Gary Wyatt - Böcker

Spirit Faces presents an outstanding collection of 75 masks by 23 contemporary Native American artists. These breathtakingly beautiful and powerful masks, all illustrated in color, depict creatures such as Eagle or Killer Whale, natural elements and forces such as Moon or Weather, humans, and supernatural beings such as Thunderbird or the Chief of the Undersea. Masks are an important part of ceremonial life on the Northwest Coast; they make the supernatural world visible and bring it to life in dance dramas performed at feasts and potlatches, or at winter ceremonies held by secret societies.Some masks embody mythology or history. Others depict shamanic experiences, or are portrait masks that represent personal experience. The most elaborate are transformation masks, which are used to display the transition from one form to another, such as Wolf to Human. At the high point of the dance, the dancer will open the outer mask to reveal another one inside. The introduction by Gary Wyatt outlines the place of art inside Northwest Coast societies and the place of Northwest Coast art in the outside art world. He also explains the importance, meaning, and ceremonial use of masks. Each mask is accompanied by the artist’s own words describing its creation and meaning.

Relying on a decade-long participant observation study, this book focuses on the salience of parent-child relationships for home schooling. Those experiences with traditional schools emerge as a major motive for home schooling. The quality of the relationships that develop between parents and children are the major predictor of a successful home schooling experience. Comparing the socialization between traditional schooling and home schools, Family Ties: Relationships, Socialization and Home Schooling investigates significant controversies in these two separate environments. Professor Gary Wyatt is able to represent a parent with both experiences and contends to dispel the typical home schooling critiques. The efforts of home schooling parents to negotiate favorable identities with others and the techniques used to manage the anxiety associated with this unconventional lifestyle are explored.

Over six decades of brilliant prints and paintings from the most prominent Northwest Coast artist of his generation.Finalist for the Roderick Haig-Brown Regional Prize, a BC & Yukon Book PrizeSince leaving Haida Gwaii to study art in Vancouver—where he carved argillite with Bill Reid in a department store and hand-sold prints on the UBC campus—Guud sans glans, Robert Davidson has moved between two worlds. As a host of Potlatches, carver of masks and totem poles, and performer and teacher of traditional Haida songs and dances, he has been one of the driving forces in the resurgence of Haida culture in the aftermath of colonization. As an artist working in serigraphs, acrylic, wood, silver, and aluminum to preserve and breathe new life into Haida formline, he has become among the most respected, celebrated, and thrilling artists in the country, if not the world.Echoes of the Supernatural is the first publication in over forty years to offer a comprehensive visual retrospective of his astonishing career. It includes new photography of over 150 prints, as well as images of over fifty paintings; numerous painted woven hats, painted and carved sculptures, jewellery, aluminum sculpture; and dozens of archival photos. His long-time gallerist Gary Wyatt, who worked closely with Davidson in shaping the book and received full access to his archives, details the artist’s life and career, and offers insights on the work based on extensive new interviews. A foreword by Karen Duffek situates the contours of Davidson’s practice within the broader Northwest Coast art world.

This first-ever monograph of a Haida argillite carver features nearly 200 artworks by Kihl'yahda Christian White, most never seen in public before, along with the artist’s telling of the supernatural stories that inspired them.Kihl’yahda Christian White is often described by his peers as a “natural-born carver.” Since first picking up a knife as a teenager five decades ago, he has become one of the most accomplished artists on the Northwest Coast and a fierce advocate of Haida culture. At home in Haida Gwaii, he is known for monumental cedar poles, longhouses, and canoes that bring the entire community together in celebration.Beyond Haida Gwaii, he is best known for intricate carvings in argillite, or “black shale,” the fine-grained stone found only on Haida Gwaii, its use strictly regulated by the Haida Nation. Since artists first started carving argillite to trade with Europeans around 1800 such works have served as emissaries for Haida culture, a practice that White continues today—his exquisite works with their dazzling inlays of abalone shell and mastodon ivory are highly sought-after by devoted patrons around the world.The consistent demand for White’s argillite work means it rarely enters the public view. For this publication, several major private collections in Canada and the U.S. were newly photographed so the works can be seen beyond their homes for the first time. Gary Wyatt, White’s longtime gallerist, interviewed the artist at length to inform his sketch of a life devoted to art and community. In her foreword Karen Duffek reflects on the “two worlds” that his practices inhabit. And White himself shares two dozen traditional Haida stories that appear alongside his works, tales of Travelling Raven, Sea Grizzly, Volcano Woman, Lazy Son-in-Law, and more—the supernatural beings whose deeds shaped the Haida world, and whose unique forms are captured with brilliant elegance in White’s extraordinary work.

This collection features four peer-reviewed reviews on intercropping.The first chapter summarises data from over 50 field experiments undertaken since 2001 on cereal–grain legume intercropping using spring and winter cereal–grain legume intercrops. The chapter addresses the effects of intercropping on yields and quality, the agronomical performance of intercropping and cultivation practices in intercropping.The second chapter reviews the existing evidence on systems productivity, resource capture and use efficiency, between intercrops and sole crops for maize–legume-dominated cropping systems. The chapter also considers intercropping under different conditions, including those with heightened or reduced levels of moisture and nitrogen.The third chapter considers the effects of crop rotation and intercropping management practices on soil health, focussing on their impact on crop productivity, soil health enhancement and stability. The chapter also highlights the importance of leguminous crops and soil organic matter in maintaining healthy soils, sustaining crop productivity and enhancing biodiversity.The final chapter provides an overview of the economic and ecological benefits, challenges and major considerations of implementing alley cropping systems within North America. A case study detailing the performance evaluation of a pecan-cotton alley cropping system is also included.