George Gissing – författare

'Because one book had a sort of success he imagined his struggles were over.'Scholarly, anxious Edwin Reardon had achieved a precarious career as the writer of serious fiction. On the strength of critical acclaim for his fourth novel, he has married the refined Amy Yule. But the brilliant future Amy expected has evaded her husband. The catastrophe of the Reardon's failing marriage is set among the rising and falling fortunes of novelists, journalists, and scholars who labour 'in the valley of the shadow of books'.George Gissing's New Grub Street was written at breakneck speed in the autumn of 1890 and is considered his best novel. Intensely autobiographical, it reflects the literary and cultural crisis in Britain at the end of the nineteenth century.

The Nether World (1889) is generally regarded as the finest of Gissing's early novels. A fast moving story of highly dramatic, sometimes violent scenes, it depicts life amongst the artisans, factory-girls, and slum-dwellers of Clerkenwell in the 1870s. But this is not just a novel of documentary realism. It is one man's mordant vision - shaped by bitter personal experience of poverty - of the quality of life endured by a variety of characters in the nether world. With Zolaesque intensity and relentlessness, Gissing lays bare the economic forces which determine the aspirations and expectations of those born to a life of labour.This is a tale of intrigue, as rapacious schemers try to wrest a fortune out of a mysterious old man who has returned to their midst, and of thwarted love. There is no sentimentality. This is a world in which the strong exercise power against their own kind, scheming and struggling for survival, a world from which, Gissing bleakly maintains, there can be no escape. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`there are half a million more women than men in this unhappy country of ours . . . So many odd women - no making a pair with them.' The idea of the superfluity of unmarried women was one the `New Woman' novels of the 1890s sought to challenge. But in The Odd Women (1893) Gissing satirizes the prevailing literary image of the `New Woman' and makes the point that unmarried women were generally viewed less as noble and romantic figures than as `odd' and marginal in relation to the ideal of womanhood itself. Set in grimy, fog-ridden London, these `odd' women range from the idealistic, financially self-sufficient Mary Barfoot and Rhoda Nunn, who run a school to train young women in office skills for work, to the Madden sisters struggling to subsist in low-paid jobs and experiencing little comfort or pleasure in their lives. Yet it is for the youngest Madden sister's marriage that the novel reserves its most sinister critique. With superb detachment Gissing captures contemporary society's ambivalence towards its own period of transition. The Odd Women is a novel engaged with all the major sexual and social issues of the late-nineteenth century. Judged by contemporary reviewers as equal to Zola and Ibsen, Gissing was seen to have produced an `intensely modern' work and it is perhaps for this reason that the issues it raises remain the subject of contemporary debate. *Introduction *Textual Note *Bibliography *Chronology *Explanatory Notes *Map ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Marriage rarely means happiness, either for man or woman; if it be not too grievous to be borne, one must thank the fates and take courage'.The greatest of English realist novelists, famous for New Grub Street, George Gissing creates in The Whirlpool an astonish picture of characters caught in the vortex of London, struggling to understand how they can make sense of their lives in a society of remorseless faithlessness and social snobbery.A whole era is magnificently brought to life in all its glamour and squalor - and at the book's heart lies one of the most remarkable figures in English literature: Alma Rolfe, torn between an idyll of rural domesticity and her career in London as a musician.

In New Grub Street George Gissing re-created a microcosm of London's literary society as he had experienced it. His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.

Virginia and Alice Madden are 'odd women', growing old alone in Victorian England with no prospect of finding love. Forced into poverty by the sudden death of their father, they lead lives of quiet desperation in a genteel boarding house in London. Meanwhile, their younger sister Monica, struggles to endure a loveless marriage she agreed to as her only escape from spinsterhood. But when the Maddens meet an old friend, Rhoda Nunn, they are soon made aware of the depth of their oppression. Astonishingly ahead of its time, The Odd Women is a pioneering work of early feminism. Gissing's depiction of the daring feminist Rhoda Nunn, it is an unflinching portrayal of one woman's struggle to reconcile her own desires with her deepest principles.

