George Hoffmann – författare

Reforming French Culture is a ground-breaking work on the literary genre of Reformation satire—colloquial, obscene, scatological—designed to mock the excesses as well as the essence of the Roman Catholic rite and hierarchy. Enticingly, Hoffmann proposes that while romance, with its episodic, heroic narrative, is the literary genre of Counter-Reformation, satire is the genre of Reformation. This minor category of Renaissance French literature is anunstudied continent that plays a key role, not only in French literature, but also in French history, and in the evolution of French culture more generally. From this deceptively small focus, the volume opens up huge vistas: on the Reformation, on French history, and on the symbiosis of spirituality and estrangementto which it views modern French culture as heir.Rather than using literature to illustrate history, or contextualizing literature through historical background, this book brings literary understanding (what satire is and what it does) to bear on historical understanding. Situated at the crossroads of religion, literature, and cultural history, it explores how France, in this period, became a culturally Protestant country while remaining confessionally Catholic.

Reforming French Culture is a ground-breaking work on the literary genre of Reformation satire—colloquial, obscene, scatological—designed to mock the excesses as well as the essence of the Roman Catholic rite and hierarchy. Enticingly, Hoffmann proposes that while romance, with its episodic, heroic narrative, is the literary genre of Counter-Reformation, satire is the genre of Reformation. This minor category of Renaissance French literature is anunstudied continent that plays a key role, not only in French literature, but also in French history, and in the evolution of French culture more generally. From this deceptively small focus, the volume opens up huge vistas: on the Reformation, on French history, and on the symbiosis of spirituality and estrangementto which it views modern French culture as heir.Rather than using literature to illustrate history, or contextualizing literature through historical background, this book brings literary understanding (what satire is and what it does) to bear on historical understanding. Situated at the crossroads of religion, literature, and cultural history, it explores how France, in this period, became a culturally Protestant country while remaining confessionally Catholic.

In Montaigne's age hardly anyone made a living through writing. This book examines the practical world in which he and his peers wrote in order to suggest that works like the Essays, for all the status they enjoy today as classics, neither originated in detached pursuits nor flourished as self-contained activities. From where did his wealth come? How did he spend his days at home on the family estate? How did he publish his book? Following Montaigne from his wine presses to the printing press reveals that he may have expended much more time and effort managing his family's property than has been thought, that publishing demanded he perform professional tasks such as financing, proofreading, and revising for his publisher, and finally that rather than an alternative to a political career, writing may have played an integral role in his political ambitions.

Reforming French Culture is a ground-breaking work on the literary genre of Reformation satire--colloquial, obscene, scatological--designed to mock the excesses as well as the essence of the Roman Catholic rite and hierarchy. Enticingly, Hoffmann proposes that while romance, with its episodic, heroic narrative, is the literary genre of Counter-Reformation, satire is the genre of Reformation. This minor category of Renaissance French literature is an unstudied continent that plays a key role, not only in French literature, but also in French history, and in the evolution of French culture more generally. From this deceptively small focus, the volume opens up huge vistas: on the Reformation, on French history, and on the symbiosis of spirituality and estrangement to which it views modern French culture as heir. Rather than using literature to illustrate history, or contextualizing literature through historical background, this book brings literary understanding (what satire is and what it does) to bear on historical understanding. Situated at the crossroads of religion, literature, and cultural history, it explores how France, in this period, became a culturally Protestant country while remaining confessionally Catholic.