George and Weedon Grossmith – författare

`Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to see - because I do not happen to be a `Somebody' - why my diary should not be interesting.'The Diary of a Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to be seen as the epitome of English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency. Both celebration and critique, The Diary of a Nobody has often been imitated, but never bettered. This edition features Weedon Grossmith's hilarious illustrations and is complemented by an enjoyable introduction discussing the book's social background and suburban fiction as a genre. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Charles Pooter of Upper Holloway, a middle-class clerk with social aspirations far beyond his status, has decided the world deserves to hear his diary. He has one night, a troupe of actors and an empty stage to impart the woes of his humdrum existence to anyone who will listen.Adapted by Hugh Osborne from the Victorian comedy of manners, Diary of a Nobody features a small cast uproariously recreating the trials and tribulations of Pooter’s daily grind in Victorian London.Premiered at Royal & Derngate Theatre, Northampton, in March 2011, this highly energetic adaptation is also ideal for amateur theatre companies wanting to stage a freewheeling version of a classic novel.