Frank Lentricchia – författare
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28 produkter
28 produkter
E-bok
PDF, Engelska, 2018783 kr
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This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentricchia turns to four exemplary theorists on the American scene—Murray Krieger, E. D. Hirsch, Jr., Paul de Man, and Harold Bloom—and an analysis of their careers within the lineage established in part one. Lentricchia''s critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.
Häftad, Engelska
360 kr
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Häftad, Engelska, 1985
294 kr
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"Criticism and Social Change speaks with special timeliness to the role of the political intellectual (here embodied in Kenneth Burke). Lentricchia's provocative analysis demands serious reflection by American radicals."—Frederic Jameson "A profound meditation on relations obtaining among writing, political consciousness, and criticism—this last taken in its most general sense. It is written with passion and grace; it is shot through with learning, intimate knowledge of the critical tradition, and a deep (though by no means uncritical) understanding of the work (as well as social significance) of Kenneth Burke."—Hayden White
Häftad, Engelska, 1995
313 kr
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This expanded new edition features six new chapters that confront, in different ways, the growing understanding of literary works as cultural practices. These six new chapters are: "Popular Culture"; "Diversity"; "Imperialism/Nationalism"; "Desire"; "Ethics"; and "Class" by John Fiske, Louis Menand, Seamus Deane, Judith Butler, Geoffrey Galt Harpham and Daniel T. O'Hara, respectively. Each new essay provides a concise history of a literary term, critically explores the issues and questions that the term raises, and then puts theory into practice by showing the reading strategies that the term permits. By exploring the concepts that shape the way we read, the essays combine to provide an introduction to the work of literature and literary study.
E-bok
PDF, Engelska, 2007635 kr
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Do killers, artists, and terrorists need one another? In Crimes of Art and Terror, Frank Lentricchia and Jody McAuliffe explore the disturbing adjacency of literary creativity to violence and even political terror. Lentricchia and McAuliffe begin by anchoring their penetrating discussions in the events of 9/11 and the scandal provoked by composer Karlheinz Stockhausen''s reference to the destruction of the World Trade Center as a great work of art, and they go on to show how political extremism and avant-garde artistic movements have fed upon each other for at least two centuries. Crimes of Art and Terror reveals how the desire beneath many romantic literary visions is that of a terrifying awakening that would undo the West''s economic and cultural order. This is also the desire, of course, of what is called terrorism. As the authority of writers and artists recedes, it is criminals and terrorists, Lentricchia and McAuliffe suggest, who inherit this romantic, destructive tradition. Moving freely between the realms of high and popular culture, and fictional and actual criminals, the authors describe a web of impulses that catches an unnerving spirit. Lentricchia and McAuliffe''s unorthodox approach pairs Dostoevsky''s Crime and Punishment with Martin Scorsese''s King of Comedy and connects the real-life Unabomber to the surrealist Joseph Cornell and to the hero of Bret Easton Ellis''s bestselling novel American Psycho. They evoke a desperate culture of art through thematic dialogues among authors and filmmakers as varied as Don DeLillo, Joseph Conrad, Francis Ford Coppola, Jean Genet, Frederick Douglass, Hermann Melville, and J. M. Synge, among others. And they conclude provocatively with an imagined conversation between Heinrich von Kleist and Mohamed Atta. The result is a brilliant and unflinching reckoning with the perilous proximity of the impulse to create transgressive art and the impulse to commit violence.
Häftad, Engelska, 1989
246 kr
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In Ariel and the Police, Frank Lentricchia searches through the totalizing desires for power that have built and help to maintain tangible and intangible structures of confinement and purification within, and sometimes as, the house of modernism. And what he finds, in his lyrical effort to redeem the subject for history, is that someone lives there, slyly, sometimes even playfully defiant.
