Frankie Y. Bailey Ph.D. – författare

The terrorist attacks on September 11th were unique and unprecedented in many ways, but the day will stand in our memories particularly because of our ability to watch the spectacle unfold. The blazing towers crumbling into dust, black smoke rising from the Pentagon, the unrecognizable remains of a fourth airplane in a quiet Pennsylvania field—these images, while disturbing and surreal, provide an important vehicle for interdisciplinary dialogue within media studies, showing us how horrific national disasters are depicted in various media. Each contributor to this volume offers a fresh, engaging perspective on how the media transformed the 9/11 crisis into an ideological tour de force, examining why certain readings of these events were preferred, and discussing the significance of those preferred meanings.Yet the contributors do not limit themselves to such standard news mediums such as newspapers and television. This anthology also covers comic books, songs, advertising, Web sites, and other non-traditional media outlets. Using a wide range of interdisciplinary approaches, contributors explore such topics as the amount of time dedicated to coverage, how the attacks were presented in the United States and abroad, how conflicting viewpoints were addressed, and how various artistic outlets dealt with the tragedy. Offering a unique approach to a topic of enduring interest and importance, this volume casts a new light on considerations of that day.

The terrorist attacks on September 11th were unique and unprecedented in many ways, but the day will stand in our memories particularly because of our ability to watch the spectacle unfold. The blazing towers crumbling into dust, black smoke rising from the Pentagon, the unrecognizable remains of a fourth airplane in a quiet Pennsylvania field—these images, while disturbing and surreal, provide an important vehicle for interdisciplinary dialogue within media studies, showing us how horrific national disasters are depicted in various media. Each contributor to this volume offers a fresh, engaging perspective on how the media transformed the 9/11 crisis into an ideological tour de force, examining why certain readings of these events were preferred, and discussing the significance of those preferred meanings.Yet the contributors do not limit themselves to such standard news mediums such as newspapers and television. This anthology also covers comic books, songs, advertising, Web sites, and other non-traditional media outlets. Using a wide range of interdisciplinary approaches, contributors explore such topics as the amount of time dedicated to coverage, how the attacks were presented in the United States and abroad, how conflicting viewpoints were addressed, and how various artistic outlets dealt with the tragedy. Offering a unique approach to a topic of enduring interest and importance, this volume casts a new light on considerations of that day.

Contending that a mythology of race consisting of themes of sex and savagery exists in the United States and is perpetuated in popular culture, Frankie Y. Bailey identifies stereotypical images of blacks in crime and detective fiction and probes the implied values and collective fantasies found there. Out of the Woodpile is the first sociohistorical study of the evolution of black detectives and other African American characters in genre fiction. The volume's three divisions reflect the evolution of the status of African Americans in American society.The three chapters of the first section, From Slaves to Servants, begin with a survey of the works of Poe and Twain in antebellum America, then discuss the depiction of blacks and other natives in British crime and detective fiction in the days of the British Empire, and lastly focus on American classics of the pre-World War II period. In Urban Blues, Bailey continues her investigation of black stock characters by zeroing in on the denizens of the Black Metropolis and their Black Rage. Assimilating, the final section, contains chapters that scrutinize The Detectives, Black Lives: Post-War/Post Revolution, and the roles assigned to Black Women. The results of survey questions carried in The Third Degree, the newsletter of the Mystery Writers of America, as well as the views of fourteen crime writers on the creation of black characters in genre fiction are followed by the Directory, which includes a sampling of cases featuring black characters, a list of black detectives, relevant works of fiction, film, television, and more. The volume's informed analyses will be important reading for students and scholars in the fields of popular culture, American popular fiction, genre fiction, crime and detective fiction, and black and ethnic studies. It is also a timely resource for courses dealing with race relations and blacks in American literature or society.

Contending that a mythology of race consisting of themes of sex and savagery exists in the United States and is perpetuated in popular culture, Frankie Y. Bailey identifies stereotypical images of blacks in crime and detective fiction and probes the implied values and collective fantasies found there. Out of the Woodpile is the first sociohistorical study of the evolution of black detectives and other African American characters in genre fiction. The volume's three divisions reflect the evolution of the status of African Americans in American society.The three chapters of the first section, From Slaves to Servants, begin with a survey of the works of Poe and Twain in antebellum America, then discuss the depiction of blacks and other natives in British crime and detective fiction in the days of the British Empire, and lastly focus on American classics of the pre-World War II period. In Urban Blues, Bailey continues her investigation of black stock characters by zeroing in on the denizens of the Black Metropolis and their Black Rage. Assimilating, the final section, contains chapters that scrutinize The Detectives, Black Lives: Post-War/Post Revolution, and the roles assigned to Black Women. The results of survey questions carried in The Third Degree, the newsletter of the Mystery Writers of America, as well as the views of fourteen crime writers on the creation of black characters in genre fiction are followed by the Directory, which includes a sampling of cases featuring black characters, a list of black detectives, relevant works of fiction, film, television, and more. The volume's informed analyses will be important reading for students and scholars in the fields of popular culture, American popular fiction, genre fiction, crime and detective fiction, and black and ethnic studies. It is also a timely resource for courses dealing with race relations and blacks in American literature or society.

