While nearly one in every five people in the world today is Muslim, Islam is spreading most rapidly in Sub-Saharan Africa, where one in three Africans today practices a form of Islam. Sub-Saharan Africa is today home to over 150 million Muslims.Although immensely varied, African Islam, the authors demonstrate, is defined by three overarching beliefs. First, African Islam is local Islam, with no ordained clergy or international body to regulate doctrine. At the same time, the importance of Islam as a source of communal identity, both within African societies and as part of the worldwide Islamic community, is a defining feature of the African Muslim worldview. Finally, there is a pervasive belief among African Muslims that the West is on a new crusade against Islam.At a time of growing interest in the worldwide expansion of Islam, the Islamic revival in Africa deserves special attention. With in-depth coverage of Islam in countries across Sub-Saharan Africa, Pride, Faith, and Fear provides both a general overview of African Islam and a detailed picture of Muslim politics--which are increasingly national politics--in some of Africa''s most populous regions.

While nearly one in every five people in the world today is Muslim, Islam is spreading most rapidly in Sub-Saharan Africa, where one in three Africans today practices a form of Islam. Sub-Saharan Africa is today home to over 150 million Muslims.Although immensely varied, African Islam, the authors demonstrate, is defined by three overarching beliefs. First, African Islam is local Islam, with no ordained clergy or international body to regulate doctrine. At the same time, the importance of Islam as a source of communal identity, both within African societies and as part of the worldwide Islamic community, is a defining feature of the African Muslim worldview. Finally, there is a pervasive belief among African Muslims that the West is on a new crusade against Islam.At a time of growing interest in the worldwide expansion of Islam, the Islamic revival in Africa deserves special attention. With in-depth coverage of Islam in countries across Sub-Saharan Africa, Pride and Fear provides both a general overview of African Islam and a detailed picture of Muslim politics-which are increasingly national politics-in some of Africa's most populous regions.

Current global tensions and the spread of terrorism have resurrected in the West a largely negative perception of Islamic society, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, Frederick Quinn's timely volume traces the Western image of Islam from its earliest days to recent times. Quinn establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan, and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes's Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as music hall artists like Peter Dawson and Edith Piaf; and stage or silver screen representations like The Garden of Allah, The Sheik, Aladdin, and The Battle of Algiers. Quinn argues that an outpouring of positive information on basically every aspect of Islamic life has yet to vanquish the hostile and malformed ideas from the past. Conflict, mistrust, and misunderstanding characterize the Muslim-Christian encounter, and growing examples of cooperation are often overshadowed by anger and suspicion. In this important book, Quinn highlights long-standing historical prejudices but also introduces the reader to some of the landmark voices in history that have worked toward a greater understanding of Islam.

While nearly one in every five people in the world today is Muslim, Islam is spreading most rapidly in Sub-Saharan Africa, where one in three Africans today practices a form of Islam. Sub-Saharan Africa is today home to over 150 million Muslims.Although immensely varied, African Islam, the authors demonstrate, is defined by three overarching beliefs. First, African Islam is local Islam, with no ordained clergy or international body to regulate doctrine. At the same time, the importance of Islam as a source of communal identity, both within African societies and as part of the worldwide Islamic community, is a defining feature of the African Muslim worldview. Finally, there is a pervasive belief among African Muslims that the West is on a new crusade against Islam.At a time of growing interest in the worldwide expansion of Islam, the Islamic revival in Africa deserves special attention. With in-depth coverage of Islam in countries across Sub-Saharan Africa, Pride, Faith, and Fear provides both a general overview of African Islam and a detailed picture of Muslim politics--which are increasingly national politics--in some of Africa''s most populous regions.

Current global tensions and the spread of terrorism have resurrected in the West a largely negative perception of Islamic society, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, Frederick Quinn''s timely volume traces the Western image of Islam from its earliest days to recent times. Quinn establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan, and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes''s Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as music hall artists like Peter Dawson and Edith Piaf; and stage or silver screen representations like The Garden of Allah, The Sheik, Aladdin, and The Battle of Algiers. Quinn argues that an outpouring of positive information on basically every aspect of Islamic life has yet to vanquish the hostile and malformed ideas from the past. Conflict, mistrust, and misunderstanding characterize the Muslim-Christian encounter, and growing examples of cooperation are often overshadowed by anger and suspicion. In this important book, Quinn highlights long-standing historical prejudices but also introduces the reader to some of the landmark voices in history that have worked toward a greater understanding of Islam.