Del 19 - Perspectives in Criticism
Gaiety of Language
An Essay on the Radical Poetics of W. B. Yeats and Wallace Stevens
Häftad, Engelska, 2021
539 kr
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This study explores the radical poetics of William Butler Yeats and Wallace Stevens, focusing on their contributions to modern literary theory and the unique role of imagination in their works. By tracing their poetic theories within the broader context of post-Romantic criticism, the essay critiques both the romantic idealism of the 19th century and the contextual theories of modern criticism. Yeats and Stevens challenge the notion of poetry as a direct avenue to transcendental truth, redefining the role of the imagination as an artistic force that operates within its own linguistic medium, unburdened by metaphysical or empirical agendas. Their poetics, often interpreted through contrasting lenses such as romantic organicism or the "visionary" archetypes championed by scholars like Northrop Frye, instead offer a framework where poems are self-contained entities. These works articulate the tension between the impoverished modern imagination and its capacity to find freedom and meaning within the act of creation itself.Through close readings of Yeats's and Stevens's prose and poetry, this essay argues that their works embody a "poetics of will," wherein the imagination, though constrained by the limitations of a disenchanted modern world, still achieves a vital cultural role. Unlike their predecessors, who viewed poetry as a conduit to metaphysical revelation, Yeats and Stevens position the poem as an autonomous artifact that captures fleeting moments of freedom and beauty. For the poet, the creative act becomes an assertion of control over the chaos of inner and outer realities, while for the reader, the well-wrought poem offers a brief but profound engagement with the artist’s vision. In this way, Yeats and Stevens redefine the purpose of poetry, suggesting its essential contribution to human happiness and cultural resilience in an age marked by existential and aesthetic challenges.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Del 19 - Perspectives in Criticism
Gaiety of Language
An Essay on the Radical Poetics of W. B. Yeats and Wallace Stevens
Inbunden, Engelska, 2021
1 246 kr
Skickas inom 5-8 vardagar
This study explores the radical poetics of William Butler Yeats and Wallace Stevens, focusing on their contributions to modern literary theory and the unique role of imagination in their works. By tracing their poetic theories within the broader context of post-Romantic criticism, the essay critiques both the romantic idealism of the 19th century and the contextual theories of modern criticism. Yeats and Stevens challenge the notion of poetry as a direct avenue to transcendental truth, redefining the role of the imagination as an artistic force that operates within its own linguistic medium, unburdened by metaphysical or empirical agendas. Their poetics, often interpreted through contrasting lenses such as romantic organicism or the "visionary" archetypes championed by scholars like Northrop Frye, instead offer a framework where poems are self-contained entities. These works articulate the tension between the impoverished modern imagination and its capacity to find freedom and meaning within the act of creation itself.Through close readings of Yeats's and Stevens's prose and poetry, this essay argues that their works embody a "poetics of will," wherein the imagination, though constrained by the limitations of a disenchanted modern world, still achieves a vital cultural role. Unlike their predecessors, who viewed poetry as a conduit to metaphysical revelation, Yeats and Stevens position the poem as an autonomous artifact that captures fleeting moments of freedom and beauty. For the poet, the creative act becomes an assertion of control over the chaos of inner and outer realities, while for the reader, the well-wrought poem offers a brief but profound engagement with the artist’s vision. In this way, Yeats and Stevens redefine the purpose of poetry, suggesting its essential contribution to human happiness and cultural resilience in an age marked by existential and aesthetic challenges.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Inbunden, Engelska, 1991
575 kr
Skickas inom 7-10 vardagar
White Noise, the story of a professor of Hitler Studies and his family was DeLillo's breakthrough book and has received much attention and critical acclaim. In the introduction to this volume, Frank Lentricchia provides an overview of the critical reception of the novel and examines it in the context of other works by Don DeLillo. The other essays in the volume discuss DeLillo's view of family and divorce, Hitler's role in the twentieth century, technology as a mortal threat, and postmodern America. This collection offers suggestive means by which to approach DeLillo's important contemporary work.
Häftad, Engelska, 1991
393 kr
Skickas inom 7-10 vardagar
White Noise, the story of a professor of Hitler Studies and his family was DeLillo's breakthrough book and has received much attention and critical acclaim. In the introduction to this volume, Frank Lentricchia provides an overview of the critical reception of the novel and examines it in the context of other works by Don DeLillo. The other essays in the volume discuss DeLillo's view of family and divorce, Hitler's role in the twentieth century, technology as a mortal threat, and postmodern America. This collection offers suggestive means by which to approach DeLillo's important contemporary work.
Häftad, Engelska, 1994
665 kr
Skickas inom 7-10 vardagar
Modernist Quartet is a study of the four major American modernist poets (Frost, Stevens, Pound, Eliot) in various historical environments (literary, philosophical, gender relations, the business of capitalist economics) with special attention given to their central poetic texts as they both reflect and shape our understanding of those environments. Frank Lentricchia presents the poems as stories, sometimes only implicit, of the poets seeking to sustain a life in non-commercial writing, in a culture that is hospitable only (for the most part) to commercial art. Central chapters give a synoptic vision of the lives and literary careers of the four poets in question.
