Frederick Busch - Böcker

A contemporary of Ann Beattie and Tobias Wolff, Frederick Busch was a master craftsman of the form; his subjects were single-event moments in so-called ordinary life. The stories in this volume, selected by Pulitzer Prize winner Elizabeth Strout, are tales of families trying to heal their wounds, save their marriages, and rescue their children. In "Ralph the Duck," a security guard struggles to hang on to his marriage. In "Name the Name," a traveling teacher attends to students outside the school, including his own son, locked in a country jail. In Busch's work, we are reminded that we have no idea what goes on behind closed doors or in the mind of another. In the words of Raymond Carver, "With astonishing felicity of detail, Busch presents us with a world where real things are at stake—and sometimes, as in the real world, everything is risked."From his first volume, Hardwater Country (1974), to his most recent, Rescue Missions (2006), this volume selects thirty stories from an "American master" (Dan Cryer, Newsday), showcasing a body of work that is sure to shape American fiction for generations to come.

Contributors include Lee K. Abbott, Charles Baxter, Ray Bradbury, Raymond Carver, Shelby Foote, John Gardner, Joyce Carol Oates, John Updike, Tobias Wolff, and Flannery O'Connor, among others.

Here is that rarest and most satisfying of books: a grown-up love story. Harry and Catherine have been falling in and out of love for many years. She is divorced, determinedly raising two sons, and running a small gallery in upstate New York. He is an ex-newspaperman, a wistful drifter, now assistant to a New York senator. After a long separation, Harry is assigned to find out whether a new shopping mall in Catherine's neighborhood will desecrate an historic black cemetery. Catherine is living with another man, a contractor for the mall who finds both his financial interests and his relationship with Catherine threatened by Harry. With penetrating acuity and generosity of spirit, one of our finest writers brings us what David Bradley calls "a book people will love and be proud of loving.""Unsuppressed emotion, painful honesty . . . all of it in the most lively and supple language anyone is writing today."—Rosellen Brown

Some of the stories in this "brilliant" (Library Journal, starred review) collection feature the war in Iraq, and others feature domestic wars; in every case, a character seeks to comfort or to save someone. Physical love, familial love, the need to give comfort—and the need for comfort—are themes skillfully rendered by this "master of the genre" (Booklist, starred review), whose achievements earned the American Academy of Arts and Letters Award of Merit for lifetime achievement in short fiction.

Psychologist Alexander Lescziak savors a life of quiet sophistication on Manhattan's Upper West Side, turning a blind eye to the past of his Polish émigré parents. Then a new patient declares that he is the doctor's half-brother, the product of a union between Lescziak's Jewish mother and a German prisoner of war. The confrontation jolts Lescziak out of his complacency: suddenly, his failing marriage, his wife's infatuation with his best friend, and the disappearance of his young lover and suicidal patient, Nella, close in on him. Lescziak escapes into the recesses of his imagination, where his mother's affair with the German prisoner comes to life in precise, gorgeous detail. The novel unfolds into a romance set in England's Lake District in wartime, as Busch shows how our past presses on the present.

Combining the pace of a detective story with the bold prose of a master storyteller, North is both an adventure and a pilgrimage. Alone and haunted by memories of his dead wife and child, Jack—who prowled the backwaters of Girls—returns to upstate New York from the Carolina coast, where he has been working as a security guard. A New York lawyer hires him to find her missing nephew, last seen in the area of Jack's northern hometown. His search gradually uncovers a dark underside of rural life and a cast of dangerous characters. Jack is besieged by memories as he uncovers a brutal crime and finds himself in a turbulent relationship with a treacherous woman. In trying to save another's life, Jack must relive his own; memory, obsession, and reality fuse; and Jack discovers the truth of Faulkner's observation that "the past is not really past; it's not even over."

A contemporary of Ann Beattie and Tobias Wolff, Frederick Busch was a master craftsman of the form; his subjects were single-event moments in so-called ordinary life. The stories in this volume, selected by Pulitzer Prize winner Elizabeth Strout, are tales of families trying to heal their wounds, save their marriages, and rescue their children. In "Ralph the Duck," a security guard struggles to hang on to his marriage. In "Name the Name," a traveling teacher attends to students outside the school, including his own son, locked in a country jail. In Busch's work, we are reminded that we have no idea what goes on behind closed doors or in the mind of another. In the words of Raymond Carver, "With astonishing felicity of detail, Busch presents us with a world where real things are at stake—and sometimes, as in the real world, everything is risked."From his first volume, Hardwater Country (1974), to his most recent, Rescue Missions (2006), this volume selects thirty stories from an "American master" (Dan Cryer, Newsday), showcasing a body of work that is sure to shape American fiction for generations to come.