'If only I had the skill, I would produce novels out-trashing the trashiest that ever sold fifty thousand copies'In New Grub Street George Gissing re-created a microcosm of London's literary society as he had experienced it. His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

''Because one book had a sort of success he imagined his struggles were over.'' Scholarly, anxious Edwin Reardon had achieved a precarious career as the writer of serious fiction. On the strength of critical acclaim for his fourth novel, he has married the refined Amy Yule. But the brilliant future Amy expected has evaded her husband. The catastrophe of the Reardon''s failing marriage is set among the rising and falling fortunes of novelists, journalists, and scholars who labour ''in the valley of the shadow of books''. George Gissing''s New Grub Street was written at breakneck speed in the autumn of 1890 and is considered his best novel. Intensely autobiographical, it reflects the literary and cultural crisis in Britain at the end of the nineteenth century.

''Because one book had a sort of success he imagined his struggles were over.'' Scholarly, anxious Edwin Reardon had achieved a precarious career as the writer of serious fiction. On the strength of critical acclaim for his fourth novel, he has married the refined Amy Yule. But the brilliant future Amy expected has evaded her husband. The catastrophe of the Reardon''s failing marriage is set among the rising and falling fortunes of novelists, journalists, and scholars who labour ''in the valley of the shadow of books''. George Gissing''s New Grub Street was written at breakneck speed in the autumn of 1890 and is considered his best novel. Intensely autobiographical, it reflects the literary and cultural crisis in Britain at the end of the nineteenth century.

`there are half a million more women than men in this unhappy country of ours . . . So many odd women - no making a pair with them.''The idea of the superfluity of unmarried women was one the `New Woman'' novels of the 1890s sought to challenge. But in The Odd Women (1893) Gissing satirizes the prevailing literary image of the `New Woman'' and makes the point that unmarried women were generally viewed less as noble and romantic figures than as `odd'' and marginal in relation to the ideal of womanhood itself. Set in grimy, fog-ridden London, these `odd'' women range from the idealistic, financially self-sufficientMary Barfoot and Rhoda Nunn, who run a school to train young women in office skills for work, to the Madden sisters struggling to subsist in low-paid jobs and experiencing little comfort or pleasure in their lives. Yet it is for the youngest Madden sister''s marriage that the novel reserves its most sinistercritique.With superb detachment Gissing captures contemporary society''s ambivalence towards its own period of transition. The Odd Women is a novel engaged with all the major sexual and social issues of the late-nineteenth century. Judged by contemporary reviewers as equal to Zola and Ibsen, Gissing was seen to have produced an `intensely modern'' work and it is perhaps for this reason that the issues it raises remain the subject of contemporary debate.*Introduction *Textual Note *Bibliography *Chronology *Explanatory Notes *MapABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`there are half a million more women than men in this unhappy country of ours . . . So many odd women - no making a pair with them.''The idea of the superfluity of unmarried women was one the `New Woman'' novels of the 1890s sought to challenge. But in The Odd Women (1893) Gissing satirizes the prevailing literary image of the `New Woman'' and makes the point that unmarried women were generally viewed less as noble and romantic figures than as `odd'' and marginal in relation to the ideal of womanhood itself. Set in grimy, fog-ridden London, these `odd'' women range from the idealistic, financially self-sufficientMary Barfoot and Rhoda Nunn, who run a school to train young women in office skills for work, to the Madden sisters struggling to subsist in low-paid jobs and experiencing little comfort or pleasure in their lives. Yet it is for the youngest Madden sister''s marriage that the novel reserves its most sinistercritique.With superb detachment Gissing captures contemporary society''s ambivalence towards its own period of transition. The Odd Women is a novel engaged with all the major sexual and social issues of the late-nineteenth century. Judged by contemporary reviewers as equal to Zola and Ibsen, Gissing was seen to have produced an `intensely modern'' work and it is perhaps for this reason that the issues it raises remain the subject of contemporary debate.*Introduction *Textual Note *Bibliography *Chronology *Explanatory Notes *MapABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Nether World (1889) is generally regarded as the finest of Gissing''s early novels. A fast moving story of highly dramatic, sometimes violent scenes, it depicts life amongst the artisans, factory-girls, and slum-dwellers of Clerkenwell in the 1870s. But this is not just a novel of documentary realism. It is one man''s mordant vision - shaped by bitter personal experience of poverty - of the quality of life endured by a variety of characters in the netherworld. With Zolaesque intensity and relentlessness, Gissing lays bare the economic forces which determine the aspirations and expectations of those born to a life of labour.This is a tale of intrigue, as rapacious schemers try to wrest a fortune out of a mysterious old man who has returned to their midst, and of thwarted love. There is no sentimentality. This is a world in which the strong exercise power against their own kind, scheming and struggling for survival, a world from which, Gissing bleakly maintains, there can be no escape.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Hailed as Gissing’s finest novel, New Grub Street portrays the intrigues and hardships of the publishing world in late Victorian England. In a materialistic, class-conscious society that rewards commercial savvy over artistic achievement, authors and scholars struggle to earn a living without compromising their standards. “Even as the novel chills us with its still-recognizable portrayal of the crass and vulgar world of literary endeavor,” writes Francine Prose in her Introduction, “its very existence provides eloquent, encouraging proof of the fact that a powerful, honest writer can transcend the constraints of commerce.” This Modern Library Paperback Classic is set from the text of the 1891 first edition.