Inbunden, Engelska, 1994
1 477 kr
Skickas inom 7-10 vardagar
Modernist Quartet is a study of the four major American modernist poets (Frost, Stevens, Pound, Eliot) in various historical environments (literary, philosophical, gender relations, the business of capitalist economics) with special attention given to their central poetic texts as they both reflect and shape our understanding of those environments. Frank Lentricchia presents the poems as stories, sometimes only implicit, of the poets seeking to sustain a life in non-commercial writing, in a culture that is hospitable only (for the most part) to commercial art. Central chapters give a synoptic vision of the lives and literary careers of the four poets in question.
Häftad, Engelska, 1991
384 kr
Skickas inom 5-8 vardagar
If you want to find out what a rock critic, a syndicated columnist, and scholars of American literature have to say about one of America’s most important contemporary novelists, turn to Introducing Don DeLillo. Placing the author’s work in a cultural context, this is the first book-length collection on DeLillo, adding considerably to the emerging critical discourse on his work.Diversity is the key to this striking assemblage of cultural criticism edited by Frank Lentricchia. Special features include an expanded version of the Rolling Stone interview with the author (“An Outsider in this Society”) and the extraordinary tenth chapter of DeLillo’s Ratner’s Star. Accessibly written and entertaining, the collection will be of great interest to both students and scholars of contemporary American literature as well as to general readers interested in DeLillo’s work.Contributors. Frank Lentricchia, Anthony Decurtis, Daniel Aaron, Hal Crowther, John A. McClure, Eugene Goodheart, Charles Molesworth, Dennis A. Foster, and John Frow
Häftad, Engelska, 2002
494 kr
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An anthology of exemplary readings by some of the twentieth century’s foremost literary critics, Close Reading presents a wide range of responses to the question at the heart of literary criticism: how best to read a text to understand its meaning. The lively introduction and the selected essays provide an overview of close reading from New Criticism through poststructuralism, including works of feminist criticism, postcolonial theory, queer theory, new historicism, and more. From a 1938 essay by John Crowe Ransom through the work of contemporary scholars, Close Reading highlights the interplay between critics-the ways they respond to and are influenced by others’ works. To facilitate comparisons of methodology, the collection includes discussions of the same primary texts by scholars using different critical approaches. The essays focus on Hamlet, “Lycidas,” “The Rape of the Lock,” Ulysses, Invisible Man, Beloved, Jane Austen, John Keats, and Wallace Stevens and reveal not only what the contributors are reading, but also how they are reading.Frank Lentricchia and Andrew DuBois’s collection is an essential tool for teaching the history and practice of close reading.Contributors. Houston A. Baker Jr., Roland Barthes, Homi Bhabha, R. P. Blackmur, Cleanth Brooks, Kenneth Burke, Paul de Man, Andrew DuBois, Stanley Fish, Catherine Gallagher, Sandra Gilbert, Stephen Greenblatt, Susan Gubar, Fredric Jameson, Murray Krieger, Frank Lentricchia, Franco Moretti, John Crowe Ransom, Eve Kosofsky Sedgwick, Helen Vendler
Häftad, Engelska, 2003
541 kr
Skickas inom 3-6 vardagar
Lucchesi and The Whale is an unusual work of fiction by noted author and critic Frank Lentricchia. Its central character, Thomas Lucchesi Jr., is a college professor in the American heartland whose obsessions and compulsions include traveling to visit friends in their last moments of life-because grief alone inspires him to write-and searching for secret meaning in Herman Melville’s Moby-Dick. Himself a writer of “stories full of violence in a poetic style,” Lucchesi tells his students that he teaches “only because [his] fiction is commercially untouchable” and to “never forget that.” Austerely isolated, anxiety-ridden, and relentlessly self-involved, Lucchesi nonetheless cannot completely squelch his eagerness for love.Having become “a mad Ahab of reading,” who is driven to dissect the “artificial body of Melville’s behemothian book” to grasp its truth, Lucchesi allows his thoughts to wander and loop from theory to dream to reality to questionable memory. But his black humor-tinged musings are often as profoundly moving as they are intellectual, such as the section in which he ponders the life and philosophy of Ludwig Wittgenstein in relation to the significance of a name-and then attempts to share these thoughts with a sexy, middle-aged flight attendant-or another in which he describes a chance meeting with a similarly-named mafia don.Despite apparent spiritual emptiness, Lucchesi in the end does find “a secret meaning” to Moby-Dick. And Lentricchia’s creations-both Lucchesi and The Whale and its main character-reveal this meaning through a series of ingeniously self-reflective metaphors, in much the way that Melville himself did in and through Moby-Dick. Vivid, humorous, and of unparalleled originality, this new work from Frank Lentricchia will inspire and console all who love and ponder both great literature and those who would write it.
