligent life beyond Earth and challenges familiar notions of isolation and routine. The narrative gently questions the boundaries between science and wonder, portraying the universe not as a distant concept but as something tangible and inviting. Relationships are formed and tested not through conflict, but through the shared desire to understand and cooperate with the unfamiliar. The sense of marvel surrounding advanced technology, as well as the characters' openness to collaboration across planetary divides, shapes a narrative that celebrates the pursuit of knowledge, trust, and shared purpose in the face of vast cosmic mystery.