Gareth Doherty - Böcker

Landscape Is...! examines the implicit biases and received meanings of landscape. Following on from the previous publication Is Landscape…? which examined the plural and promiscuous identities of the landscape idea, this companion volume reflects upon the diverse and multiple meanings of landscape as a discipline, profession, and medium. This book is intended for academics, researchers, and students in landscape architecture and cognate disciplines. Chapters address various overlooked aspects of landscape that develop, disturb, and diversify received understandings of the field. Framed as an inquiry into the relationship of landscape to the forms of human subjectivity, the book features contributions from leading voices who challenge the contemporary understandings of the field in relation to capital and class, race and gender, power and politics, and more.

Landscape Is...! examines the implicit biases and received meanings of landscape. Following on from the previous publication Is Landscape…? which examined the plural and promiscuous identities of the landscape idea, this companion volume reflects upon the diverse and multiple meanings of landscape as a discipline, profession, and medium. This book is intended for academics, researchers, and students in landscape architecture and cognate disciplines. Chapters address various overlooked aspects of landscape that develop, disturb, and diversify received understandings of the field. Framed as an inquiry into the relationship of landscape to the forms of human subjectivity, the book features contributions from leading voices who challenge the contemporary understandings of the field in relation to capital and class, race and gender, power and politics, and more.

This innovative multidisciplinary study considers the concept of green from multiple perspectives-aesthetic, architectural, environmental, political, and social-in the Kingdom of Bahrain, where green has a long and deep history of appearing cooling, productive, and prosperous-a radical contrast to the hot and hostile desert. Although green is often celebrated in cities as a counter to gray urban environments, green has not always been good for cities. Similarly, manifestation of the color green in arid urban environments is often in direct conflict with the practice of green from an environmental point of view. This paradox is at the heart of the book. In arid environments such as Bahrain, the contradiction becomes extreme and even unsustainable. Based on long-term ethnographic fieldwork, Gareth Doherty explores the landscapes of Bahrain, where green represents a plethora of implicit human values and exists in dialectical tension with other culturally and environmentally significant colors and hues.Explicit in his book is the argument that concepts of color and object are mutually defining and thus a discussion about green becomes a discussion about the creation of space and place.

This innovative multidisciplinary study considers the concept of green from multiple perspectives-aesthetic, architectural, environmental, political, and social-in the Kingdom of Bahrain, where green has a long and deep history of appearing cooling, productive, and prosperous-a radical contrast to the hot and hostile desert. Although green is often celebrated in cities as a counter to gray urban environments, green has not always been good for cities. Similarly, manifestation of the color green in arid urban environments is often in direct conflict with the practice of green from an environmental point of view. This paradox is at the heart of the book. In arid environments such as Bahrain, the contradiction becomes extreme and even unsustainable. Based on long-term ethnographic fieldwork, Gareth Doherty explores the landscapes of Bahrain, where green represents a plethora of implicit human values and exists in dialectical tension with other culturally and environmentally significant colors and hues.Explicit in his book is the argument that concepts of color and object are mutually defining and thus a discussion about green becomes a discussion about the creation of space and place.

Refocusing on human inhabitants in landscape architectureLandscape architecture is at a crossroads. The ability to draw upon interdisciplinary perspectives and generate insights from the combined vantage points of design, environmental studies, and the social sciences puts it in a prime position to address the most pressing issues of our time, such as climate change and social inequality. Its current reliance on digital and technological solutions, however, has increasingly caused landscape architects to lose sight of the ways in which humans actually use spaces. And while landscapes are designed all over the world, the discipline remains inordinately centered on the Global North. Landscape Fieldwork alters that long-standing paradigm through real-life examples that provide tools for practitioners to engage more deeply with multidimensional, diverse landscapes and the communities that create, live in, and use them.

Refocusing on human inhabitants in landscape architectureLandscape architecture is at a crossroads. The ability to draw upon interdisciplinary perspectives and generate insights from the combined vantage points of design, environmental studies, and the social sciences puts it in a prime position to address the most pressing issues of our time, such as climate change and social inequality. Its current reliance on digital and technological solutions, however, has increasingly caused landscape architects to lose sight of the ways in which humans actually use spaces. And while landscapes are designed all over the world, the discipline remains inordinately centered on the Global North. Landscape Fieldwork alters that long-standing paradigm through real-life examples that provide tools for practitioners to engage more deeply with multidimensional, diverse landscapes and the communities that create, live in, and use them.

Is Landscape . . . ? surveys multiple and myriad definitions of landscape. Rather than seeking a singular or essential understanding of the term, the collection postulates that landscape might be better read in relation to its cognate terms across expanded disciplinary and professional fields. The publication pursues the potential of multiple provisional working definitions of landscape to both disturb and develop received understandings of landscape architecture. These definitions distinguish between landscape as representational medium, academic discipline, and professional identity. Beginning with an inquiry into the origins of the term itself, Is Landscape . . . .? features essays by a dozen leading voices shaping the contemporary reading of landscape as architecture and beyond.

Is Landscape . . . ? surveys multiple and myriad definitions of landscape. Rather than seeking a singular or essential understanding of the term, the collection postulates that landscape might be better read in relation to its cognate terms across expanded disciplinary and professional fields. The publication pursues the potential of multiple provisional working definitions of landscape to both disturb and develop received understandings of landscape architecture. These definitions distinguish between landscape as representational medium, academic discipline, and professional identity. Beginning with an inquiry into the origins of the term itself, Is Landscape . . . .? features essays by a dozen leading voices shaping the contemporary reading of landscape as architecture and beyond.

Roberto Burle Marx (1909–1994) remains one of the most important landscape architects in the history of the field. His distinctive and widely acclaimed work has been featured and referenced in numerous sources, yet few of Burle Marx’s own words have been published.This collection of a dozen of Burle Marx’s lectures, most of which have never before been available in English, fills that void. Delivered on international speaking tours, they address topics such as Concepts in Landscape Composition, Gardens and Ecology, and The Problem of Garden Lighting. Their publi- cation sheds light on Burle Marx’s distinctive ethic and aesthetic of landscape, as “the real art of living.”The lectures paint a picture of Burle Marx not just as a gardener, artist, and botanist, but as a land- scape architect whose ambition was to bring radical change to cities and society. The lectures are framed by photographs, by Leonardo Finotti, of a selection of Burle Marx’s realized projects.