Gamal Al-Ghitani - Böcker

The Mahfouz Dialogs records the memories, views, and jokes of Naguib Mahfouz on subjects ranging from politics to the relationship between his novels and his life, as delivered to intimate friends at a series of informal meetings stretching out over almost half a century. Mahfouz was a pivotal figure not only in world literature (through being awarded the Nobel prize for literature in 1988 he became the first writer in Arabic to win a mass audience), but also in his own society, where he vastly enhanced the image of the writer in the eyes of the public and encapsulated—as the victim of a savage attack on his life by an Islamist in 1994—the struggle between pluralism, tolerance, and secularism on the one hand and extremist Islam. Moderated by Gamal al-Ghitani, a writer of a younger generation who shared a common background with Mahfouz (al-Ghitani also grew up in medieval Cairo) and felt a vast personal empathy for the writer despite their sometimes different views, these exchanges throw new light on Mahfouz’s life, the creation of his novels, and literary Egypt in the second half of the twentieth century.

An unknown observer is watching the residents of a small, closely-knit neighborhood in Cairo’s old city, making notes. The college graduate, the street vendors, the political prisoner, the café owner, the taxi driver, the beautiful green-eyed young wife with the troll of a husband—all are subjects of surveillance. The watcher’s reports flow seamlessly into a narrative about Zafarani Alley, a village tucked into a corner of the city, where intrigue is the main entertainment, and everyone has a secret. Suspicion, superstition, and a wicked humor prevail in this darkly comedic novel. Drawing upon the experience of his own childhood growing up in al-Hussein, where the fictional Zafarani Alley is located, Gamal al-Ghitani has created a world richly populated with characters and situations that possess authenticity behind their veils of satire.

Upon returning from a trip abroad, the author–narrator learns that his father has died during his absence. Crushed with grief and guilt, he begins a journey of discovery of self and existence. Beset by doubts and at times despair, he almost gives up, but then is granted the priceless gift of appearing before the mythical–mystical Diwan, the council that oversees all affairs of this world, keeping a record of everything that has ever happened or existed and righting wrongs past and present. With the guidance of the Great Master, the Prophet’s grandson al-Husayn, he is able to witness events of his father’s life, his own life, and that of his beleaguered country as he progresses through Sufi states and stations.Granted the ability to be in several places and various eras simultaneously, the narrator is able to bring together heroes and villains and great events and debacles in Egypt’s and all of Islam’s history. Alternating scenes depict the historical martyrdom of al-Husayn in Karbala, and a fantastical confrontation between two camps fighting over the soul of Egypt: in one camp we meet President Gamal Abdel Nasser, al-Husayn, the narrator’s own father, and a ragtag army of valiant but ill-equipped Egyptians in combat with one led by Jimmy Carter, Anwar Sadat, and Menachem Begin. This surrealist novel with political and mystical overtones and an edge of satire reveals one of Egypt’s greatest living writers at his finest.

For Nobel laureate Naguib Mahfouz, Cairo has always been a place of special resonance. As the place in which he was born and has lived his whole life, it is a city he loves passionately and has visited and revisited in his writing. It is the setting for nearly all his novels and short stories, not merely as a backdrop but as an integral part of his fiction, playing its own role in the dramas. The old streets of the Cairo Trilogy and the microcosmic cul-de-sac of Midaq Alley become fictional characters as fascinating as the human ones for Naguib Mahfouz. A longtime admirer of the novels of Naguib Mahfouz, photographer Britta Le Va discovered old Cairo through his works. Here, she guides us through his pages, and treads his streets and alleys, to produce a collection of outstanding visual images of the historic city. Each complements a verbal image selected from Mahfouz's writings. In his introduction, novelist Gamal al-Ghitani describes a walking tour with the great man around the streets of Gamaliya, that historic heart of the old city where both of them--more than thirty years apart--were born and grew up. Along the way, Mahfouz reminisces and remarks on what had changed and what had not in eight decades.

An unknown observer is watching the residents of a small, closely-knit neighborhood in Cairo's old city, making notes. The college graduate, the street vendors, the political prisoner, the caf owner, the taxi driver, the beautiful green-eyed young wife with the troll of a husband--all are subjects of surveillance. The watcher's reports flow seamlessly into a narrative about Zafarani Alley, a village tucked into a corner of the city, where intrigue is the main entertainment, and everyone has a secret. Suspicion, superstition, and a wicked humor prevail in this darkly comedic novel. Drawing upon the experience of his own childhood growing up in al-Hussein, where the fictional Zafarani Alley is located, Gamal al-Ghitani has created a world richly populated with characters and situations that possess authenticity behind their veils of satire.

One of Egypt’s greatest contemporary writers, Gamal al-Ghitani (1945–2015) was born into a family of modest means in the Egyptian countryside. He trained as a carpet maker before turning his attention to writing, publishing over a dozen novels and several collections of short stories.This haunting memoir, one of seven autobiographical "notebooks" written before Ghitani’s death, weaves together a series of vignettes in a style that mimics the uneven, discontinuous nature of memory itself. These fragments, or traces, are summoned from across the span of a singular lifetime, from Ghitani’s rural birthplace in Upper Egypt to Cairo, to the Arab world and beyond. We read of his childhood adventures, his erotic awakenings, his time as a political prisoner, and his reports from the battlefront in Iraq and the corridors of power in Syria. There are vivid passages that capture fleeting glances of strangers through car windows, flavors and scents of delicacies he still savored, dreams and sorrows of neighbors in the apartment blocks of Cairo before Nasser, as well as recollections of chance conversations at points of transit, in cafés and on elegant streets, and trysts with unnamed paramours. These memories, and Ghitani’s musings on memory’s own finitude and mutability, make Traces both memoir and a meditation on memory itself, in all its inscrutable workings and inevitable betrayals.