Gary West – författare

Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.

Zoo Animal and Wildlife Immobilization and Anesthesia, Second Edition is a fully updated and revised version of the first comprehensive reference on anesthetic techniques in captive and free-ranging wildlife. Now including  expanded coverage of avian and aquatic species, this exhaustive resource presents information on the full range of zoo and wildlife species. Covering topics ranging from monitoring and field anesthesia to CPR and euthanasia, the heart of the book is devoted to 53 species-specific chapters providing a wealth of information on little-known and common zoo and wildlife animals alike. In addition to new species chapters, the new edition brings a new focus on pain management, including chronic  pain, and more information on species-specific physiology. Chapters on airway management, monitoring, emergency therapeutics, and field procedures are all significantly expanded as well. This update to Zoo Animal and Wildlife Immobilization and Anesthesia is an invaluable addition to the library of all zoo and wildlife veterinarians.

A new and updated edition of the classic reference to animal and wildlife anesthesiaZoo Animal and Wildlife Immobilization and Anesthesia, Third Edition offers a thoroughly updated edition of this comprehensive reference to anesthetic techniques in captive and free-ranging wild species. Featuring 57 species-specific chapters covering animals both common and uncommon, the book includes both the basic principles of capturing, anesthetizing, and monitoring these animals and species-specific considerations. All chapters have been thoroughly updated to reflect new information and references.The definitive reference for delivering anesthesia to zoo and wild animals, the book presents the gold standard for all aspects of anesthesia in a variety of settings. This Third Edition: Offers a fully updated new edition of the gold-standard reference to immobilization and anesthesia in captive and free-ranging wildlifePresents 57 species-specific chapters covering all aspects of anesthetizing zoo and wild animals, ranging from commonly treated animals to rare speciesFocuses on providing exceptional health care to wild and zoo animalsFully updated throughout to present new information, advances, and referencesFeatures full color photographs to demonstrate the concepts discussedZoo Animal and Wildlife Immobilization and Anesthesia is an essential guide for zoo and wildlife practitioners, veterinary professionals, and veterinary students, as well as wildlife or conservation biologists.

Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.

Martyn Bennett was an artist ahead of his time. Piper, violinist, composer, producer, DJ – his radical blend of tradition and technology created an audacious new sound that was uniquely his own. Steeped in the folk cultures of Scotland, yet inspired too by deep-rooted traditions from far beyond, his music ignored boundaries and celebrated cultural difference wherever he found it. Although classically trained, he was drawn to the gritty excitement of the urban dance club scene, and his fusion of folk, classical, jazz and hard-edged electronica was championed by the likes of Peter Gabriel and the folklorist Hamish Henderson who labelled it ‘brave new music’.This biography traces his story through personal struggles and artistic triumphs, and offers an assessment of his place in the pantheon of major Scottish artists. It is a story of resilience as well as innovation: twice diagnosed with unrelated cancers, his professional career lasted little more than a decade, and he fought serious illness for half of it. He died in January 2005, aged 33. Yet his art continues to inspire: where he led, others have followed, and his music still wins awards and fills concert halls at major international festivals two decades after his death.