Frankel – författare

America's culture is moving in a new and dangerous direction, as it becomes more accepting and tolerant of dishonesty and financial abuse. Tamar Frankel argues that this phenomenon is not new; in fact it has a specific traceable past. During the past thirty years temptations and opportunities to defraud have risen; legal, moral and theoretical barriers to abuse of trust have fallen. She goes on to suggest that fraud and the abuse of trust could have a widespread impact on American economy and prosperity, and argues that the way to counter this disturbing trend is to reverse the culture of business dishonesty. Finally, she presents the following thesis: If Americans have had enough of financial abuse, they can demand of their leaders, of themselves, and of each other more honesty and trust and less cynicism. Americans can reject the actions, attitudes, theories and assumptions that brought us the corporate scandals of the 1990s. Though American society can have "bad apples," and its constituents hold differing opinions about the precise meaning of trust and truth, it can remain honest, as long as it aspires to honesty.

Volume XXIV of the distinguished annual Studies in Contemporary Jewry explores the question of relations between Jews and Protestants in modern times. One of the four major branches of Christianity, Protestantism is perhaps the most difficult to write about; it has innumerable sects and churches within it, from the loosely organized Religious Society of Friends to the conservative Evangelicals of the Bible Belt. Different strands of Protestantism hold vastly different views on theology, social problems, and politics. These views play out in differing attitudes and relationships between mainstream Protestant churches and Jews, Judaism, and the State of Israel. In this volume, established scholars from multiple disciplines and various countries delve into these essential questions of the "Protestant-Jewish conundrum." The discussion begins with a trenchant analysis of the historical framework in which Protestant ideas towards Jews and Judaism were formed. Contributors delve into diverse topics including the attitudes of the Evangelical movement toward Jews and Israel; Protestant reactions to Mel Gibson's blockbuster ¨The Passion of the Christ.¨; German-Protestant behavior during and after Nazi era; and mainstream Protestant attitudes towards Israel and the Israeli-Arab conflict.. Taken as a whole, this compendium presents discussions and questions central to the ongoing development of Jewish-Protestant relations. Studies in Contemporary Jewry seeks to provide its readers with up-to-date and accessible scholarship on questions of interest in the general field of modern Jewish studies. Studies in Contemporary Jewry presents new approaches to the scholarly work of the latest generation of researchers working on Jewish history, sociology, demography, political science, and culture.

Whenever stripper Gypsy Rose Lee encountered public criticism, she spoke frankly in her own defense. "Thousands have seen me at my--ah--best; and thousands have made no objections."Noralee Frankel's lively biography, Stripping Gypsy, the first ever published about the highly mythologized Gypsy, examines the struggles Lee faced in making a lucrative and unconventional career for herself while maintaining a sense of dignity and social value. Frankel shows that the famous Miss Lee was an enigma, clearly struggling with her choices and her desire to be respected and legitimized. Those who know Gypsy Rose Lee only from the musical and film based on her rise to stardom will be surprised by what they uncover in Stripping Gypsy. In all ways, Lee trafficked in the incongruous: she was at once sex object, intellectual, and activist. In addition to her highly successful strip-tease act and film career, she published two mystery novels and a memoir, wrote two plays, and showed her original artwork in famed Modern Art-impresario Peggy Guggenheim's gallery. Lee also gained notoriety for her participation in liberal politics. As photographer Arnold Newman said, "She was a lady, a brilliant, bright woman who was the friend of many writers and intellectuals." Though she wasn't above using her femininity to full advantage, Lee aspired to much more than admiration for her physical beauty.Frankel places Lee's life in social and political context while detailing a fascinating entertainment career, in which Lee created and recreated her own identity to fit changing times. Frankel's biography transcends the sensationalism of stripping and asks the public to see the woman beneath the costume, a woman who always kept a little of herself shrouded in mystery.