Frank Lehman - Böcker

Film music often tells us how to feel, but it also guides us how to hear. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology. Harmony, and especially chromaticism, is emblematic of what we commonly recognize as film music sound and it is often used to evoke wonder, that most cinematic of feelings. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.

Film music often tells us how to feel, but it also guides us how to hear. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology. Harmony, and especially chromaticism, is emblematic of what we commonly recognize as film music sound and it is often used to evoke wonder, that most cinematic of feelings. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.

The true force of Star Wars is not a mystical energy field--it is music. John Williams's contribution to the Skywalker Saga is a singular achievement in the history of film music and the history of music more generally. His intricate, inventive, unforgettable scores define cinema's most beloved franchise. Imagine the twin suns of Tatooine setting without the sound of a solo French horn, or Darth Vader and Luke Skywalker battling without their themes clashing on the soundtrack. These contributions are crucial to the franchise's ability to capture the imagination of generations, in and outside the movie theatre. In this groundbreaking book, Frank Lehman explores the totality of Williams's Star Wars musical universe, an orchestral epic that spans nine movies and over four decades of cinematic history. Drawing on his unparalleled knowledge of the series' soundscape, Lehman argues for hearing the saga as a fundamentally symphonic experience, one where close attention to the soundtrack is rewarding, even essential. Engaging and accessible for casual fans, yet supported by rigorous research methods and critical perspectives, The Skywalker Symphonies lends Williams's magnum opus the seriousness it deserves.Sure to be the benchmark for future studies of this series, The Skywalker Symphonies will change how you hear Star Wars--and all symphonic music--forever.

The true force of Star Wars is not a mystical energy field--it is music. John Williams's contribution to the Skywalker Saga is a singular achievement in the history of film music and the history of music more generally. His intricate, inventive, unforgettable scores define cinema's most beloved franchise. Imagine the twin suns of Tatooine setting without the sound of a solo French horn, or Darth Vader and Luke Skywalker battling without their themes clashing on the soundtrack. These contributions are crucial to the franchise's ability to capture the imagination of generations, in and outside the movie theatre. In this groundbreaking book, Frank Lehman explores the totality of Williams's Star Wars musical universe, an orchestral epic that spans nine movies and over four decades of cinematic history. Drawing on his unparalleled knowledge of the series' soundscape, Lehman argues for hearing the saga as a fundamentally symphonic experience, one where close attention to the soundtrack is rewarding, even essential. Engaging and accessible for casual fans, yet supported by rigorous research methods and critical perspectives, The Skywalker Symphonies lends Williams's magnum opus the seriousness it deserves.Sure to be the benchmark for future studies of this series, The Skywalker Symphonies will change how you hear Star Wars--and all symphonic music--forever.

Since the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory.Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music.