Garcia – författare

Focusing on the intersections between textiles and architectural design, this title communicates the full range of possibilities for a multidisciplinary design hybrid. It examines the generative concepts, forms, patterns, materials, processes, technologies and practices that are driving this cross-fertilisation in contemporary urban and architectural design. Architextiles represent a transition stage in the reorientation of spatial design towards a more networked, dynamic, interactive, communicative and multifunctional state. The paradigms of fashion and textile design, with their unique, accelerated aesthetics and ability to embody a burgeoning, composite and complex range of properties such as lightness, flow, flexibility, surface, complexity and movement have a natural affinity with architecture's shifts towards a more liquid state. The preoccupation with textiles in architecture challenges traditional perceptions and practices in interior, architectural, urban, textile and fashion design. Interweaving new designs and speculative projects for the future, Architextiles, brings together architects, designers, engineers, technologists, theorists and materials researchers to unravel these new methodologies of fabricating space.     Contributors include:Dominique Perrault (DPA)Lars Spuybroek (NOX and University of Atlanta)Will Alsop (RCA and SMC Alsop)Nigel Coates (RCA and Branson Coates Architecture)Matilda McQuaid (Cooper Hewitt Museum)Ron Arad (RCA and Ron Arad Associates)Tristan Simmonds, Daniel Bosia and Martin Self (Arup Advanced Geometry Unit)David Wakefield (Tensys)Dagmar Richter (UCLA)Peter Testa and Devyn Weiser (Columbia University and Testa Architecture)Tom Verebes, Yosuke Obuchi and Theodore Spyropoulos (AA_DRL)Robert Kronenburg (University of Liverpool)Anne Toomey (RCA)Bradley QuinnMarie O' MahoneyMark Garcia (RCA)

This volume provides a one-stop resource, compiling current research on developments in strategic materials. It is a collection of papers from The American Ceramic Society s 32nd International Conference on Advanced Ceramics and Composites, January 27-February 1, 2008. Papers included in this issue come from five symposia: "Thermoelectric Materials for Power Conversion;" "Basic Science of Multifunctional Ceramics;" "Science of Ceramic Interfaces;" "Geopolymers;" and "Materials for Solid State Lighting." This is a valuable, up-to-date resource for researchers working in the field.

Morality and religion: intimately wed, violently opposed, or something else? Discussion of this issue appears in pop culture, the academy, and the media_often generating radically opposed views. At one end of the spectrum are those who think that unless God exists, ethics is unfounded and the moral life is unmotivated. At the other end are those who think that religious belief is unnecessary for_and even a threat to_ethical knowledge and the moral life. This volume provides an accessible, charitable discussion that represents a range of views along this spectrum. The book begins with a lively debate between Paul Kurtz and William Lane Craig on the question, Is goodness without God good enough? Kurtz defends the affirmative position and Craig the negative. Following the debate are new essays by prominent scholars. These essays comment on the debate and advance the broader discussion of religion and morality. The book closes with final responses from Kurtz and Craig.

Morality and religion: intimately wed, violently opposed, or something else? Discussion of this issue appears in pop culture, the academy, and the media—often generating radically opposed views. At one end of the spectrum are those who think that unless God exists, ethics is unfounded and the moral life is unmotivated. At the other end are those who think that religious belief is unnecessary for—and even a threat to—ethical knowledge and the moral life.This volume provides an accessible, charitable discussion that represents a range of views along this spectrum. The book begins with a lively debate between Paul Kurtz and William Lane Craig on the question, Is goodness without God good enough? Kurtz defends the affirmative position and Craig the negative. Following the debate are new essays by prominent scholars. These essays comment on the debate and advance the broader discussion of religion and morality. The book closes with final responses from Kurtz and Craig.

Morality and religion: intimately wed, violently opposed, or something else? Discussion of this issue appears in pop culture, the academy, and the media-often generating radically opposed views. At one end of the spectrum are those who think that unless God exists, ethics is unfounded and the moral life is unmotivated. At the other end are those who think that religious belief is unnecessary for-and even a threat to-ethical knowledge and the moral life.This volume provides an accessible, charitable discussion that represents a range of views along this spectrum. The book begins with a lively debate between Paul Kurtz and William Lane Craig on the question, Is goodness without God good enough? Kurtz defends the affirmative position and Craig the negative. Following the debate are new essays by prominent scholars. These essays comment on the debate and advance the broader discussion of religion and morality. The book closes with final responses from Kurtz and Craig.

Una peculiar novela de ficción prospectiva que nos lleva al año 2035, en el que la inteligencia artificial ha sustituido al ser humano en muchos aspectos relevantes de la vida cotidiana. A raíz de una serie de accidentes robóticos, las empresas genéticas se plantearán traer a la vida a neandertales como mano de obra. En medio de la situación, Laia, una española residente en San Francisco, se cruzará con Tessa, una joven embarazada que alberga en su interior un secreto que podría sacudir el mundo entero.Este audiolibro está narrado en castellano.Paula Gil es una autora especializada en ciencia ficción y ficción prospectiva. Lectora apasionada desde sus primeros años, su afición la ha llevado a escribir sus propias historias en forma de novelas, que hasta ahora han cosechado un éxito de público sin precedentes.

Photography is most commonly associated with fact, yet it has been a medium for fiction from the very beginning. From as early as 1839, artists began exploring photography's enormous potential for storytelling and often went to great lengths to create pictures for the camera. In this book, a short introductory essay summarizes the history of staged photography, highlighting key debates on the medium's blunt factuality and its capacity for deception, and goes on to showcase works by both widely known and less prominent artists, including Man Ray, Andy Warhol, Alfred Stieglitz, Lewis Carroll, Julia Margaret Cameron, Jo Ann Callis, and Paul Outerbridge.