Geoff Emberling - Böcker

The cultures of Nubia built the earliest cities, states, and empires of inner Africa, but they remain relatively poorly known outside their modern descendants and the community of archaeologists, historians, and art historians researching them. The earliest archaeological work in Nubia was motivated by the region's role as neighbor, trade partner, and enemy of ancient Egypt. Increasingly, however, ancient Nile-based Nubian cultures are recognized in their own right as the earliest complex societies in inner Africa. As agro-pastoral cultures, Nubian settlement, economy, political organization, and religious ideologies were often organized differently from those of the urban, bureaucratic, and predominantly agricultural states of Egypt and the ancient Near East. Nubian societies are thus of great interest in comparative study, and are also recognized for their broader impact on the histories of the eastern Mediterranean and the Near East. The Oxford Handbook of Ancient Nubia brings together chapters by an international group of scholars on a wide variety of topics that relate to the history and archaeology of the region. After important introductory chapters on the history of research in Nubia and on its climate and physical environment, the largest part of the volume focuses on the sequence of cultures that lead almost to the present day. Several cross-cutting themes are woven through these chapters, including essays on desert cultures and on Nubians in Egypt. Eleven final chapters synthesize subjects across all historical phases, including gender and the body, economy and trade, landscape archaeology, iron working, and stone quarrying.

Museums and the Ancient Middle East is the first book to focus on contemporary exhibit practice in museums that present the ancient Middle East. Bringing together the latest thinking from a diverse and international group of leading curators, the book presents the views of those working in one particular community of practice: the art, archaeology, and history of the ancient Middle East.Drawing upon a remarkable group of case studies from many of the world’s leading museums, including the British Museum, the Louvre, the Metropolitan Museum of Art, the Ashmolean Museum, and the Vorderasiatisches Museum in Berlin, this volume describes the tangible actions curators have taken to present a previously unseen side of the Middle East region and its history. Highlighting overlaps and distinctions between the practices of national, art, and university museums around the globe, the contributors to the volume are also able to offer a unique insight into the types of challenges and opportunities facing the twenty-first century curator.Museums and the Ancient Middle East should be of interest to academics and students engaged in the study of museums and heritage, archaeology, the ancient Near East, Middle Eastern studies, and ancient history. The unique insights provided by curators active in the field ensure that the book should also be of great interest to museum practitioners around the globe.

Museums and the Ancient Middle East is the first book to focus on contemporary exhibit practice in museums that present the ancient Middle East. Bringing together the latest thinking from a diverse and international group of leading curators, the book presents the views of those working in one particular community of practice: the art, archaeology, and history of the ancient Middle East.Drawing upon a remarkable group of case studies from many of the world’s leading museums, including the British Museum, the Louvre, the Metropolitan Museum of Art, the Ashmolean Museum, and the Vorderasiatisches Museum in Berlin, this volume describes the tangible actions curators have taken to present a previously unseen side of the Middle East region and its history. Highlighting overlaps and distinctions between the practices of national, art, and university museums around the globe, the contributors to the volume are also able to offer a unique insight into the types of challenges and opportunities facing the twenty-first century curator.Museums and the Ancient Middle East should be of interest to academics and students engaged in the study of museums and heritage, archaeology, the ancient Near East, Middle Eastern studies, and ancient history. The unique insights provided by curators active in the field ensure that the book should also be of great interest to museum practitioners around the globe.

Graffiti—unsanctioned marks in public built spaces—are increasingly recognized as worthy of study in contexts both ancient and modern. For ancient societies, graffiti are personal expressions that are otherwise rare in the archaeological and historical record. This volume is focused around a group of ancient and medieval figural graffiti found in 2015 by an archaeological project of the Kelsey Museum, University of Michigan, at the site of El-Kurru. Located in northern Sudan, El-Kurru was a royal pyramid burial ground of kings and queens of Kush from about 850 to 650 BCE. Written in conjunction with the exhibition "Graffiti as Devotion along the Nile" at the Kelsey Museum (on view 23 August 2019-29 March 2020), essays by an international group of seven scholars present the site of El-Kurru and its graffiti in historical context. Chapters discuss the history of Kush, ancient graffiti in a funerary temple and medieval graffiti on a pyramid at El-Kurru, and graffiti at other sites in Kush and Egypt (Musawwarat es-Sufra, Philae, and Banganarti) and beyond (Pompeii). Other chapters discuss the rock art of Sudan and methods used for the conservation and documentation of graffiti at El-Kurru. The volume concludes with an annotated catalog of graffiti from El-Kurru and a photo essay of the contemporary Nile Valley practice of "hajj images" that commemorate Muslim pilgrimage. Written to engage non-specialist readers, the book will be of interest to archaeologists, ancient and medieval historians, and art historians working in the Nile Valley and beyond, and to a broader community interested in these subjects.Illustrated in colour and b&w throughout.

At a time when archaeology has turned away from questions of the long-term and large scale, this collection of essays reflects on some of the big questions in archaeology and ancient history - how and why societies have grown in scale and complexity, how they have maintained and discarded aspects of their own cultural heritage, and how they have collapsed. In addressing these long-standing questions of broad interest and importance, the authors develop counter-narratives - new ways of understanding what used to be termed 'cultural evolution'. Encompassing the Middle East and Egypt, India, Southeast Asia, Australia, the American Southwest and Mesoamerica, the fourteen essays offer perspectives on long-term cultural trajectories; on cities, states and empires; on collapse; and on the relationship between archaeology and history. The book concludes with a commentary by one of the major voices in archaeological theory, Norman Yoffee.

With an introduction by Professor McGuire Gibson, this up-to-date account describes the state of the Iraq National Museum in Baghdad and chronicles the damage done to archaeological sites by illicit digging. Contributors include Donny George, John M. Russell, Katharyn Hanson, Clemens Reichel, Elizabeth C. Stone, and Patty Gerstenblith. Published in conjunction with the exhibit of the same name opening at the Oriental Institute April 10, 2008, this book commemorates the fifth anniversary of the looting of the Iraq National Museum.