Frank Finlay – författare

A collection of essays offering a nuanced understanding of the complex question of identity in today's Germany.This collection of fifteen essays by scholars from the UK, the US, Germany, and Scandinavia revisits the question of German identity. Unlike previous books on this topic, however, the focus is not exclusively on national identityin the aftermath of Hitler. Instead, the concentration is upon the plurality of ethnic, sexual, political, geographical, and cultural identities in modern Germany, and on their often fragmentary nature as the country struggles with the challenges of unification and international developments such as globalization, multiculturalism, and postmodernism. The multifaceted nature of German identity demands a variety of approaches: thus the essays are interdisciplinary, drawing upon historical, sociological, and literary sources. They are organized with reference to three distinct sections: Berlin, Political Formations, and Difference; yet at the same time they illuminate one another across the volume, offering a nuanced understanding of the complex question of identity in today's Germany. Topics include the new self-understanding of the Berlin Republic, Berlin as a public showcase, the Berlin architecture debate,the Walser-Bubis debate, fictions of German history and the end of the GDR, the impact of the German student movement on the FRG, Prime Minister Biedenkopf and the myth of Saxon identity, women in post-1989 Germany, trains as symbols and the function of the foreign in post-1989 fiction, identity construction among Turks in Germany and Turkish self-representation in post-1989 fiction, the state of German literature today. Contributors: Frank Brunssen, Ulrike Zitzlsperger, Janet Stewart, Kathrin Schödel, Karen Leeder, Ingo Cornils, Peter Thompson, Chris Szejnmann, Sabine Lang, Simon Ward, Roswitha Skare, Eva Kolinsky, Margaret Littler, Katharina Gerstenberger, and Stuart Parkes. Stuart Taberner is Lecturer in German, and Frank Finlay is Professor of German and Head of the Department of German, both at the University of Leeds, UK.

In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a mosque in the city of Cologne, which is the subject of Michael Hofmann’s contribution to this volume. Turkish Germans have also found themselves defined by the religious background of their parents. For different reasons German Jews have faced pressure to reconnect with a religion that their forbears cast off sometimes more than a century ago. At the same time religious belief among the nominally Christian majority has been in retreat. These changes have generated poetry, drama, and fiction as well as a number of films by both well-known and emerging authors and filmmakers. Their works sometimes reflect but more often challenge debates taking place in politics and the media. The essays in this volume explore a range of genres which engage with religion in contemporary Germany and Austria. They show that literature and film express nuances of feeling and attitude that are eclipsed in other, more immediately influential discourses. Discussion of these works is thus essential for an understanding of the role of religion in forming identity in contemporary multicultural German-speaking societies. This volume contains eight chapters in English and six in German.