Frank Bidart – författare

In "Those Nights," Frank Bidart writes: "We who could get / somewhere through / words through / sex could not." Words and sex, art and flesh: In Metaphysical Dog, Bidart explores their nexus. The result stands among this deeply adventurous poet's most powerful and achieved work, an emotionally naked, fearlessly candid journey through many of the central axes, the central conflicts, of his life, and ours. Near the end of the book, Bidart writes: In adolescence, you thought your work ancient work: to decipher at last human beings' relation to God. Decipher love. To make what was once whole whole again: or to see why it never should have been thought whole. This "ancient work" reflects what the poet sees as fundamental in human feeling, what psychologists and mystics have called the "hunger for the Absolute"-a hunger as fundamental as any physical hunger. This hunger must confront the elusiveness of the Absolute, our self-deluding, failed glimpses of it. The third section of the book is titled "History is a series of failed revelations." The result is one of the most fascinating and ambitious books of poetry in many years.

Gathered together, the poems of Frank Bidart perform one of the most remarkable transmutations of the body into language in contemporary literature. His pages represent the human voice in all its extreme registers, whether it's that of the child-murderer Herbert White, the obsessive anorexic Ellen West, the tormented genius Vaslav Nijinsky, or the poet's own. And in that embodiment is a transgressive empathy, one that recognises our wild appetites, the monsters, the misfits, the misunderstood among us and inside us. Few writers have so willingly ventured to the dark places of the human psyche and allowed themselves to be stripped bare on the page with such candor and vulnerability. Over the past half century, Bidart has done nothing less than invent a poetics commensurate with the chaos and appetites of our experience.Half-Light encompasses all of Bidart's previous books, and also includes a new collection, Thirst, in which the poet austerely surveys his life, laying it plain for us before venturing into something new and unknown. Here Bidart finds himself a 'Creature coterminous with thirst,' still longing, still searching in himself, one of the 'queers of the universe.'Visionary and revelatory, intimate and unguarded, Bidart's collected works are a radical confrontation with human nature, a conflict eternally renewed and reframed, restless line by restless line.