One little question propels both author and reader on a genre-bending quest to find the elusive essence of a Canadian province built on sturdy stereotypes of oil-spoiled, beef-eating, bible-thumping rednecks devoid of class or culture. Through essay, interview, colourful observation, and whatever other exposé it takes to amplify the hyperbolic absurdity of seeking a simple answer to an incendiary question, Geo Takach spotlights the cultural complexity of this perplexing province. Readers will be delightfully edified after a dizzying romp around Wild Rose Country with Geo and a cast of citizens and celebs (alive and dead).

This book explores methods of bringing environmentalist, art-based and Indigenous ways of knowing and being into dialogue to improve relationships with the Earth and Her First Peoples.Geo Takach argues that two of the greatest crimes committed by humanity – environmental devastation and the continued dishonour, dispossession and attempted eradication of Indigenous peoples – are entwined and need to be addressed together. Rooted in communication and cultural studies, this book explores ways to bring environmental, arts-based, and Indigenous ways of knowing and being into dialogue towards improving relationships with the Earth and Her First Peoples.Through this multimodal exploration, the book builds an analytical foundation for that alliance by considering causes and challenges common to ecological and human colonization. Joined by a generous array of Indigenous and non-Indigenous knowledge-keepers, artists, scholars and citizens, Takach then demonstrates how we can interweave environmental, arts-based and Indigenous perspectives and collaborative meaning-making in our communications to inspire what he calls environmental conciliation.

This book explores methods of bringing environmentalist, art-based and Indigenous ways of knowing and being into dialogue to improve relationships with the Earth and Her First Peoples.Geo Takach argues that two of the greatest crimes committed by humanity - environmental devastation and the continued dishonour, dispossession and attempted eradication of Indigenous peoples - are entwined and need to be addressed together. Rooted in communication and cultural studies, this book explores ways to bring environmental, arts-based, and Indigenous ways of knowing and being into dialogue towards improving relationships with the Earth and Her First Peoples. Through this multimodal exploration, the book builds an analytical foundation for that alliance by considering causes and challenges common to ecological and human colonization. Joined by a generous array of Indigenous and non-Indigenous knowledge-keepers, artists, scholars and citizens, Takach then demonstrates how we can interweave environmental, arts-based and Indigenous perspectives and collaborative meaning-making in our communications to inspire what he calls environmental conciliation.

This volume explores how to engage audiences both beyond and within the academy more deeply in environmental research through arts-based forms. It builds on a multi-pronged case study of scripts for documentary film, audio-visual and stage formats, focusing on how the identity of a place is constructed and contested in the face of environmental concerns around fossil-fuel extraction in a globalized, visual society--and specifically on the rising, international public-relations war over Alberta’s stewardship of the tar sands. Each script is followed by discussion of the author’s choices of initiating idea, research sources, format, voices, world of the story, structure and visual style, and other notes on the convergence of synthesis, analysis and (re)presentation in the script. Included are lively analysis and commentary on screenwriting and playwriting theory, the creation and dissemination of the scripts, and reflections to ground a proposed framework for writing eco-themed scripts for screen, audio-visual and stage formats.

This volume explores how to engage audiences both beyond and within the academy more deeply in environmental research through arts-based forms. It builds on a multi-pronged case study of scripts for documentary film, audio-visual and stage formats, focusing on how the identity of a place is constructed and contested in the face of environmental concerns around fossil-fuel extraction in a globalized, visual society--and specifically on the rising, international public-relations war over Alberta’s stewardship of the tar sands. Each script is followed by discussion of the author’s choices of initiating idea, research sources, format, voices, world of the story, structure and visual style, and other notes on the convergence of synthesis, analysis and (re)presentation in the script. Included are lively analysis and commentary on screenwriting and playwriting theory, the creation and dissemination of the scripts, and reflections to ground a proposed framework for writing eco-themed scripts for screen, audio-visual and stage formats.