Current global tensions and the spread of terrorism have resurrected in the West a largely negative perception of Islamic society, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, Frederick Quinn''s timely volume traces the Western image of Islam from its earliest days to recent times. Quinn establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan, and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes''s Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as music hall artists like Peter Dawson and Edith Piaf; and stage or silver screen representations like The Garden of Allah, The Sheik, Aladdin, and The Battle of Algiers. Quinn argues that an outpouring of positive information on basically every aspect of Islamic life has yet to vanquish the hostile and malformed ideas from the past. Conflict, mistrust, and misunderstanding characterize the Muslim-Christian encounter, and growing examples of cooperation are often overshadowed by anger and suspicion. In this important book, Quinn highlights long-standing historical prejudices but also introduces the reader to some of the landmark voices in history that have worked toward a greater understanding of Islam.

For more than five centuries France has been both a European and a global power. French explorers, traders, settlers, soldiers and missionaries journeyed to the world's farthest reaches establishing colonies, bringing millions of people under French influence and claiming vast expanses of forests, jungles, deserts, and rich mineral and maritime resources. Through continued wars with rival powers, including Spain, Portugal, Great Britain, and Germany, France lost large portions of its empire and gained others. Century-long conflict with some of its most valued possessions, such as Vietnam and Algeria, further hastened the empire's demise after World War II. This is a story of colorful personalities and dramatic events: Cartier's exploration of Canada, Richelieu's and Colbert's global trading companies, Champlain the colonizer, the French presence in Louisiana, the vast but short-lived French empire in India, the nefarious slave trade, and France's defeat in its prosperous Caribbean colony, St. Domingue.Later chapters survey France's important colonial lobby, the administration of colonies, the impact of World War I, the Colonial Expansion of 1931, the rise of labor unions and nationalist movements. Other chapters cover events related to World War II, Free France vs. Vichy, General de Gaulle, Ho Chi Minh, Dien Bien Phu, Algerian independence, the emergence of a generation of African independence leaders like Félix Houphoüet-Boigny and Léopold Sédar Senghor, the short-lived Community (1958—1960), and French relations with its overseas partners in a post-independence era. Drawing on the work of visual artists, creative and popular writers, and discussing the impact of science and technology on colonial life, the author paints a vivid picture of empire, including scenes of everyday life in overseas settings.

For more than five centuries France has been both a European and a global power. French explorers, traders, settlers, soldiers and missionaries journeyed to the world's farthest reaches establishing colonies, bringing millions of people under French influence and claiming vast expanses of forests, jungles, deserts, and rich mineral and maritime resources. Through continued wars with rival powers, including Spain, Portugal, Great Britain, and Germany, France lost large portions of its empire and gained others. Century-long conflict with some of its most valued possessions, such as Vietnam and Algeria, further hastened the empire's demise after World War II. This is a story of colorful personalities and dramatic events: Cartier's exploration of Canada, Richelieu's and Colbert's global trading companies, Champlain the colonizer, the French presence in Louisiana, the vast but short-lived French empire in India, the nefarious slave trade, and France's defeat in its prosperous Caribbean colony, St. Dominque.Later chapters survey France's important colonial lobby, the administration of colonies, the impact of World War I, the Colonial Expansion of 1931, the rise of labor unions and nationalist movements. Other chapters cover events related to World War II, Free France vs. Vichy, General de Gaulle, Ho Chi Minh, Dien Bien Phu, Algerian independence, the emergence of a generation of African independence leaders like Félix Houphouét-Boigny and Léopold Sédar Senghor, the short-lived Community (1958-1960), and French relations with its overseas partners in a post-independence era. Drawing on the work of visual artists, creative and popular writers, and discussing the impact of science and technology on colonial life, the author paints a vivid picture of empire, including scenes of everyday life in overseas settings.