The book describes the movement by African American authors from slave narratives and antebellum newspapers into fiction writing, and the subsequent developments of black genre fiction through the present. It analyzes works by modern African American mystery writers, focusing on sleuths, the social locations of crime, victims and offenders, the notion of "doing justice," and the role of African American cultural vernacular in mystery fiction. A final section focuses on readers and reading, examining African American mystery writers' access to the marketplace and the issue of the "double audience" raised by earlier writers.Instructors considering this book for use in a course may request an examination copy here.

What do O. J. Simpson, the Lindbergh baby, and Gary Gilmore have in common? They were all the focus of famous crimes and/or trials in the United States. In this two-volume set, historical and contemporary cases that not only shocked the nation but that also became a part of the popular and legal culture of the United States are discussed in vivid, and sometimes shocking, detail. Each chapter focuses on a different crime or trial and explores the ways in which each became famous in its own time. The fascinating cast of characters, the outrageous crimes, the involvement of the media, the actions of the police, and the trials that often surprised combine to offer here one of the most comprehensive sets of books available on the subject of famous U.S. crimes and trials.The public seems fascinated by crime. News and popular media sources provide a steady diet of stories, footage, and photographs about the misfortunes of others in order to satisfy this appetite. Murder, rape, terrorism, gang-related activities, and other violent crimes are staples. Various crime events are presented in the news every day, but most of what is covered is quickly forgotten. In contrast, some crimes left a lasting impression on the American psyche. Some examples include the assassination of President John F. Kennedy, the bombing of the Murrah building in Oklahoma City, and the September 11th attacks. These events, and other significant cases, are immediately or on reflection talked about as crimes of the century. They earn this title not only because they generate enormous publicity, but because of their impact on American culture: they help define historical eras, influence public opinion about crime, change legal process, and focus concern about important social issues. They seep into many other shared aspects of social life: public conversation, fiction and nonfiction, songs, poems, films, and folk tales.This set focuses on the many crimes of the century of the last 100 years. In vivid detail, each crime is laid out, the investigation is discussed, the media reaction is described, the trial (if there was one) is narrated, the resolution is explored, and the significance of the case in terms of its social, political, popular, and legal relevance is examined. Illustrations and sidebars are scattered throughout to enliven the text; print and electronic resources for further reading and research are offered for those wishing to dig deeper. Cases include the Scopes Monkey trial, Ted Bundy, Timothy McVeigh, O.J. Simpson, Leopold and Loeb, Fatty Arbuckle, Al Capone, JonBenet Ramsey, the Lacy Peterson murder, Abu Ghraib, Columbine and more.

This multivolume resource is the most extensive reference of its kind, offering a comprehensive summary of the misdeeds, perpetrators, and victims involved in the most memorable crime events in American history.This unique reference features the most famous crimes and trials in the United States since colonial times. Three comprehensive volumes focus on the most notorious and historically significant crimes that have influenced America's justice system, including the life and wrongdoing of Lizzie Borden, the bombing of the Sixteenth Street Baptist Church, the killing spree and execution of Ted Bundy, and the Columbine High School shootings.Organized by case, the work includes a chronology of major unlawful deeds, fascinating primary source documents, dozens of sidebars with case trivia and little-known facts, and an overview of crimes that have shaped criminal justice in the United States over several centuries. Each of the 500 entries provides information about the crime, the perpetrators, and those affected by the misconduct, along with a short bibliography to extend learning opportunities. The set addresses a breadth of famous trials across American history, including the Salem witch trials, the conviction of Sacco and Vanzetti, and the prosecution of O. J. Simpson.

This multivolume resource is the most extensive reference of its kind, offering a comprehensive summary of the misdeeds, perpetrators, and victims involved in the most memorable crime events in American history.This unique reference features the most famous crimes and trials in the United States since colonial times. Three comprehensive volumes focus on the most notorious and historically significant crimes that have influenced America's justice system, including the life and wrongdoing of Lizzie Borden, the bombing of the Sixteenth Street Baptist Church, the killing spree and execution of Ted Bundy, and the Columbine High School shootings.Organized by case, the work includes a chronology of major unlawful deeds, fascinating primary source documents, dozens of sidebars with case trivia and little-known facts, and an overview of crimes that have shaped criminal justice in the United States over several centuries. Each of the 500 entries provides information about the crime, the perpetrators, and those affected by the misconduct, along with a short bibliography to extend learning opportunities. The set addresses a breadth of famous trials across American history, including the Salem witch trials, the conviction of Sacco and Vanzetti, and the prosecution of O. J. Simpson.