Gail P. Streete – författare

Given its eschatological orientation and its marginal position in the Roman Empire, emergent Christianity found embodiment, as an aspect of being in the world, problematic. Those identified and identifying as Christians developed two broad responses to that world as they embraced the idea of being in, yet not of it. The first response, martyrdom, was witness to the strength their faith gave to fragile bodies, particularly those of women, and the ability by suffering to overcome bodily limitation and attain the resurrection life. The second, asceticism, complemented and later continued martyrdom as a means of bodily transcendence and participation in the spiritual world.

Given its eschatological orientation and its marginal position in the Roman Empire, emergent Christianity found embodiment, as an aspect of being in the world, problematic. Those identified and identifying as Christians developed two broad responses to that world as they embraced the idea of being in, yet not of it. The first response, martyrdom, was witness to the strength their faith gave to fragile bodies, particularly those of women, and the ability by suffering to overcome bodily limitation and attain the resurrection life. The second, asceticism, complemented and later continued martyrdom as a means of bodily transcendence and participation in the spiritual world.

Given its eschatological orientation and its marginal position in the Roman Empire, emergent Christianity found embodiment, as an aspect of being in the world, problematic. Those identified and identifying as Christians developed two broad responses to that world as they embraced the idea of being in, yet not of it. The first response, martyrdom, was witness to the strength their faith gave to fragile bodies, particularly those of women, and the ability by suffering to overcome bodily limitation and attain the resurrection life. The second, asceticism, complemented and later continued martyrdom as a means of bodily transcendence and participation in the spiritual world.

We are not even sure of her name: it might have been Salome; it might have been Herodias, like that of her mother. She appears very briefly in only two Gospels of the New Testament, to dance at the birthday party of her mother''s husband, Herod, the ruler of Galilee. We do not even know what kind of dance it was, but we are told that it pleased him so much he promised to give her anything she asked for. What she asked for was the head of the prophet John the Baptist on a platter. Although she disappeared from the pages of the New Testament, Salome and her dance have puzzled, intrigued, and dominated the imaginations of artists and writers for two millennia. Was she just a little girl doing a dance performance to please her stepfather and his guests? Was she a nubile teenager bent on seduction? Was she a femme fatale who aimed at the death of a man she could not possess? The Salome Project is the result of a quest to answer these questions and find the real Salome.