Five odd women—women without husbands—are the subject of this powerful novel, set in Victorian London, by a writer whose perceptions about people, particularly women, would be remarkable in any age and are extraordinary in the 1890s. The story concerns the choices that five different women have to make and what those choices imply about men's and women's status in society and relationship to each other.Alice and Virginia Madden, suddenly left adrift by the death of their improvident father, must take grinding and humiliating "genteel" work. Terrified of sharing their fate, their younger sister Monica accepts a proposal of marriage from a man who gives her financial security but makes her life wretched.Interwoven with their fortunes are Mary Barfoot and Rhoda Nunn, who are dedicating their lives to training young women in skills they can use to support themselves. Their broader aim is to help free both sexes from whatever distorts or depletes their humanity—including, if necessary, marriage. Into their lives comes Mary's forceful and engaging cousin, Everard Barfoot, and as he and Rhoda become locked in an increasingly significant and passionate struggle, Rhoda finds out through the refining fire what "love" sometimes means and what it means to be true to herself.

Gissing's career, which spanned the period of about 1877 to his death in 1903, was characterized by prodigious output (almost a novel a year in the early days), modest recognition, and modest income. He wrote of poverty, socialism, class differences, social reform, and later on, about the problems of women and industrialization. His best known works are New Grub Street (1891) and Private Papers of Henry Ryecroft (1903), rich sources of social commentary that reflect a literary transition from the Victorian to the modern period.For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927. Now the editors have culled widely scattered sources—private and public collections, journals, newspapers, memoirs, biographies, and sales catalogs—to gather and organize Gissing's correspondence, including letters to him, and to provide an editorial context.The years 1892-1895 saw an increase in the bulk and scope of Gissing's literary production, coinciding with his new and cordial association with publishers Bullen and Lawrence. During this period, the partners published Denzil Quarrier, The Odd Women, In the Year of Jubilee, ad Eve's Ransom, while A. and C. Black brought out Born in Exile. Gissing's correspondence with his publishers, some of which is printed here for the first time, is matched in significance by his letters to his literary agent William Morris Colles and to editors such as Clement Shorter, who were instrumental in turning Gissing to the short story. His domestic life remained grim: his unfortunate marriage ruled out the possibility of satisfactory social relationships, and his anxiety over the care of his son Walter was eased only by sending the infant away to stay with strangers. New friends, especially Clara Collet and Edward Clodd, were a precious asset—in their presence he could be his better self, a highly cultured, joy-loving individual whose work was finding greater favor with the public.