Gabriela Rangel – författare

The first substantial monograph on Elsa Gramcko, an artist who redefined abstraction and assemblagePostwar artist Elsa Gramcko (1925–94) never identified her practice with a formal artistic movement but freely explored geometric abstraction, Surrealism and Informalism through painting, assemblage, and sculpture. She is often associated with prominent Venezuelan women artists such as Gego (Gertrude Goldschmidt), Tecla Tofano and Mercedes Pardo, who also began to expand the limits of art in the 1960s.The publication frames Gramcko’s contribution to global modernism outside the doctrinal limitations of the avant-garde, offering a comprehensive survey of her artistic practice from the mid-1950s through the mid-1970s—from her paintings of graphic, biomorphic shapes to her groundbreaking assemblages made of conglomerate techniques that morphed the use of found wooden boards and planks. It includes essays by Gabriela Rangel and art historian and writer Aruna D’Souza, which examine Gramcko’s critical approach to petro-modernity, along with with unpublished letters the artist wrote to Alejandro Otero in the early 1960s that defined her relationship to objecthood.

Surveying Hasper’s joyously chromatic abstract paintings and works for public sitesArgentinian artist Graciela Hasper’s (born 1966) brightly colored geometric abstract paintings, made over the last three decades, are a means to bring people together and to build bridges between audiences, which is precisely what she does with her large-scale public projects. This is the artist’s first English-language monograph.

Multimedia treatments of biopower and politics in MexicoCombining data and aesthetics, Mexican artist Erick Meyenberg (born 1980) makes drawings, collages, videos and sound installations and sculptures that embrace the natural and social sciences in order to raise questions about sociopolitical realities.

“A visual symphony of drawing and painting, delving deeply into the many shades of femininity, sexuality and maternity.” —Erica Silverman, WhitewallPublished with Galería RGR.Mexican artist Magali Lara’s (born 1956) paintings, drawings and collages tinker with the boundaries between image and text, operating in the liminal space between figuration and abstraction. This publication invites a renewed reading of her oeuvre through the sphere of female intimacy.