Africa is a deeply spiritual continent and yet has relatively few canonized saints. This book shares the wonderful and often heroic stories of people of faith from the continent of Africa.

Members of many religions live alongside one another in sprawling urban centers and isolated rural communities, and conflict and misunderstanding among religions are widespread. From a Christian and Anglican perspective, this book searchingly examines the nature of such encounters and explores the meaning of religious dialogue and terms like conversion, syncretism, salvation, and pluralism. Tightly focused historical chapters discuss expanding twentieth- and twenty-first-century Catholic and Protestant views about other religions and conclude with a fresh interpretation of the formative Asian contribution to contemporary interfaith encounters. Three established, successful examples of on-the-ground religious interaction are also presented, including the work of Muslim leader Eboo Patel in Chicago, Episcopal Bishop William E. Swing in San Francisco, and Anglican Bishop Tim Stevens in Leicester. Ultimately, interfaith religious dialogue benefits from the prayerful use of visual symbols in addition to written commentaries. Several important, innovative Anglican figures are considered, including Kenneth Cragg, Alan Race, David F. Ford, Keith Ward, Desmond Tutu, Ian S. Markham, and Rowan Williams. The Anglican document «Generous Love» (1998) is presented as a wider, inclusive discussion of possibilities for interfaith dialogue. The author concludes by reflecting on the importance of the old hymn, «There’s a Wideness in God’s Mercy» in the evolution of his own views and as a foundational statement welcoming the interfaith future. This book is a solid, lively, and lucid introduction of a volatile issue rippling its way through the contemporary Anglican Communion.

Relatively recent Bantu-speaking migrants to central Cameroon, the Beti have had an eventful history. Based on extensive interviews and traditional Beti (Fang) poetry, in addition to German and French archival sources, the author of this readable study recreates the social structure of the Beti and their self-perceptions in pre-colonial times, their disruptive encounters with first German (1880-1918) and then French (1918-1960) colonialism, until Cameroon’s independence.

While nearly one in every five people in the world today is Muslim, Islam is spreading most rapidly in Sub-Saharan Africa, where one in three Africans today practices a form of Islam. Sub-Saharan Africa is today home to over 150 million Muslims.Although immensely varied, African Islam, the authors demonstrate, is defined by three overarching beliefs. First, African Islam is local Islam, with no ordained clergy or international body to regulate doctrine. At the same time, the importance of Islam as a source of communal identity, both within African societies and as part of the worldwide Islamic community, is a defining feature of the African Muslim worldview. Finally, there is a pervasive belief among African Muslims that the West is on a new crusade against Islam.At a time of growing interest in the worldwide expansion of Islam, the Islamic revival in Africa deserves special attention. With in-depth coverage of Islam in countries across Sub-Saharan Africa, Pride, Faith, and Fear provides both a general overview of African Islam and a detailed picture of Muslim politics--which are increasingly national politics--in some of Africa''s most populous regions.

While nearly one in every five people in the world today is Muslim, Islam is spreading most rapidly in Sub-Saharan Africa, where one in three Africans today practices a form of Islam. Sub-Saharan Africa is today home to over 150 million Muslims.Although immensely varied, African Islam, the authors demonstrate, is defined by three overarching beliefs. First, African Islam is local Islam, with no ordained clergy or international body to regulate doctrine. At the same time, the importance of Islam as a source of communal identity, both within African societies and as part of the worldwide Islamic community, is a defining feature of the African Muslim worldview. Finally, there is a pervasive belief among African Muslims that the West is on a new crusade against Islam.At a time of growing interest in the worldwide expansion of Islam, the Islamic revival in Africa deserves special attention. With in-depth coverage of Islam in countries across Sub-Saharan Africa, Pride and Fear provides both a general overview of African Islam and a detailed picture of Muslim politics-which are increasingly national politics-in some of Africa's most populous regions.

