Frederick Ilchman – författare

The tremendous political, religious, and cultural changes that swept across Europe in the years from 1000 to 1800 fundamentally transformed the practices and purposes of painting and sculpture—from elaborately carved and gilded medieval Christian altars to Renaissance self-portraits touting the skill of the artist to eighteenth-century penetrating portraits in marble of the era’s leading thinkers. The one hundred highlights from the impressive European art collection at the Museum of Fine Arts, Boston, gathered here offer an accessible introduction to the story of art from the medieval period to the Enlightenment. Modern notions of art and artists, the art market, as well as the births of art history and the art museum as an institution, all trace their origins to Europe in these centuries, which produced work of fascinating variety and enduring beauty.

Unlike the other two master Renaissance painters associated with Venice, Titian and Veronese, Tintoretto (1519–94) alone was born in Venice and he left his mark there more than either artist. His paintings can still be found everywhere in the city: not only in museums, but as part of the original decorative cycles in public buildings such as the Scuola Grande di San Rocco, the Doge's Palace and the Liberia Marciana, and serving as altarpieces or chapel decorations in Venetian churches. Over one hundred and twenty of Tintoretto's breathtaking paintings spill out of the pages, divided into sections that correspond to the Venetian Sestieri or districts. Each painting is accompanied by entries written by an international team of art historians covering major issues and placing them in their artistic and cultural context.