Frieda Hughes – författare

In 1956 Sylvia Plath wrote to her mother, Aurelia Plath: 'I feel I'm developing a kind of primitive style of my own which I am very fond of. Wait til you see. The Cambridge sketch was nothing compared to these.'Sylvia Plath cited art as her deepest source of inspiration but, while her poetry is celebrated around the world, her drawings are little known. This volume brings together drawings from 1955 to 1957, the period she spent on a Fulbright scholarship from the US at Newnham College, Cambridge. During this time she married Ted Hughes and travelled with him to Paris and Spain.First published as a catalogue for an exhibition at the Mayor Gallery, the tiny drawings in pen and ink are exquisitely observed. They include Parisian rooftops, trees and churches.

Frieda Hughes's fable-like poems draw on her early years in Devon and Yorkshire, a lifelong engagement with nature and itinerant wildlife, and later experiences when living in Australia, London, and most recently, Wales. They cast light on two worlds, giving a mythic dimension to contemporary life - depicting with an artist's keen eye the particular nature of beast, fish and fowl. Strange creatures, fabled beings and inner voices come to life in startling poems set both in city streets and hospitals as well as in psychic landscapes and reinvented tales. Out of the Ashes brings together work from four collections: Wooroloo (1999), Stonepicker (2001), Waxworks (2002) and The Book of Mirrors (2009). These show a progressive peeling back of the layers of metaphor and allegory as the reader travels a road into a world informed by increasingly personal experiences and memories, through which the poet has been tested, challenged, and found new direction. The book takes the reader on a journey through a life - Frieda's poems examining the ideas of argument, resolution and the acceptance of what cannot be changed. They include poems relating to the death of her father, Ted Hughes, and the loss of her brother Nicholas to suicide at 47, as well as recollections of adolescence following a childhood affected by the loss of her mother, Sylvia Plath. The selection excludes poems from Forty-five (2006), available in the US from HarperCollins, and Alternative Values: poems & paintings (2015), published separately by Bloodaxe.

'A magical, endearing memoir ... the literary romance of the year' Oprah'A charming diary of life with a tame magpie - despite George's bad behaviour, it will render corvid lovers (like me) green with envy!' Katherine May, author of WinteringA Times Best Book to Watch Out For in 2023A Guardian Books highlight for the year aheadThen, just in time, before I swung the spade again, I saw, right by the blade and camouflaged by the leaves on the ground, a magpie chick. It squatted belligerently, peering up at me with miniature magpie fury. George. When Frieda Hughes moved to the depths of the Welsh countryside, she was expecting to take on a few projects: planting a garden, painting and writing her poetry column for the Times. But instead, she found herself rescuing a baby magpie, the sole survivor of a nest destroyed in a storm - and embarking on an obsession that would change the course of her life.As the magpie, George, grows from a shrieking scrap of feathers and bones into an intelligent, unruly companion, Frieda finds herself captivated - and apprehensive of what will happen when the time comes to finally set him free.