E-bok
PDF, Engelska, 2000527 kr
Läs direkt efter köp
Lucchesi and The Whale is an unusual work of fiction by noted author and critic Frank Lentricchia. Its central character, Thomas Lucchesi Jr., is a college professor in the American heartland whose obsessions and compulsions include traveling to visit friends in their last moments of life—because grief alone inspires him to write—and searching for secret meaning in Herman Melville’s Moby-Dick. Himself a writer of “stories full of violence in a poetic style,” Lucchesi tells his students that he teaches “only because [his] fiction is commercially untouchable” and to “never forget that.” Austerely isolated, anxiety-ridden, and relentlessly self-involved, Lucchesi nonetheless cannot completely squelch his eagerness for love.Having become “a mad Ahab of reading,” who is driven to dissect the “artificial body of Melville’s behemothian book” to grasp its truth, Lucchesi allows his thoughts to wander and loop from theory to dream to reality to questionable memory. But his black humor-tinged musings are often as profoundly moving as they are intellectual, such as the section in which he ponders the life and philosophy of Ludwig Wittgenstein in relation to the significance of a name—and then attempts to share these thoughts with a sexy, middle-aged flight attendant—or another in which he describes a chance meeting with a similarly-named mafia don.Despite apparent spiritual emptiness, Lucchesi in the end does find “a secret meaning” to Moby-Dick. And Lentricchia’s creations—both Lucchesi and The Whale and its main character—reveal this meaning through a series of ingeniously self-reflective metaphors, in much the way that Melville himself did in and through Moby-Dick. Vivid, humorous, and of unparalleled originality, this new work from Frank Lentricchia will inspire and console all who love and ponder both great literature and those who would write it.
E-bok
PDF, Engelska, 1991582 kr
Läs direkt efter köp
If you want to find out what a rock critic, a syndicated columnist, and scholars of American literature have to say about one of America’s most important contemporary novelists, turn to Introducing Don DeLillo. Placing the author’s work in a cultural context, this is the first book-length collection on DeLillo, adding considerably to the emerging critical discourse on his work.Diversity is the key to this striking assemblage of cultural criticism edited by Frank Lentricchia. Special features include an expanded version of the Rolling Stone interview with the author (“An Outsider in this Society”) and the extraordinary tenth chapter of DeLillo’s Ratner’s Star. Accessibly written and entertaining, the collection will be of great interest to both students and scholars of contemporary American literature as well as to general readers interested in DeLillo’s work.
Contributors. Frank Lentricchia, Anthony Decurtis, Daniel Aaron, Hal Crowther, John A. McClure, Eugene Goodheart, Charles Molesworth, Dennis A. Foster, and John Frow
E-bok
PDF, Engelska, 2002727 kr
Läs direkt efter köp
An anthology of exemplary readings by some of the twentieth century’s foremost literary critics, Close Reading presents a wide range of responses to the question at the heart of literary criticism: how best to read a text to understand its meaning. The lively introduction and the selected essays provide an overview of close reading from New Criticism through poststructuralism, including works of feminist criticism, postcolonial theory, queer theory, new historicism, and more.
From a 1938 essay by John Crowe Ransom through the work of contemporary scholars, Close Reading highlights the interplay between critics—the ways they respond to and are influenced by others’ works. To facilitate comparisons of methodology, the collection includes discussions of the same primary texts by scholars using different critical approaches. The essays focus on Hamlet, “Lycidas,” “The Rape of the Lock,” Ulysses, Invisible Man, Beloved, Jane Austen, John Keats, and Wallace Stevens and reveal not only what the contributors are reading, but also how they are reading.
Frank Lentricchia and Andrew DuBois’s collection is an essential tool for teaching the history and practice of close reading.
