Gabriela Wiener – författare

Kirkus Reviews Best Nonfiction of 2020

From the daring Peruvian essayist and provocateur behind Sexographies comes a fierce and funny exploration of sex, pregnancy, and motherhood that delves headlong into our fraught fascination with human reproduction.

Women play all the time with the great power that’s been conferred upon us: it’s fun to think about reproducing. Or not reproducing. Or walking around in a sweet little dress with a round belly underneath that will turn into a baby to cuddle and spoil. When you’re fifteen, the idea is fascinating, it attracts you like a piece of chocolate cake. When you’re thirty, the possibility attracts you like an abyss.

Gabriela Wiener is not one to shy away from unpleasant truths or to balk at a challenge. She began her writing career by infiltrating Peru’s most dangerous prison, going all in at swingers clubs, ingesting ayahuasca in the Amazon jungle. So at 30, when she gets unexpectedly pregnant, she looks forward to the experience the way a mountain climber approaches a precipitous peak.

With a scientist’s curiosity and a libertine’s unbridled imagination, Wiener hungrily devours every scrap of information and misinformation she encounters during the nine months of her pregnancy. She ponders how pleasure and pain always have something to do with things entering or exiting your body. She laments that manuals for pregnant women don’t prepare you for ambushes of lust or that morning sickness is like waking up with a hangover and a guilty conscience all at once. And she tries to navigate the infinity of choices and contradictory demands a pregnant woman confronts, each one amplified to a life-and-death decision.

'An intimate story from the family archive, a story that is also the infamous history of our continent' Valeria Luiselli, author of Lost Children Archive'Powerful and searing' Samanta Schweblin, author of Fever Dream

A provocative autobiographical novel that reckons with the legacy of colonialism through one woman's family ties to both colonised and coloniser

In an ethnographic museum in Paris, Gabriela Wiener is confronted with her unusual inheritance. She is visiting an exhibition of pre-Columbian artefacts, the spoils of European colonial plunder. As she peers through the glass, she sees sculptures of Indigenous faces that resemble her own - but the man responsible for pillaging them was her own great-great-grandfather, Austrian colonial explorer Charles Wiener.

In the wake of her father's death, Gabriela begins delving into all she has inherited from her paternal line. From the brutal trail of racism and theft that Charles left behind to revelations of her father's infidelity, she traces a legacy of abandonment, jealousy and colonial violence, in turn reframing her own struggles with desire, love and race. Seeking relief from these personal and historical wounds, Gabriela turns to the body and desire as sources of both constraint and potential freedom.

Blending personal, historical and fictional writing, Undiscovered tells of a search for identity beyond the old stories of patriarchs and plunder. Subversive, intimate and fiercely irreverent, it builds to a powerful call for decolonization.