Gabriela García - Böcker

The Future of the Past is a biennial conference generally carried out during the commemoration date of the incorporation of Santa Ana de Los Ríos de Cuenca Ecuador as a World Heritage Site (WHS). It initiated in 2014, organized by the City Preservation Management research project (CPM) of the University of Cuenca, to create a space for dialoguing among interested actors in the cultural heritage field. Since then, this space has served to exchange initiatives and to promote coordinated actions based on shared responsibility, in the local context. The third edition of this conference took place in the context of the 20th anniversary of being listed as WHS and a decade of CPM as the Southern host of the PRECOM³OS UNESCO Chair (Preventive Conservation, Maintenance and Monitoring of Monuments and Sites). For the very first time, and thanks to the collaboration with the Raymond Lemaire International Centre for Conservation of the University of Leuven (Belgium), the conference expanded its local scope. On this occasion, contributions reflected round a worldwide challenge in the cultural field: revealing the paths towards participatory governance of cultural heritage. Participatory governance is understood as institutional decision-making structures supported by shared responsibilities and rights among diverse actors.

The Future of the Past is a biennial conference generally carried out during the commemoration date of the incorporation of Santa Ana de Los Ríos de Cuenca Ecuador as a World Heritage Site (WHS). It initiated in 2014, organized by the City Preservation Management research project (CPM) of the University of Cuenca, to create a space for dialoguing among interested actors in the cultural heritage field. Since then, this space has served to exchange initiatives and to promote coordinated actions based on shared responsibility, in the local context. The third edition of this conference took place in the context of the 20th anniversary of being listed as WHS and a decade of CPM as the Southern host of the PRECOM³OS UNESCO Chair (Preventive Conservation, Maintenance and Monitoring of Monuments and Sites). For the very first time, and thanks to the collaboration with the Raymond Lemaire International Centre for Conservation of the University of Leuven (Belgium), the conference expanded its local scope. On this occasion, contributions reflected round a worldwide challenge in the cultural field: revealing the paths towards participatory governance of cultural heritage. Participatory governance is understood as institutional decision-making structures supported by shared responsibilities and rights among diverse actors.

From nineteenth-century cigar factories to present-day detention centres. From Cuba to the United States to Mexico, Gabriela Garcia’s Of Women and Salt follows Latina women of fierce pride, bound by the stories passed between them.‘Vivid details, visceral prose and strong willful women’ – Angie Cruz, author of DominicanaFive generations of women are linked by blood and circumstance, by the secrets they share, and by a single book passed down through a family, with an affirmation scrawled in its margins: 'We are force. We are more than we think we are.'1866, Cuba: María Isabel is the only woman employed at a cigar factory. These are dangerous political times, and as María begins to see marriage and motherhood as her only options, the sounds of war are approaching.1959, Cuba: Dolores watches her husband make for the mountains in answer to Fidel Castro’s call to arms. What Dolores knows, though, is that to survive, she must win her own war, and commit an act of violence that threatens to destroy her daughter Carmen’s world.2016, Miami: Carmen, still wrestling with the trauma of displacement, is shocked when her daughter Jeanette announces her plans to travel to Cuba to see her grandmother Dolores. In the walls of her crumbling home lies a secret, one that will link Jeanette to her past, and to this fearless line of women.Of Women and Salt is a haunting story about the choices of mothers and the tenacity of women who choose to tell their truth despite those who wish to silence them.'A multi-generational story that, at its heart, is a tribute to imperfect mother-daughter relationships and the enduring strength of women' – Stylist‘Extraordinary . . . stunning’ – Elizabeth Macneal, author of The Doll Factory