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5 produkter
5 produkter
1 104 kr
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This book addresses a deceptively simple question: what accounts for the global success of A Doll’s House, Henrik Ibsen’s most popular play? Using maps, networks, and images to explore the world history of the play’s production, this question is considered from two angles: cultural transmission and adaptation.
1 104 kr
Skickas inom 10-15 vardagar
This book addresses a deceptively simple question: what accounts for the global success of A Doll’s House, Henrik Ibsen’s most popular play? Using maps, networks, and images to explore the world history of the play’s production, this question is considered from two angles: cultural transmission and adaptation.
Ibsen in Practice
Relational Readings of Performance, Cultural Encounters and Power
Inbunden, Engelska, 2015
779 kr
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The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional ‘high art’, theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Doll’s House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland provides a deeper understanding of a cross-cultural Ibsen. The volume gives an in-depth analysis of the practice of Ibsen in relation to political, social, ideological and economic forces within and outside of the performances themselves, and demonstrates the incredible diversity of his work in local situations.
Ibsen in Practice
Relational Readings of Performance, Cultural Encounters and Power
Häftad, Engelska, 2015
332 kr
Skickas inom 10-15 vardagar
The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional ‘high art’, theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Doll’s House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland provides a deeper understanding of a cross-cultural Ibsen. The volume gives an in-depth analysis of the practice of Ibsen in relation to political, social, ideological and economic forces within and outside of the performances themselves, and demonstrates the incredible diversity of his work in local situations.
267 kr
Skickas inom 7-10 vardagar
A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsen’s views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books ...On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.‘For anyone interested in Ibsen’s plays—actors, directors, students, audiences—[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright.’ Richard Eyre, from his Foreword