G. Singh - Böcker

The book deals with Pound's literary criticism as a whole, and discusses his critical tenets and concepts as well as his critical evaluations of Arnaut Daniel, Dante, Cavalcanti, Villon, Chancer, Shakespeare, Milton, Thomas Hardy, Henry James, Yeats, Joyce, T.S. Eliot and Wyndham Lewis. Singh also comments analytically on Pound's critical credo, his poetics of imagism, his letters in criticism, his theory and craft of poetic translation and his views on modem French poets and prose writers. The conclusion is followed by a selection of Poundian maxims and aphorisms.

This text critically evaluates the conventional reading of ethnicity and ethnic conflict in contemporary Indian politics. By focusing on India's nation and state building in the peripheral regions since 1947, in particular Punjab, it argues that there is a case for considering India as an ethnic democracy. The long term development of ethno nationalist separatist movements and the future character of Indian democracy is assessed in light of the challenge posed by the rise of "Hindutva" forces, the demise of the Nehruvian state, and the internal political and economic pressures towards regionalization.

Queenie Dorothy Leavis was one of the best critics of the novel. Her primary interest was in the English novel in its greatest period the nineteenth-century, but she had wide interests and wrote on the American novel as well; and her anthropological view of literature caused her to ask how the novel rose and why it flourished and that occasioned her to look at European literatures. Her published essays appeared as articles or reviews of remarkable trenchancy in Scrutiny, or as lectures or introductions to editions of classic novels. They have been much read but she never collected them in her lifetime. They are here reprinted in three volumes. The whole is prefaced by her own 'A Glance Backward, 1965' concerning her life and work and there is an introduction by the editor, Professor G. Singh.

This volume gathers together some of F. R. Leavis's earliest work with the things he was working on before his death, as well as a representative sample of pieces reflecting the concerns he developed throughout his writing life. This material, from the whole span of a long writing career, shows both the continuity of his pre-occupations and important respects in which his judgements changed. In an introductory essay Professor Singh discusses each piece and relates it to the development of Leavis's ideas. The reader can trace his concern for standards of critical valuation as it evolved through studies of T. S. Eliot, D. H. Lawrence, William Empson, George Eliot, Henry James, W. B. Yeats, I. A. Richards and others. Leavis's well-known reflections on Marxism are also included.

Q. D. Leavis was one of the finest critics of the novel. Her published essays appeared as articles and reviews of remarkable trenchancy in Scrutiny (of which she was effectively co-editor with her husband F. R. Leavis), or as lectures or as introductions to editions of classic novels. Now, for the first time, they have been collected and reprinted in three volumes. This volume collects her lecture 'The American Novel'; essays and lectures on Henry James, Hawthorne, Melville and Edith Wharton; and the lectures 'The French Novel', 'The Russian Novel' and 'The Italian Novel'. There is an introduction by the editor, Professor G. Singh. All the essays are informed by that broad 'sociological view of literature that caused Q. D. Leavis to ask how the novel rose and why it flourished.

This third volume of Q. D. Leavis's essays brings together pieces on hitherto unexplored aspects of Victorian literature. Most of these date from towards the end of her life and are previously unpublished. There are also essays and reviews which appeared originally in Scrutiny. Mrs Leavis focuses on the novel of religious controversy, the Anglo-Irish novel, women writers of the nineteenth century, and certain aspects of George Eliot's work. She examines these, and other relevant writing, from literary, historical and sociological points of view. The volume affords valuable new insights into nineteenth-century literature, and affirms Mrs Leavis's standing as a pioneering and penetrating critic.

In this first detailed and comprehensive account of Leopardi's theory of poetry, G. Singh assesses both the literary and critical attainments of a poet whose eminence ranks him with Dante and Petrarch. Singh's analysis, which employs extensive reference to Leopardi's work in order to illustrate the author's own comments, sets forth Leopardi's views on the larger questions of tradition, inspiration, and the imagination in poetry. Later chapters are concerned with the more specific matters of the poetic image, style, and language.

'G. Singh's cleanly read monography gives testimony to Pound's sense of criticism.' - Ian Bell, Times Higher Education Supplement 'Pound's criticism is as important to modern poetry as his own poetry. There is no book dealing with his criticism, either in England or in Italy, which presents it so lucidly and so convincingly as Singh's does.' Carlo Bo Examining with Pound's literary criticism as a whole, this new study discusses his critical tenets and concepts as well as his critical evaluations of Arnaut Daniel, Dante, Cavalcanti, Villon, Chaucer, Shakespeare, Milton, Thomas Hardy, Henry James, Yeats, Joyce, T.S. Eliot and Wyndham Lewis. Singh also comments analytically on Pound's critical credo, his poetics of imagism, his letters in criticism, his theory and craft of poetic translation and his views on modern French poets and prose writers. The conclusion is followed by a selection of Poundian maxims and aphorisms.