Gary D. Rawnsley – författare
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The Routledge Handbook of Soft Power (2nd Edition) offers a comprehensive, detailed, and ground-breaking examination of soft power – a key factor in cultural diplomacy, cultural relations, and public diplomacy. Interrogating soft power as influence, the handbook examines manifestations in media, public mind, policy, and theory – in a fraught geopolitical climate, one demanding reconceptualization of soft power’s role in state and civic society behaviour.
Part I provides important new conceptualization and critical analysis of soft power from international relations, philosophical, and other social theoretical perspectives; analyses multiple methods of soft power measurement and makes proposals; and connects soft power innovatively with other concepts Part II addresses soft power and contemporary issues by examining new technology and soft power intentions, soft power and states’ performance during the global pandemic, and soft power and values Part III investigates cases from China, France, Greece, Israel, Japan, Kazhakstan, Poland, Russia, South Korea, Spain, Türkiye, and the United States – some in combination.This innovative handbook is a definitive resource for inquirers into soft power desiring to familiarize themselves with cutting-edge debates and research. It will be of interest and value to students, researchers, and policy makers working in cultural relations, international communication, international relations, public diplomacy, and contiguous fields.
852 kr
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The Routledge Handbook of Soft Power (2nd Edition) offers a comprehensive, detailed, and ground-breaking examination of soft power – a key factor in cultural diplomacy, cultural relations, and public diplomacy. Interrogating soft power as influence, the handbook examines manifestations in media, public mind, policy, and theory – in a fraught geopolitical climate, one demanding reconceptualization of soft power’s role in state and civic society behaviour.
Part I provides important new conceptualization and critical analysis of soft power from international relations, philosophical, and other social theoretical perspectives; analyses multiple methods of soft power measurement and makes proposals; and connects soft power innovatively with other concepts Part II addresses soft power and contemporary issues by examining new technology and soft power intentions, soft power and states’ performance during the global pandemic, and soft power and values Part III investigates cases from China, France, Greece, Israel, Japan, Kazhakstan, Poland, Russia, South Korea, Spain, Türkiye, and the United States – some in combination.This innovative handbook is a definitive resource for inquirers into soft power desiring to familiarize themselves with cutting-edge debates and research. It will be of interest and value to students, researchers, and policy makers working in cultural relations, international communication, international relations, public diplomacy, and contiguous fields.
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896 kr
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The new 2nd edition of this successful Handbook explores the growing and evolving field of Chinese media, offering a window to observe multi-directional flows of information, culture and communications within the contexts of globalization and regionalization.
Bringing together the research of an international and interdisciplinary team providing expert analysis of the media in China, Hong Kong, Taiwan, Macau and among other Chinese communities, this new edition:
Highlights how new social, economic, and political forces have emerged to challenge the production and consumption of media outputs Reveals how the growing prevalence of social media, such as WeChat and TikTok, continues to blur the boundary between online and offline, allowing state institutions to interfere in the lives of their users, and civil societies to mobilise and articulate their interests and grievances Outlines how the development of new communications technologies and their use by political and economic actors, journalists, civil societies, and diaspora communities contributes to the complex multi-directional flow of information, culture, and communications in the twenty-first centuryContributing to the growing and evolving field of Chinese media studies, this Handbook is an essential and comprehensive reference work for students of all levels and scholars in the fields of Chinese Studies and Media Studies.
896 kr
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The new 2nd edition of this successful Handbook explores the growing and evolving field of Chinese media, offering a window to observe multi-directional flows of information, culture and communications within the contexts of globalization and regionalization.
Bringing together the research of an international and interdisciplinary team providing expert analysis of the media in China, Hong Kong, Taiwan, Macau and among other Chinese communities, this new edition:
Highlights how new social, economic, and political forces have emerged to challenge the production and consumption of media outputs Reveals how the growing prevalence of social media, such as WeChat and TikTok, continues to blur the boundary between online and offline, allowing state institutions to interfere in the lives of their users, and civil societies to mobilise and articulate their interests and grievances Outlines how the development of new communications technologies and their use by political and economic actors, journalists, civil societies, and diaspora communities contributes to the complex multi-directional flow of information, culture, and communications in the twenty-first centuryContributing to the growing and evolving field of Chinese media studies, this Handbook is an essential and comprehensive reference work for students of all levels and scholars in the fields of Chinese Studies and Media Studies.
844 kr
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The film Hero, directed by Zhang Yimou and released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster. A big expensive film with multiple stars, spectacular scenery, and astonishing action sequences, it touched on key questions of Chinese culture, nation and politics, and was both a domestic sensation and an international hit. This book explores the reasons for the film’s popularity with its audiences, discussing the factors which so resonated with those who watched the film. It examines questions such as Chinese national unity, the search for cultural identity and role models from China’s illustrious pre-communist past, and the portrayal of political and aesthetic values, and attitudes to gender, sex, love, and violence which are relatively new to China. The book demonstrates how the film, and China’s growing film industry more generally, have in fact very strong international connections, with Western as well as Chinese financing, stars recruited from the East Asian region more widely, and extensive interactions between Hollywood and Asian artists and technicians. Overall, the book provides fascinating insights into recent developments in Chinese society, popular culture and cultural production.
844 kr
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The film Hero, directed by Zhang Yimou and released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster. A big expensive film with multiple stars, spectacular scenery, and astonishing action sequences, it touched on key questions of Chinese culture, nation and politics, and was both a domestic sensation and an international hit. This book explores the reasons for the film’s popularity with its audiences, discussing the factors which so resonated with those who watched the film. It examines questions such as Chinese national unity, the search for cultural identity and role models from China’s illustrious pre-communist past, and the portrayal of political and aesthetic values, and attitudes to gender, sex, love, and violence which are relatively new to China. The book demonstrates how the film, and China’s growing film industry more generally, have in fact very strong international connections, with Western as well as Chinese financing, stars recruited from the East Asian region more widely, and extensive interactions between Hollywood and Asian artists and technicians. Overall, the book provides fascinating insights into recent developments in Chinese society, popular culture and cultural production.
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