Contributors. Houston A. Baker Jr., Roland Barthes, Homi Bhabha, R. P. Blackmur, Cleanth Brooks, Kenneth Burke, Paul de Man, Andrew DuBois, Stanley Fish, Catherine Gallagher, Sandra Gilbert, Stephen Greenblatt, Susan Gubar, Fredric Jameson, Murray Krieger, Frank Lentricchia, Franco Moretti, John Crowe Ransom, Eve Kosofsky Sedgwick, Helen Vendler
E-bok
PDF, Engelska, 2003440 kr
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Dissent from the Homeland is a book about patriotism, justice, revenge, American history and symbology, art and terror, and pacifism. In this deliberately and urgently provocative collection, noted writers, philosophers, literary critics, and theologians speak out against the war on terrorism and the government of George W. Bush as a response to the events of September 11, 2001. Critiquing government policy, citizen apathy, and societal justifications following the attacks, these writers present a wide range of opinions on such issues as contemporary American foreign policy and displays of patriotism in the wake of the disaster.
Whether illuminating the narratives that have been used to legitimate the war on terror, reflecting on the power of American consumer culture to transform the attack sites into patriotic tourist attractions, or insisting that to be a Christian is to be a pacifist, these essays refuse easy answers. They consider why the Middle East harbors a deep-seated hatred for the United States. They argue that the U.S. drive to win the cold war made the nation more like its enemies, leading the government to support ruthless anti-Communist tyrants such as Mobutu, Suharto, and Pinochet. They urge Americans away from the pitfall of national self-righteousness toward an active peaceableness—an alert, informed, practiced state of being—deeply contrary to both passivity and war. Above all, the essays assembled in Dissent from the Homeland are a powerful entreaty for thought, analysis, and understanding. Originally published as a special issue of the journal South Atlantic Quarterly, Dissent from the Homeland has been expanded to include new essays as well as a new introduction and postscript.
Contributors. Srinivas Aravamudan, Michael J. Baxter, Jean Baudrillard, Robert N. Bellah, Daniel Berrigan, Wendell Berry, Vincent J. Cornell, David James Duncan, Stanley Hauerwas, Fredric Jameson, Frank Lentricchia, Catherine Lutz, Jody McAuliffe, John Milbank, Peter Ochs, Donald E. Pease, Anne R. Slifkin, Rowan Williams, Susan Willis, Slavoj Zizek
Häftad, Engelska, 2012
163 kr
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E-bok
Engelska, 2015127 kr
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The unsolved murder of Fred Morelli, in Utica, New York, in 1947, comes to the fore more than 60 years later when 15-year-old Angel, hacker extraordinaire, has his guitar smashed by Victor Bocca, one of the original suspects in the murder. Angel hacks files that may point not only to Bocca''s involvement but also that of the mob. From there, mayhem breaks loose as assassins descend on Utica to silence Angel. In the midst of it is Angel''s adoptive father, Eliot Conte, who, along with his close friend Police Chief Antonio Robinson, must try to unravel the mystery of what is going on before more killings take place, including that of Angel himself.
E-bok
Engelska, 2020126 kr
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A gripping exploration of war, crime, and redemption set against the backdrop of Utica, Vietnam, and Iraq. A Place in the Dark braids history, fiction, and politics, delving into the lives of characters haunted by the Vietnam and Iraq wars. A Vietnamese immigrant in Utica, an American Marine, and an Iraqi translator grapple with painful memories and moral ambiguities. At the center is an ex-private investigator, wrestling with guilt and heart disease. The Glamour of Evil examines the allure of violent men in organized crime, featuring the legendary Crazy Joey Gallo. This novel explores the dark side of charisma and the search for meaning in a world where violence and betrayal intertwine. Is redemption possible in the face of such evil? Discover the answer in this compelling literary journey.
E-bok
Engelska, 2021126 kr
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Two men, no longer young, and friends from childhood, fly to NYC-each with a secret purpose unknown to the other. They arrive just as COVID-19 explodes across the city's 5 boroughs. One of the men (white) has come to Manhattan to confront a theater producer who has made a coercive offer to his wife. The other man (black, former All-American football star) plans to confront and take revenge on his white girlfriend from college days-who left him for a white man. As they pursue their goals they are caught up in the hunt for America's most famous criminal. The black man, seeking revenge, makes a surprising turn. The white man, who has taken his confrontation with the theater producer to criminal length, may never leave Manhattan to return to his family. Manhattan Meltdown introduces a series of inter-connected characters who, ever as their lives are impacted by lethal disease, must continue to struggle with more conventional personal crises: uterine cancer, imperiled romantic relationships, and the deteriorations of advancing old age.
E-bok
Engelska, 2024136 kr
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A beautiful stranger from Italy appears in sleepy Utica, N.Y., carrying a deadly secret that goes back generations. Her movements through the city ensnare a young couple and their extended family, a college professor, a mafia don, and a professional assassin. What unfolds is a story about love and infidelity, the hidden costs of immigration, the rituals of memory, and the types of revenge that can take decades to enact.
