Gary West – författare

A new and updated edition of the classic reference to animal and wildlife anesthesia

Zoo Animal and Wildlife Immobilization and Anesthesia, Third Edition offers a thoroughly updated edition of this comprehensive reference to anesthetic techniques in captive and free-ranging wild species. Featuring 57 species-specific chapters covering animals both common and uncommon, the book includes both the basic principles of capturing, anesthetizing, and monitoring these animals and species-specific considerations. All chapters have been thoroughly updated to reflect new information and references.

The definitive reference for delivering anesthesia to zoo and wild animals, the book presents the gold standard for all aspects of anesthesia in a variety of settings. This Third Edition:

Zoo Animal and Wildlife Immobilization and Anesthesia is an essential guide for zoo and wildlife practitioners, veterinary professionals, and veterinary students, as well as wildlife or conservation biologists.

A new and updated edition of the classic reference to animal and wildlife anesthesia

Zoo Animal and Wildlife Immobilization and Anesthesia, Third Edition offers a thoroughly updated edition of this comprehensive reference to anesthetic techniques in captive and free-ranging wild species. Featuring 57 species-specific chapters covering animals both common and uncommon, the book includes both the basic principles of capturing, anesthetizing, and monitoring these animals and species-specific considerations. All chapters have been thoroughly updated to reflect new information and references.

The definitive reference for delivering anesthesia to zoo and wild animals, the book presents the gold standard for all aspects of anesthesia in a variety of settings. This Third Edition:

Zoo Animal and Wildlife Immobilization and Anesthesia is an essential guide for zoo and wildlife practitioners, veterinary professionals, and veterinary students, as well as wildlife or conservation biologists.

Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.

Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.