Current global tensions and the spread of terrorism have resurrected in the West a largely negative perception of Islamic society, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, Frederick Quinn's timely volume traces the Western image of Islam from its earliest days to recent times. Quinn establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan, and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes's Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as music hall artists like Peter Dawson and Edith Piaf; and stage or silver screen representations like The Garden of Allah, The Sheik, Aladdin, and The Battle of Algiers. Quinn argues that an outpouring of positive information on basically every aspect of Islamic life has yet to vanquish the hostile and malformed ideas from the past. Conflict, mistrust, and misunderstanding characterize the Muslim-Christian encounter, and growing examples of cooperation are often overshadowed by anger and suspicion. In this important book, Quinn highlights long-standing historical prejudices but also introduces the reader to some of the landmark voices in history that have worked toward a greater understanding of Islam.

While nearly one in every five people in the world today is Muslim, Islam is spreading most rapidly in Sub-Saharan Africa, where one in three Africans today practices a form of Islam. Sub-Saharan Africa is today home to over 150 million Muslims.Although immensely varied, African Islam, the authors demonstrate, is defined by three overarching beliefs. First, African Islam is local Islam, with no ordained clergy or international body to regulate doctrine. At the same time, the importance of Islam as a source of communal identity, both within African societies and as part of the worldwide Islamic community, is a defining feature of the African Muslim worldview. Finally, there is a pervasive belief among African Muslims that the West is on a new crusade against Islam.At a time of growing interest in the worldwide expansion of Islam, the Islamic revival in Africa deserves special attention. With in-depth coverage of Islam in countries across Sub-Saharan Africa, Pride, Faith, and Fear provides both a general overview of African Islam and a detailed picture of Muslim politics--which are increasingly national politics--in some of Africa''s most populous regions.

Current global tensions and the spread of terrorism have resurrected in the West a largely negative perception of Islamic society, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, Frederick Quinn''s timely volume traces the Western image of Islam from its earliest days to recent times. Quinn establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan, and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes''s Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as music hall artists like Peter Dawson and Edith Piaf; and stage or silver screen representations like The Garden of Allah, The Sheik, Aladdin, and The Battle of Algiers. Quinn argues that an outpouring of positive information on basically every aspect of Islamic life has yet to vanquish the hostile and malformed ideas from the past. Conflict, mistrust, and misunderstanding characterize the Muslim-Christian encounter, and growing examples of cooperation are often overshadowed by anger and suspicion. In this important book, Quinn highlights long-standing historical prejudices but also introduces the reader to some of the landmark voices in history that have worked toward a greater understanding of Islam.

Current global tensions and the spread of terrorism have resurrected in the West a largely negative perception of Islamic society, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, Frederick Quinn''s timely volume traces the Western image of Islam from its earliest days to recent times. Quinn establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan, and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes''s Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as music hall artists like Peter Dawson and Edith Piaf; and stage or silver screen representations like The Garden of Allah, The Sheik, Aladdin, and The Battle of Algiers. Quinn argues that an outpouring of positive information on basically every aspect of Islamic life has yet to vanquish the hostile and malformed ideas from the past. Conflict, mistrust, and misunderstanding characterize the Muslim-Christian encounter, and growing examples of cooperation are often overshadowed by anger and suspicion. In this important book, Quinn highlights long-standing historical prejudices but also introduces the reader to some of the landmark voices in history that have worked toward a greater understanding of Islam.

For more than five centuries France has been both a European and a global power. French explorers, traders, settlers, soldiers and missionaries journeyed to the world's farthest reaches establishing colonies, bringing millions of people under French influence and claiming vast expanses of forests, jungles, deserts, and rich mineral and maritime resources. Through continued wars with rival powers, including Spain, Portugal, Great Britain, and Germany, France lost large portions of its empire and gained others. Century-long conflict with some of its most valued possessions, such as Vietnam and Algeria, further hastened the empire's demise after World War II. This is a story of colorful personalities and dramatic events: Cartier's exploration of Canada, Richelieu's and Colbert's global trading companies, Champlain the colonizer, the French presence in Louisiana, the vast but short-lived French empire in India, the nefarious slave trade, and France's defeat in its prosperous Caribbean colony, St. Domingue.Later chapters survey France's important colonial lobby, the administration of colonies, the impact of World War I, the Colonial Expansion of 1931, the rise of labor unions and nationalist movements. Other chapters cover events related to World War II, Free France vs. Vichy, General de Gaulle, Ho Chi Minh, Dien Bien Phu, Algerian independence, the emergence of a generation of African independence leaders like Félix Houphoüet-Boigny and Léopold Sédar Senghor, the short-lived Community (1958—1960), and French relations with its overseas partners in a post-independence era. Drawing on the work of visual artists, creative and popular writers, and discussing the impact of science and technology on colonial life, the author paints a vivid picture of empire, including scenes of everyday life in overseas settings.