Inbunden, Engelska, 1999
637 kr
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An unusual, deft, often piercing meditation on storytelling, ethnicity, and the Italian/American experience.At eighteen Robert Tagliaferro, an orphan of ambiguous racial and ethnic identity, disappears from his hometown of Utica, New York. At sixty he returns, forgotten by nearly everyone and searching the bin of memory for something to salvage. Having lived for decades inside a bookstore, his search for identity has taken him into the world of great literature and the history of Utica itself, and so his quest must be to create a memory, a history, and an identity from his reading. He becomes a man made of words, a patchwork of styles and rhetoric, an artifice.In the cellar of a restaurant, Robert tells his stories of the past to six other men: stories of Utica, of New York State, and ultimately of America itself, as well as of the intimate involvement of Italian immigrants with these histories. The other characters respond in a kind of collective storytelling, a play of voices probing the various themes of history, genealogy, fatherhood, race, lost children, the presentness of the past, community, and, finally, storytelling itself as the power guiding all, informing their sense of everything, as they grope imaginatively toward a sense of life and their place in it.Rich in literary heritage and allusion, The Music of the Inferno is an unusual, deft, often piercing meditation on storytelling, ethnicity, and the Italian American experience.
Häftad, Engelska, 2000
388 kr
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An unusual, deft, often piercing meditation on storytelling, ethnicity, and the Italian/American experience.At eighteen Robert Tagliaferro, an orphan of ambiguous racial and ethnic identity, disappears from his hometown of Utica, New York. At sixty he returns, forgotten by nearly everyone and searching the bin of memory for something to salvage. Having lived for decades inside a bookstore, his search for identity has taken him into the world of great literature and the history of Utica itself, and so his quest must be to create a memory, a history, and an identity from his reading. He becomes a man made of words, a patchwork of styles and rhetoric, an artifice.In the cellar of a restaurant, Robert tells his stories of the past to six other men: stories of Utica, of New York State, and ultimately of America itself, as well as of the intimate involvement of Italian immigrants with these histories. The other characters respond in a kind of collective storytelling, a play of voices probing the various themes of history, genealogy, fatherhood, race, lost children, the presentness of the past, community, and, finally, storytelling itself as the power guiding all, informing their sense of everything, as they grope imaginatively toward a sense of life and their place in it.Rich in literary heritage and allusion, The Music of the Inferno is an unusual, deft, often piercing meditation on storytelling, ethnicity, and the Italian American experience.
Häftad, Engelska, 2010
161 kr
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A has-been American filmmaker encounters love, cruelty, and death in Italy.Set in Italy, Frank Lentricchia's sixth novel features a has-been Italian American filmmaker, once internationally acclaimed for the beauty of his images and his experiments in pornography but now stuck in prolonged creative drought. At an obscure film festival in Volterra he meets the aging but still stunning Claudia Cardinale, star of Fellini's 8½. She falls in love with him, but he resists, yet all the while wanting not to resist. Instead of remaining with Cardinale, he casts his lot with a perverse but compelling couple who convince him that he can regain his renown and achieve artistic immortality if he will only make a new film starring the two of them-an explicitly sexual film of shocking violence.The Italian Actress is a meditation, by turns lyrical and bluntly brutal, on our obsession with celebrity, ambition, the cult of youthful beauty, romantic desire, the aging body, mortality, the power of the visual image, and underneath it all, the nature of visuality itself.
Häftad, Engelska, 2011
307 kr
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An American adventure in the Antonioni vein—visually rich and emotionally mysterious.Part Mafia murder mystery, part novel of ideas, but most of all a love story, The Sadness of Antonioni follows Hank Morelli, a young assistant professor of film who is obsessed with Antonioni's L'Avventura. As he embarks on an unlikely romance with a Wendy's cashier, he is also drawn into the mystery of his grandfather's underworld connections and tempted by his department chair and his department chair's mysterious girlfriend, Nadia, to take part in a monstrous film project they are planning. Haunted throughout by the terror of time's raw present without exit, The Sadness of Antonioni is an American adventure in the Antonioni vein-visually rich and emotionally mysterious-in which an unlikely young couple navigates the difficult waters of their relationship, each suffering the remnants of a violent past that must be resolved if they hope to stay together. Heartrending and unsparing, yet with a persistent comic vein, this is Frank Lentricchia's seventh and most ambitious and disturbing novel to date.