One little question propels both author and reader on a genre-bending quest to find the elusive essence of a Canadian province built on sturdy stereotypes of oil-spoiled, beef-eating, bible-thumping rednecks devoid of class or culture. Through essay, interview, colourful observation, and whatever other exposé it takes to amplify the hyperbolic absurdity of seeking a simple answer to an incendiary question, Geo Takach spotlights the cultural complexity of this perplexing province. Readers will be delightfully edified after a dizzying romp around Wild Rose Country with Geo and a cast of citizens and celebs (alive and dead).

This book explores methods of bringing environmentalist, art-based and Indigenous ways of knowing and being into dialogue to improve relationships with the Earth and Her First Peoples.Geo Takach argues that two of the greatest crimes committed by humanity – environmental devastation and the continued dishonour, dispossession and attempted eradication of Indigenous peoples – are entwined and need to be addressed together. Rooted in communication and cultural studies, this book explores ways to bring environmental, arts-based, and Indigenous ways of knowing and being into dialogue towards improving relationships with the Earth and Her First Peoples.Through this multimodal exploration, the book builds an analytical foundation for that alliance by considering causes and challenges common to ecological and human colonization. Joined by a generous array of Indigenous and non-Indigenous knowledge-keepers, artists, scholars and citizens, Takach then demonstrates how we can interweave environmental, arts-based and Indigenous perspectives and collaborative meaning-making in our communications to inspire what he calls environmental conciliation.

This book explores methods of bringing environmentalist, art-based and Indigenous ways of knowing and being into dialogue to improve relationships with the Earth and Her First Peoples.Geo Takach argues that two of the greatest crimes committed by humanity - environmental devastation and the continued dishonour, dispossession and attempted eradication of Indigenous peoples - are entwined and need to be addressed together. Rooted in communication and cultural studies, this book explores ways to bring environmental, arts-based, and Indigenous ways of knowing and being into dialogue towards improving relationships with the Earth and Her First Peoples. Through this multimodal exploration, the book builds an analytical foundation for that alliance by considering causes and challenges common to ecological and human colonization. Joined by a generous array of Indigenous and non-Indigenous knowledge-keepers, artists, scholars and citizens, Takach then demonstrates how we can interweave environmental, arts-based and Indigenous perspectives and collaborative meaning-making in our communications to inspire what he calls environmental conciliation.

This volume explores how to engage audiences both beyond and within the academy more deeply in environmental research through arts-based forms. It builds on a multi-pronged case study of scripts for documentary film, audio-visual and stage formats, focusing on how the identity of a place is constructed and contested in the face of environmental concerns around fossil-fuel extraction in a globalized, visual society--and specifically on the rising, international public-relations war over Alberta’s stewardship of the tar sands. Each script is followed by discussion of the author’s choices of initiating idea, research sources, format, voices, world of the story, structure and visual style, and other notes on the convergence of synthesis, analysis and (re)presentation in the script. Included are lively analysis and commentary on screenwriting and playwriting theory, the creation and dissemination of the scripts, and reflections to ground a proposed framework for writing eco-themed scripts for screen, audio-visual and stage formats.

This volume explores how to engage audiences both beyond and within the academy more deeply in environmental research through arts-based forms. It builds on a multi-pronged case study of scripts for documentary film, audio-visual and stage formats, focusing on how the identity of a place is constructed and contested in the face of environmental concerns around fossil-fuel extraction in a globalized, visual society--and specifically on the rising, international public-relations war over Alberta’s stewardship of the tar sands. Each script is followed by discussion of the author’s choices of initiating idea, research sources, format, voices, world of the story, structure and visual style, and other notes on the convergence of synthesis, analysis and (re)presentation in the script. Included are lively analysis and commentary on screenwriting and playwriting theory, the creation and dissemination of the scripts, and reflections to ground a proposed framework for writing eco-themed scripts for screen, audio-visual and stage formats.