For more than five centuries France has been both a European and a global power. French explorers, traders, settlers, soldiers and missionaries journeyed to the world's farthest reaches establishing colonies, bringing millions of people under French influence and claiming vast expanses of forests, jungles, deserts, and rich mineral and maritime resources. Through continued wars with rival powers, including Spain, Portugal, Great Britain, and Germany, France lost large portions of its empire and gained others. Century-long conflict with some of its most valued possessions, such as Vietnam and Algeria, further hastened the empire's demise after World War II. This is a story of colorful personalities and dramatic events: Cartier's exploration of Canada, Richelieu's and Colbert's global trading companies, Champlain the colonizer, the French presence in Louisiana, the vast but short-lived French empire in India, the nefarious slave trade, and France's defeat in its prosperous Caribbean colony, St. Dominque.Later chapters survey France's important colonial lobby, the administration of colonies, the impact of World War I, the Colonial Expansion of 1931, the rise of labor unions and nationalist movements. Other chapters cover events related to World War II, Free France vs. Vichy, General de Gaulle, Ho Chi Minh, Dien Bien Phu, Algerian independence, the emergence of a generation of African independence leaders like Félix Houphouét-Boigny and Léopold Sédar Senghor, the short-lived Community (1958-1960), and French relations with its overseas partners in a post-independence era. Drawing on the work of visual artists, creative and popular writers, and discussing the impact of science and technology on colonial life, the author paints a vivid picture of empire, including scenes of everyday life in overseas settings.

Africa is a deeply spiritual continent and yet has relatively few canonized saints. This book shares the wonderful and often heroic stories of people of faith from the continent of Africa.

Members of many religions live alongside one another in sprawling urban centers and isolated rural communities, and conflict and misunderstanding among religions are widespread. From a Christian and Anglican perspective, this book searchingly examines the nature of such encounters and explores the meaning of religious dialogue and terms like conversion, syncretism, salvation, and pluralism. Tightly focused historical chapters discuss expanding twentieth- and twenty-first-century Catholic and Protestant views about other religions and conclude with a fresh interpretation of the formative Asian contribution to contemporary interfaith encounters. Three established, successful examples of on-the-ground religious interaction are also presented, including the work of Muslim leader Eboo Patel in Chicago, Episcopal Bishop William E. Swing in San Francisco, and Anglican Bishop Tim Stevens in Leicester. Ultimately, interfaith religious dialogue benefits from the prayerful use of visual symbols in addition to written commentaries. Several important, innovative Anglican figures are considered, including Kenneth Cragg, Alan Race, David F. Ford, Keith Ward, Desmond Tutu, Ian S. Markham, and Rowan Williams. The Anglican document «Generous Love» (1998) is presented as a wider, inclusive discussion of possibilities for interfaith dialogue. The author concludes by reflecting on the importance of the old hymn, «There’s a Wideness in God’s Mercy» in the evolution of his own views and as a foundational statement welcoming the interfaith future. This book is a solid, lively, and lucid introduction of a volatile issue rippling its way through the contemporary Anglican Communion.

Relatively recent Bantu-speaking migrants to central Cameroon, the Beti have had an eventful history. Based on extensive interviews and traditional Beti (Fang) poetry, in addition to German and French archival sources, the author of this readable study recreates the social structure of the Beti and their self-perceptions in pre-colonial times, their disruptive encounters with first German (1880-1918) and then French (1918-1960) colonialism, until Cameroon’s independence.